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      <title-group>
        <article-title>A Survey Based Analysis on Training Opportunities</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Dr. Jūratė Kuprienė</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Vilnius University Library Vilnius</institution>
          ,
          <country country="LT">Lithuania</country>
        </aff>
      </contrib-group>
      <abstract>
        <p>- This paper represents the results of a survey based analysis on training opportunities conducted under the DigCurV, a project funded by the European Commission's Leonardo da Vinci programe. The analysis of training opportunities was conducted at the start of the project with the aim to identify, document and analyze the training courses, curriculum, resources that are available for vocational training in digital curation at national and international levels.</p>
      </abstract>
      <kwd-group>
        <kwd>- Training opportunities</kwd>
        <kwd>digital curation</kwd>
        <kwd>vocational training</kwd>
        <kwd>DigCurV</kwd>
      </kwd-group>
    </article-meta>
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      <title>-</title>
      <p>INTRODUCTION</p>
      <p>Digital Curator Vocational Education Europe Project –
DigCurV, funded by the European Commission’s Leonardo da
Vinci programe, was started in the beginning of 2011 with the
aim to establish a curriculum framework for vocational training
in digital curation. In order to support and extend the
vocational training for digital curators in the library, archives,
museums and cultural activities sector for the first phase of the
project it was important to learn what are the existing training
initiatives and possibilities. A survey based analysis was
conducted and the existing training courses, curriculum,
resources, good practice instances that were available for
vocational training in digital curation at national and
international levels were identified, analysed, classified and
profiled. The results of the survey were used to establish the
main DigCurV product – a curriculum framework. This paper
represents the main results of the survey based analysis.</p>
      <p>III.</p>
      <p>METHODOLOGY</p>
      <p>In April 2011 a survey on training opportunities in digital
curation and long-term preservation project was distributed.
The aim of a survey was to establish how many such
opportunities were available for digital curators working in
libraries, archives, museums and the cultural heritage sector
during the preceding two years. A letter inviting participation
in the survey was disseminated via email lists to various
national and international institutions with interest and/or
involvement in digital curation and preservation training
activity as identified from the registry established in the Digital
Preservation Europe project, funded by the European
Commission within the Sixth Framework Programme, and
other contacts. The deadline for returning completed
questionnaires was the end of June 2011. In total sixty
completed responses from sixteen countries were received. The
highest numbers of respondents were located in the UK (11),
Germany (9), Italy (8), Netherlands (5), USA (5) and Spain (5).
There were however a significant number of other European
countries represented, namely Czech Republic, Lithuania,
Estonia, Switzerland, Ireland, Austria, Belgium, Sweden,
France and Turkey. There were no serious difficulties in getting
a sufficient number of surveys completed by competence
centers from Europe, but it was much more difficult to reach
competence centers in the rest of the world. Only very few
responses from the latter were received.</p>
      <p>The survey included basic questions about the organisation
but focused on issues related to training content,
methodologies, delivery options, and assessment, certification
and best practices for training and continuous professional
development. The structure of the questionnaire:</p>
    </sec>
    <sec id="sec-2">
      <title>Information about institution; Information about trainings provided by the institution:</title>
    </sec>
    <sec id="sec-3">
      <title>Type of training;</title>
    </sec>
    <sec id="sec-4">
      <title>Target audience and their knowledge;</title>
    </sec>
    <sec id="sec-5">
      <title>Key topics covered;</title>
    </sec>
    <sec id="sec-6">
      <title>Training format;</title>
    </sec>
    <sec id="sec-7">
      <title>Trainers;</title>
    </sec>
    <sec id="sec-8">
      <title>Learning attending;</title>
    </sec>
    <sec id="sec-9">
      <title>Assessment;</title>
    </sec>
    <sec id="sec-10">
      <title>Certification; Evaluation; objectives and benefits of</title>
      <p>o
o
o
o
o
o
o
Information about the future plans to organize
such trainings.</p>
      <p>IV.</p>
    </sec>
    <sec id="sec-11">
      <title>THE RESULTS OF THE ANALYSIS</title>
      <p>A. Population of institutions providing training opportunities</p>
      <p>To recognize the opportunities for training in this field in
general and to gather information on the current status of
training worldwide institutions were asked if they had
organized courses for digital curators during the last two years.
This time period was chosen to gather more recent information.
Respondents could choose only one appropriate answer. Only
40% (24) of respondents replied that they had organized
training for digital curators. Most of the respondents (59%)
who had organized training had run between 2 and 7 training
courses during two years. 7 respondents had only one and 4
respondents reported more than ten (France, UK, Germany and
Belgium).</p>
      <p>Institutions indicated many diverse reasons for not
organizing training events, with more than half mentioning lack
of funds (10) or lack of need (9) as the main issues. Six
respondents did not consider this issue as currently important,
stating they did not have enough time, concern or that it was
not within institutional priority or mission. Four institutions
noted that, as recently established organisations, they either
hadn’t yet had the time or were not yet ready to start organizing
training.</p>
      <p>
        The types of institutions participating in a survey were quite
heterogeneous (Fig. 1). A large majority of the respondents
were from libraries (17), universities (12), archives (8) and the
business sector (7), as well as various competence centres (4),
associations (3) and the following types of organisation:
research institute (
        <xref ref-type="bibr" rid="ref1">1</xref>
        ), consortium (
        <xref ref-type="bibr" rid="ref1">1</xref>
        ), museum (
        <xref ref-type="bibr" rid="ref1">1</xref>
        ), data centre
(
        <xref ref-type="bibr" rid="ref1">1</xref>
        ), state agency (
        <xref ref-type="bibr" rid="ref1">1</xref>
        ), nonprofit institution (
        <xref ref-type="bibr" rid="ref1">1</xref>
        ), advisory body
(
        <xref ref-type="bibr" rid="ref1">1</xref>
        ), government (
        <xref ref-type="bibr" rid="ref1">1</xref>
        ) and project (
        <xref ref-type="bibr" rid="ref1">1</xref>
        ). The diversity of the
institutions demonstrates that the topic is important not only to
cultural organisations but also to academic, business and public
sector organisations.
      </p>
      <p>B. Trainings provided by the institutions</p>
      <p>The next set of questions related to individual training
events and key information about:
•
•</p>
      <p>Accessibility of training. This question was asked in
order to find out how accessible training courses were to
various types of audience. Most of the training events were
open to all (29%) and to the professional community
(45%) at national and international levels. Twenty-seven
percent of training was only open to the host institution.
Target audience. Most courses were aimed at several
target audiences. The groups with the most opportunities to
improve their knowledge in the digital curation field were
practitioners (88%) and researchers (58%) from archives,
libraries, museums or academic institutions. Forty-eight
•
percent of all training was also appropriate for developers
employed by commercial vendors or institutional IT
experts within the museums, libraries, archives,
government and business sectors, who are responsible for
digital curation. Finally 33% of events were targeted at
students from various sectors.</p>
      <p>Required experience. Institutions were asked if their
training required any experience or prior knowledge from
their target audience(s). Most of the 48 training events
required only basic understanding of digital curation issues
(57%) or no pre-knowledge at all (36%) (Fig. 2). One
respondent commented that they generally expect that
there are curation activities happening at the organisation
where the person works. The rest were more specific; two
courses (4%) were aimed at experienced data curators and
one (2%) required technical knowledge.
Key topics covered. The survey results show that a
variety of topics were covered in training courses (Fig.
3).
General knowledge (77%) about key needs and
challenges in this area, as well as digital curation
standards (66%) and strategic planning (60%) were
particularly popular topics, showing these topics are
especially valuable and provide useful knowledge to
take back to individual institutions. Other topics were
also well-covered: technical issues were taught in
twenty-three courses (49%), legal aspects in twenty
courses (43%), digital curation and preservation tools
•
•
•
in seventeen (36%), digital repository audit and
certification in sixteen (34%), and trusted repositories
in fifteen (32%). Twenty-three percent of courses also
proposed other topics, including file formats, risk
assessment, terminology of digital curation, digital
curation life cycle model and web archiving.</p>
      <p>Training format. The survey results showed that most
digital curation courses were delivered in traditional
format: large group workshops, a mixture of lectures
and practical exercises (69%) and small group
handson training, focused on practical activities (19%). Only
three events (6%) were delivered in blended format,
with one respondent explaining that it was a small
group hands-on training together with online
selfpaced courses. One respondent also mentioned that
they deliver a regular academic course, taught
synchronously via an online system. Two others noted
that they deliver a small group seminar, mixture of
lectures and practical exercises and large group
workshop.</p>
      <p>Trainers. Most trainers were practitioners – in-house
(74%) or external (57%) subject specialists. Several
courses were delivered by in-house (32%) or external
(26%) training professionals and two respondents also
mentioned online course developers (4%) and one an
academic faculty (2%) (Fig. 4).
Learning objectives. Respondents were asked to list
up to 5 objectives of the training course. For this
question we received information about 38 training
events out of a possible 48. The majority of objectives
highlighted understanding of the main areas of digital
curation: increasing awareness of the critical
challenges and trends in the emerging data curation
field; latest developments in managing digital
information; and requirements for data curation in
different organisational, technological, legal, cultural,
and business environments. A significant number of
respondents also mentioned policy and technical
aspects as important objectives: ensuring capacity in
developing internal policy for organisations involved in
data curation; getting to know the standards applied;
providing knowledge about some of the most
up-todate digital preservation methods and differences
•
between them; data management planning; and
learning essentials on data repository systems, web
archiving and file formats. Some organizers
highlighted partnership with designated communities,
broad knowledge of current networks, trends and
projects and learning best practice for digital curation
activities as important objectives.</p>
      <p>Training materials. Almost half (48%) of respondents
noted that they provided pre-course supporting
material. More than half (76%) provided training
material after the course. Before the course, most
organizers provided PowerPoint presentations,
introductions to particular topics (OAIS, TDR, METS,
DCC lifecycle model) and other course materials
prepared by teaching experts. Respondents also
mentioned biographies of trainers, lists of
recommended readings, location information,
schedules and lists of topics. Some organizers also
delivered surveys to find out outcomes and
expectations of delegates. The bulk of materials
provided after the courses were arranged as
PowerPoint presentations as well as other supporting
material (literature, leaflets etc.). Supporting material
was available on training or organizing institution
websites, the Moodle course management system or
internal wikis. Only fourteen respondents specified for
whom training material was available, with 71% of
them noting that it was accessible only for attendees of
the course and 29% that it was accessible for all.</p>
      <p>Benefits of attending. The majority highlighted
various competences and capacities which attendees
will gain during the course: ability to make choices
between short, medium and long-term digital
preservation; becoming able to define strategy and
planning in the field; understanding of the preservation
planning process and its benefits to overall digital
preservation strategies; acquiring competence on the
main tools and standards; capacity to dynamically
interpret rules and legislation; knowledge of the role
and use of metadata and representation information
needed for preservation; and knowledge of web
archiving and implementation of existing software etc.
A significant number of respondents also mentioned
networking and the ability to exchange knowledge as
an important benefit. Some respondents mentioned the
opportunity to encounter experienced national and
international experts as a good benefit of attending.
Two respondents indicated the benefit of credits. One
respondent noted the importance of training for
dissemination of digital culture. The remaining
answers included empowering delegates, for fun, to
realise specific products, and encouraging thinking
proactively instead of fixing things afterwards.</p>
      <p>Assessment, certification, credits. The majority of
organizers (79%) didn’t offer any assessment, 9%
offered tests, and 6% exams (written exercises, oral
questions or practical tasks). The results showed that
40% of all training provided attendees with certificates
•
as result of the course. Some courses (3) did not
provide any certification even when there was student
assessment. Some respondents specified the type of
certification and results received show that 42% of
those certificates were vocational and 32% academic.
The results show that 34% (16) of all training provided
credits. Three mentioned that they give two ECTS
credits for attendance at their course, two respondents
noted that they give four ECTS credits for attendance,
and some respondents commented that it depends on
university rules, work done and the time spent.</p>
      <p>Evaluation. Respondents were asked if they evaluated
their own training events and if so, how. The results
showed that most organizers (83%) use feedback
questionnaires as their training evaluation method (Fig.
5). One organizer noted that they use feedback
questionnaires at the end of the course and then
followup questionnaires after several months. The other
organizers use follow-up questionnaires (4%) or no
evaluation at all (9%). One respondent reported that
they obtain feedback by discussion with the students
rather than by using a questionnaire.
C. Future plans of institutions providing training events
The last part of the questionnaire focused on future plans.
The results showed that almost half (43%) of respondents were
planning to organize such training events during next two
years, 32% may organize and 25% were not planning to
organize. All respondents who were planning to organize
training events provided short descriptions on possible topics,
learning outcomes and/or format. Respondents named very
diverse topics, but several mentioned a general introduction to
digital preservation (5). Others noted attributing metadata,
evaluating the format of digital resources, checking an
OAIScompliant ingest plan, data archiving of scientific data sets and
management of photo archives. With regards to learning
outcomes, these included raising awareness about digital
preservation and existing tools, learning about current
developments in the field, understanding the risks associated
with storing existing information for future access, and
understanding the implication of business need in accessing
older information.</p>
      <p>Responses received show that most training events will be
aimed at practitioners from the cultural heritage sector:
museum professionals, library personnel and other digital
curators working with digital materials. A few respondents
were planning to provide internal training that addresses
specific in-house requirements. All the information received
shows that training courses planned during the next two years
are similar to those that are being organized now. They cover
many of the same topics (general principles) and learning
outcomes, are of a similar duration, and have the same target
audiences. However some more specialised themes are starting
to emerge, according to the needs of particular institutions,
sectors or for a particular kind of data (scientific data, photo
archives).</p>
    </sec>
    <sec id="sec-12">
      <title>CONCLUSIONS FROM THE SURVEY</title>
      <p>The results of the training opportunities survey illustrate
various pertinent points.</p>
      <p>The differing levels of awareness of the field of digital
preservation are an important consideration for those engaged
in curriculum design. Some institutions are just beginning to
acknowledge their needs whilst others are already searching for
specific solutions. Even more fundamentally, the concept of
digital curation itself should be defined by training providers as
some respondents appear to see no clear difference between
digitization and digital preservation.</p>
      <p>The variety of institutions should be taken into account:</p>
      <p>The results suggest that the future curriculum
framework should correspond not only to the
needs of the cultural sector but also of business or
public sector organisations.</p>
      <p>The differentiation of the topics required by each
of these sectors should be considered. While some
organisations are still taking their first steps in this
field, others are facing very specific challenges
such as managing a particular kind of data.</p>
      <p>Due to the dynamic rate of development of the digital
preservation field, the content of each topic should be regularly
revised, to ensure the material presented reflects the emerging
research and practice in the field.</p>
      <p>Training initiatives should aim to synthesize digital
preservation knowledge, skills and practices into a coherent
information management cycle covering the entire lifecycle of
the digital object from ingest to access, use and re-use.</p>
      <p>The selection of appropriate training formats as well as
availability of training course materials before and/or after the
course should also be kept in mind.</p>
      <p>It is necessary to employ both parts of the content of the
course or the entire curriculum and teaching methods to build
certain competencies and capabilities that may vary depending
on the digital curator profile of the intended audience,
suggesting closer interaction between practice and theory. This
can be developed through closer collaboration with
practitioners and by learning more about the digital
preservation labour market demands: using this knowledge will
enhance development of understanding of the core skills of
digital curation for the current labour market. These core skills
can be augmented by additional sector-specific skills. Again,
however, this is an aspect of any curriculum which needs to be
iteratively revised over time to ensure its currency.</p>
      <p>In addition, training courses naturally need to equip
attendees with the skills to meet digital curation challenges, but
there is also a need to raise awareness of why successful digital
curation action is important to undertake in the first place. Such
flexibility in vocational training requires collaboration between
organizers of relevant courses and the ongoing exchange of
teaching ideas, methods and techniques. This aspect of training
– the awareness-raising or outreach level – is less affected by
emerging trends in digital curation practice and so materials
developed for this part of the curriculum are probably more
durable, requiring less regular iterative revision.
This paper cites the deliverable of the DigCurV project:</p>
    </sec>
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</article>