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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>Linear diagrams in the 17th and 18th centuries.</article-title>
      </title-group>
      <contrib-group>
        <aff id="aff0">
          <label>0</label>
          <institution>Department of Philosophy</institution>
          ,
          <addr-line>History</addr-line>
          ,
          <institution>Culture and Art Studies University of Helsinki &amp; Ragnar Nurkse School of Innovation and Governance Tallinn University of Technology Tallinn, Estonia &amp; Helsinki</institution>
          ,
          <country country="FI">Finland</country>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>Francesco Bellucci (Author) Amirouche Moktefi (Author) Ragnar Nurkse School of Innovation and Governance Tallinn University of Technology Tallinn</institution>
          ,
          <country country="EE">Estonia</country>
        </aff>
      </contrib-group>
      <fpage>23</fpage>
      <lpage>30</lpage>
      <abstract>
        <p>-This paper explores the notion of autarchy of diagrammatic notations for logic debated in the Germanspeaking world of the 18th-century, especially as applied to linear diagrams invented by G. W. Leibniz and J. H. Lambert.</p>
      </abstract>
      <kwd-group>
        <kwd>linear diagrams</kwd>
        <kwd>autarchy</kwd>
        <kwd>Leibniz</kwd>
        <kwd>Lambert</kwd>
        <kwd>Ploucquet</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>INTRODUCTION</title>
      <p>
        In this paper we explore the notion of autarchy of
diagrammatic representation that was debated in the
Germanspeaking world in the 18th century. What is diagrammatic
autarchy? In one of his writings, Leibniz claimed that one of
the aims of the characteristica universalis (his big project of a
general formal and deductive method for science) is to find
“autarchic” (αυτάρκεις) characters: “One must know that
characters are more perfect the more they are autarchic, in
such a way that all the consequences can be derived from
them” [1, pp. 800-801]. We will use this Leibnizian term to
indicate an important property of some diagrammatic
representations, and we will try to show that much of the
debate about diagrams and iconic representations in the 18th
century, largely reported in [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ], may be considered as a debate
about the notion of autarchy. Of course, there is much more in
that debate than the discussion of diagrams for syllogistic [3;
4, ix]. However, we believe that the notion of autarchy is able
to capture an important aspect of that debate. We will focus on
the linear diagrams invented by Leibniz and Lambert and
discussed in the German logical panorama of that time.
      </p>
      <p>We do not attempt to answer the question whether or not
the notion of autarchy might be re-phrased or explained in the
terms of some contemporary theory of diagrammatic
reasoning or read through a more sophisticated
logicalphilosophical conception, although we will mention a couple
of interesting parallels in the last section. Our principal aim
here is to understand what these thinkers thought about
diagrammatic representations, and especially what their
criteria were to believe that one system of diagrammatic
representation is better than, or preferable to, another with</p>
    </sec>
    <sec id="sec-2">
      <title>Ahti-Veikko Pietarinen (Author)</title>
      <p>respect to its being more or less autarchic. To be precise,
therefore, our reconstruction contributes not so much to the
history of logic diagrams, but to the history of the ideas about
logic diagrams, or to the history of the philosophy of
diagrams.</p>
      <p>I.</p>
    </sec>
    <sec id="sec-3">
      <title>LEIBNIZ</title>
      <p>In some of his writings, Leibniz (1646-1716) claimed that
the aim of the characteristic is to find (adhibire) characters
such that all the consequences can be derived from them. Such
characters are “autarchic” (αυτάρκεις). Paraphrasing Heinrich
Hertz’s famous maxim, Leibniz’s ideal of diagrammatic
autarchy amounts to this, that the necessary logical
consequences of the diagram are always the diagram of the
natural necessary consequences of imagined object [5, p. 75].</p>
      <p>In his mathematical and logical works, Leibniz worked out
different examples of “autarchic” systems of symbols. For
example, the binary notation is said to be more autarchic than
the decimal in that in the binary “all that can be affirmed about
numbers can be demonstrated from their characters” [1, p.
800], which is not true for the decimal. Further, Leibniz
considered algebra as an imperfect instrument for treating
geometry; algebra is only the characteristic of indeterminate
numbers or magnitudes (grandeurs), but does not express
places, angles and motion. A more perfect system of
geometrical notation (characteristica geometrica) is therefore
imaginable in which the simple enunciation of the problem is
already its solution, or one in which the enunciation, the
construction and the demonstration are one and the same thing
[1, p. 910; 6, II, pp. 20-21, 228-229; 6, V, pp. 141ff).</p>
      <p>The notion of autarchy also applies to logical notations. In
his 1686 “Generales Inquisitiones de Analysi Notionum et
Veritatum” [7, pp. 356-399] and in other writings of roughly
the same period [7, pp. 206-210, 247-249, 292-321], Leibniz
proposes a system for representing propositions and
syllogisms by means of linear diagrams. Such diagrams, as
one of these writings says, are expressly intended as a
“demonstration of the logical form” (de forma logicae
comprobatione per linearum ductus [7, p. 292].</p>
      <p>In Leibniz’s linear system (Figures 1-4) the extension of
concepts is represented by parallel straight lines, while the
dotted vertical lines indicate the relation of inclusion or
exclusion among concepts: when the vertical lines cut off real
segments on each parallel, the proposition is affirmative, when
they pass entirely outside of one or both the parallels the
proposition is negative (cf. [8; 4, viii]). Leibniz claims that this
system is capable of showing which of the four propositional
forms are convertible and which are not. The diagrams of the
universal negative and of the particular affirmative (Figures 2,
3) are symmetrical, and therefore these propositions are
convertible (conversio simplex: “No B is C” is convertible into
“No C is B”; the same applies to the particular: “Some B is C”
is convertible into “Some C is B”); The diagrams of the
universal affirmative and of the particular negative (Figures 1,
4) are not symmetrical, and therefore these propositions are
not convertible. Of course the universal affirmative is
convertible into a particular (per accidens: “All A are B”, then
“Some B is A”).</p>
      <p>It is important to note that, besides these linear diagrams,
Leibniz draws the correspondent circular diagrams in the way
Euler would do later. To differentiate the circular diagram of
the particular affirmative from that of the particular negative,
he uses letters (Figures 3, 4). In the circular diagrams the
letters are placed in such a way as to indicate the nature of the
proposition, whether affirmative or negative. In the linear
diagrams this expedient is not necessary, for the figure shows
by itself whether the particular proposition is affirmative or
negative. Therefore, Leibniz believes, the linear are more
autarchic than the circular diagrams, for in the latter the figure
is not self-sufficient in determining whether the proposition is
affirmative or not: we must use a conventional or symbolical
devise in order to differentiate the two forms.</p>
      <p>
        Fig. 1. [
        <xref ref-type="bibr" rid="ref8">7</xref>
        ], p. 292
Fig. 2. [
        <xref ref-type="bibr" rid="ref8">7</xref>
        ], p. 293
Fig. 3. [
        <xref ref-type="bibr" rid="ref8">7</xref>
        ], p. 293
Fig. 4. [
        <xref ref-type="bibr" rid="ref8">7</xref>
        ], p. 293
      </p>
      <p>Leibniz also proposes a version of these diagrams in which
the part of the line which is relevant for the affirmation or
negation is doubled [7, pp. 311-312] (see Figure 5). This
method – that is, to double the part of the line which is
affirmed or denied of the other – is important because it
represents visually what Leibniz calls the distribution or
nondistribution of the terms, that is their quantity. A term is
universal if its line is completely doubled; it is particular if its
line is only partially doubled. In the universal affirmative, for
example, the line of the subject is completely doubled, and so
the subject is universal, while in the particular the line of the
subject is only partly doubled, and so the subject is particular.</p>
      <p>In order to construct the diagram of the syllogism, Leibniz
draws the major premise and then, using the line of the middle
term already drawn, adds the minor premise. To obtain the
conclusion, he draws two continuous vertical lines starting
from the double part of minor term towards the major term. If
these continuous verticals cut off a real segment of the other
extremes, then the conclusion is affirmative. If they fall
outside it, the conclusion is negative. For example in Barbara
(Figure 6), the two continuous vertical lines from D fall
entirely on B, and so the conclusion is affirmative. Further, all
D is taken into consideration – its line is completely doubled
and so the conclusion is universal: “All D are B”. In
Camestres (Figure 7) the two continuous lines are again drawn
from D to B, but they fall outside B, and therefore the
conclusion is negative. Further, all D is again taken into
consideration, so the conclusion is universal: “No D is B”.</p>
      <p>Johann H. Lambert (1728-1777) calls “scientific” those
signs that are so constructed as to serve as perfect substitutes
for their objects. The more a system of signs can be made
object of reasoning according to simple rules, the more
scientific it will be: “The signs of concepts and things are
scientific in the stricter sense if they not only represent in
general those concepts and things, but also indicate
relationships such that the theory of the object and the theory
of its signs can be interchanged” [9, III, § 23].</p>
      <p>Lambert’s Zeichnungsart, his system of linear diagrams,
is quite similar to Leibniz’s. It is not clear whether Lambert
knew Leibniz’s diagrams, as most of the relevant texts have
been published later. In his Neues Organon [9, I, §§ 173-194],
Lambert represents concepts by means of lines, propositions
as relations between two lines, and syllogisms as relations
between three lines. Lines may be either closed or open
(having dotted extremities), depending on the certainty or
uncertainty of the distribution of the terms represented by
them (i.e. depending on the quantity of these terms). The four
traditional propositional forms are represented as in Figures
811. The use of uppercase and lowercase letters at the
extremities of the continuous segments is of no use at all, and
may be easily ignored.</p>
      <p>
        Fig 8. [
        <xref ref-type="bibr" rid="ref10">9</xref>
        ], I, § 181
Fig 9. [
        <xref ref-type="bibr" rid="ref10">9</xref>
        ], I, § 183
Fig 10. [
        <xref ref-type="bibr" rid="ref10">9</xref>
        ], I, § 184
Fig. 11. [
        <xref ref-type="bibr" rid="ref10">9</xref>
        ], I, § 184
Fig. 12. [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ], p. 218
      </p>
      <p>Lambert claims that his Zeichnungsart not only shows
what relations obtain among concepts, but also shows what
other relations may be deduced therefrom by the mere
observation of the figures [8, I, §§ 191, 194]. Like Leibniz,
Lambert claims that his diagrams are capable of distinguishing
the different propositional forms one from another; further,
each of the four propositional forms has its own diagram,
which is different from the others, so that there is no risk that
different propositions might be represented by the same
diagram, or that different diagrams represent the same
proposition.</p>
      <p>But further, Lambert claims that these diagrams always
and necessarily indicate what parts of a concept are
undetermined, that is, they express our imperfect knowledge
about a concept’s extension, therefore showing whether or not
a proposition is convertible. For example, take the universal
affirmative (Figure 8); we may convert it per accidens into the
particular affirmative “Some B are A” simply by reading the
diagram top-down instead of bottom-up. The dotted part of the
line indicates that, when converted, the corresponding term is
to be taken particularly (Some B). Likewise, the universal
negative (see Figure 9) may be simply converted (conversio
simplex) by reading it from the right to the left (“No B is A”).
This means that the same diagram can express different
propositions depending on the way we read it.</p>
      <p>It is not clear how things stand with the particular
affirmative (Figure 10). Reading it top-down, as we do for the
universal affirmative, would not give us the converted
proposition. We would like to read it top-down as “All B are
some A”, which introduces the quantification of the predicate,
but Lambert would not have been happy with that (he
famously opposed the quantification of the predicate
maintained by G. Ploucquet).</p>
      <p>If we compare Lambert’s diagrams to Leibniz’s, we see
that while Leibniz’s diagram for the particular affirmative is
symmetrical, thus suggesting simple conversion (Figure 3)
Lambert’s diagram, on the contrary, is not symmetrical, and
does not show whether and how the proposition can be
converted (Figure 10).</p>
      <p>It has further to be noted that Lambert proposes different
ways to draw these linear diagrams. Figure 12 represents an
alternative way of diagramming the particular negative Some
M are not C. Lambert marks by an asterisk the limit of the
extension, that is, the point beyond which the extension of a
term cannot go without invalidating the proposition. For
example, if we allow the dotted line of C to surpass the
asterisk, the line C would extend to cover completely the line
M, and the proposition “Some M are not C” would be false [2,
p. 218]</p>
      <p>Lambert however insisted on a point that was of crucial
importance for him. The idea is that those premises from
which something follows should be capable of being
diagrammed, while those from which nothing follows should
not: “I begin by drawing the middle term, and then I draw
either of the other two terms. If the third is capable of being
drawn, then the representation gives me anything that follows
immediately from the premises. If the third term cannot be
drawn, then nothing follows therefrom” [2, p. 152].</p>
      <p>Let us take the two negative premises “No M is P” and
“No S is M”. I begin by drawing the middle term M (Figure
13). Then I draw the major term P (Figure 14) so as to place it
completely outside M (for no M is P). Now I should represent
that “No S is M”. So I have to represent the third term, the
minor term S, so as to exclude it from M, too. There are at
least two geometrical possibilities here, for I can draw S either
below P or not (see Figure 15). Since I am not entitled to
choose between these possibilities, no conclusion follows
from these two premises.</p>
      <p>If, on the other hand, one of the premises were either a
universal affirmative or a particular, things would be different.
For example, if the second premise were “All S are M”, it
could well be represented, for there is just one possible place
to draw the line of S (see Figure 16). This is the valid
syllogistic form of first figure Celarent.</p>
      <p>Figures 17 and 18 represent the diagrams of the first and
second figure according to Lambert [9, I, § 219]. In his
Zeichnungsart, Lambert argues, everything that is relevant for
the syllogistic calculation is represented; once a couple of
propositions is diagrammed, one immediately sees whether
something follows from it or not, and this is all that is required
to have a scientific or autarchic system of notation.</p>
      <p>While Leibniz’s linear diagrams were not known in his
times, Lambert’s method was much debated in the scientific
community of 18th century German-speaking world. Georg
Jonathan Holland (1742–1784), in the Anhang to his
Abhandlung über die Mathematik [2, pp. 95-108], compared
Lambert’s logical calculus to that of his Tübingen professor
Gottfried Ploucquet. Holland claims that Lambert’s system of
linear diagrams is not a real characteristic, as it is possible in it
to represent premises from which false conclusions follow.</p>
      <p>
        Let us take the premises: “All P is O”, and “No A is P”.
If we represent them as Holland does in the Anhang (see
Figure 19), then the conclusion seems to follow that “No O is
A”, which is a false conclusion. Lambert’s method of
diagrams seems therefore imperfect, for in it it is possible to
infer a false conclusion. But Lambert replies that Holland’s
diagram for this syllogism is wrong: “The extension of the line
O is greater than P, but indeterminately greater. And therefore
it must in this case be dotted” [2, p. 151]. When the
proposition “All P is O” is represented as in Figure 20, we see
that it is not the entire line O which is excluded from the line
A, but only the continuous part of it that coincides with P. So
we must conclude not that “No O is A”, but only that “Some
O are not A”, which is the right conclusion and which gives us
the valid syllogistic form Fesapo of the fourth figure. This
indicates why Lambert attaches so much importance to the
expression of the quantification of concepts by means of
dotted lines. Without this graphic device, the system may yield
false conclusions.
Fig. 18. [
        <xref ref-type="bibr" rid="ref10">9</xref>
        ], I, § 219
Fig. 19. [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ] p. 104
Fig. 20. [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ] p. 106
      </p>
    </sec>
    <sec id="sec-4">
      <title>PLOUCQUET</title>
      <p>Mention has to be made in this context of Gottfried
Ploucquet (1716-1790), professor of philosophy at Tübingen
and famous for having introduced in logic the quantification of
the predicate. Although he was somehow skeptical about the
idea of a universal characteristic both in the sense of a
universal calculus and in the sense of a universal language, he
nonetheless invented different systems of logical
representation, including graphical and algebraical. His
diagrams for syllogism are quite similar to Euler’s circles [2,
pp. 6-8, 157-158] (Figures 21, 22).</p>
      <p>However, Ploucquet’s main interests lie in symbolic
notations. His fundamental idea is that every affirmative
proposition states an identity between subject and predicate:
“The judgment is not the cognition of two things, but of just
one; and the affirmative proposition reflects this by expressing
one thing by different signs” [2, p. 52]. The theory of the
identity of subject and predicate in an affirmative proposition
is the ground of Ploucquet’s much discussed “quantification of
the predicate”: not only the subject but also the predicate of a
categorical form is qualified by means of a quantifier
expression ‘omne’ (all) or ‘quoddam’ (some). If I affirm, “All
men are animal”, animal is here taken particularly, that is, as
“some animal”, so that the proposition actually affirms that
“all men are some animal”. As a consequence, Ploucquet
claims that each categorical form can be converted: since
conversion consists in nothing else but exchanging subject and
predicate, each categorical form is convertible, provided that
the quantity of the predicate is made explicit by adding the
“quantifiers”. In his symbolic notation, he uses uppercase
letters for universally quantified terms, lowercase letters for
particularly quantified terms, the symbol &gt; for negation, and
juxtaposition for affirmation (see Figure 23).</p>
      <p>In the debate with Lambert, Ploucquet moves several
objections to Lambert’s system of diagrams. First, he claims
that Lambert’s system has no specific sign to show whether a
term is universal or particular (as he does in his own symbolic
notation) [2, pp. 166-167]. Secondly, the diagram in Figure 24
can be read either as “All A are B” or as “Some B are A”,
which latter is the former proposition converted per accidens.
Since Ploucquet does not accept the traditional version of the
doctrine of conversion, these are two different propositions for
him, and each has to have its own diagram. This can be done,
he claims, if we mark graphically whether a term is universal
or particular.</p>
      <p>Thirdly, Ploucquet observes that the representation of our
imperfect knowledge about a concept’s extension by means of
dots is of no use at all [2, p. 170]. Again, in the diagram in
Figure 24, the dotted part represents that we do not know
whether there are B that are not A, and that the only relevant
part of the assertion is that all A are B. Since Ploucquet
believes that in this proposition subject and predicate should
be identical, he needs not employ the dots to represent our
imperfect knowledge about B. For him, there is no such a
thing as imperfect knowledge about a concept’s extension.</p>
      <p>Lambert’s reply is that that which Ploucquet considers as a
fault of the linear system - representing undetermined
concepts by means of open or dotted lines – is on the contrary
a virtue of it. For if we agree that “All A are B” may cover
both the case in which B is greater than A (B&gt;A) and the case
in which B is identical with A (B = A), then the use of the
dotted lines is of the utmost importance: we are obliged to
represent both the determined and the undetermined part of a
concept’s extension. By the device of the dotted lines, this
indetermination is appropriately “made intuitive” (diese
Unbestimmtheiten recht augenscheinlich zu machen) [2, p.
215].</p>
      <p>Ploucquet in its turn proposes an amendment of Lambert’s
linear diagrams (Figures 25-27). In these diagrams any
concept is expressed by a straight line as in Lambert’s system,
but the quantity of the terms is not expressed by continuous or
dotted lines, but by uppercase letters for universal concepts
and lowercase letters for particular concepts [2, pp.179-181].
As one can easily perceive, Ploucquet’s system is a in fact a
sort of mixture of algebraical notation (the representation of
universal/particular terms with uppercase and lowercase
letters) and geometrical notation (the lines one above the other
to indicate affirmation of identity, and one external and
separated from another to indicate negation). In other words,
this system is neither completely diagrammatic, nor
completely symbolic, but uses both algebraical and
geometrical structures in order to express propositions and
syllogisms.</p>
      <p>
        Fig. 21. [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ] p. 6.
      </p>
      <p>
        Fig. 22. [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ] p. 258
      </p>
      <p>
        Fig. 24. [
        <xref ref-type="bibr" rid="ref10">9</xref>
        ], I, § 181
      </p>
      <p>CONCLUSION</p>
      <p>In his correspondence with Holland, Lambert states that in
Ploucquet’s symbolism it is on the basis of “external”
information (i.e., syllogistic rules) that it is found e.g. that
from a given formula nothing follows. It would be better,
according to Lambert, if this “not following” could be shown
by the diagram itself [10, pp. 192-193]. Lambert believes he
has provided a rule to detect invalid syllogistic forms simply
by the rules of construction of their diagram. As he declares:
“Ploucquet calculates, while I construct or draw” [2, p. 151].</p>
      <p>
        A couple of points may here be mentioned which indicate
directions for further research, both historical and theoretical.
One century after the debate, the ideal of an autarchic system
of signs is still at work in the philosophy of notation of
Gottlob Frege (1848-1925). The aim of the Begriffsschrift
(1879) is expressly that of preventing anything intuitive or
extra-logical from penetrating unnoticed in the chain of
reasoning. Accordingly, all that is necessary to deduction has
to be appropriately represented, so that the inferential chain is
kept free of gaps, and at the same time anything without
significance for the inferential sequence has to be omitted
[
        <xref ref-type="bibr" rid="ref12">11</xref>
        ].
      </p>
      <p>However, we believe that the closest explanation available
of the notion of autarchy is the conception of corollarial
reasoning, which is due to Charles S. Peirce (1839-1914).
Peirce distinguishes between two kinds of deductive
reasoning, which he calls theorematic and corollarial: “every
Deduction involves the observation of a Diagram (whether
Optical, Tactical, or Acoustic) and having drawn the diagram
(for I myself always work with Optical Diagrams) one finds
the conclusion to be represented by it. [...] My two genera of
Deductions are 1st those in which any Diagram of a state of
things in which the premisses are true represents the
conclusion to be true and such reasoning I call Corollarial
because all the corollaries that different editors have added to
Euclid’s elements are of this nature. 2nd Kind. To the Diagram
of the truth of the Premisses something else has to be added,
which is usually a mere May-be and then the conclusion
appears. I call this Theorematic because all the most important
theorems are of this nature” [12, pp. 869-870]. In corollarial
reasoning, the diagram of the premises already represents the
conclusion; in theorematic reasoning, by contrast, the diagram
of the premises must be transformed and experimented upon
– in geometry, for example, subsidiary lines or figures are
drawn - in order for it to represent the conclusion [13, 2.267].
Against Kant, Peirce maintains that all deductive reasoning,
not just mathematics, is diagrammatic (constructive in Kant’s
sense). We have to distinguish not between constructive and
non-constructive forms of reasoning, but among different
forms of constructive thinking according to the complexity of
the construction (i.e., diagrammatization) involved therein [13,
3.560].</p>
      <p>In Peirce’s terms, an autarchic system of diagrams is one
in which any reasoning that can be performed is of the
corollarial kind. In corollarial reasoning neither auxiliary
constructions nor the appeal to “extra-diagrammatical” logical
rules is needed in order to draw the conclusion desired. All
that which is necessary to reasoning must be expressed
diagrammatically in such a way as to enable the diagram of
the premises to be, at once, also the diagram of the conclusion.
In Lambert’s terms, a corollarial reasoning is one in which
either the following or the not-following of a conclusion is
shown by the diagram itself.</p>
      <p>The second point worth mentioning concerns current
diagram research. What we call “autarchy of diagrammatic
representations” seems to correspond to the notion of “free
ride”, or information which arises in a diagram as a by-product
of its syntax. Already Jon Barwise and John Etchemendy
observed that “Diagrams are physical situations. They must
be, since we can see them. As such they obey their own set of
constraints. [...] By choosing a representational scheme
appropriately, so that the constraints on the diagrams have a
good match with the constraints on the described situation, the
diagram can generate a lot of information that the user never
need infer. Rather, the user can simply read off facts from the
diagram as needed” [14, p. 23]. As explained by Atsushi
Shimojima, in any system of diagrams whatsoever there exists
a set of operational constraints which may or may not
intervene in the process of encoding and extracting
information [15, p. 28]. Under certain conditions, some
operational constraints will give rise to a free ride: “a free ride
is where a reasoner attains a semantically significant fact in a
diagram site, while the instructions of operations that the
reasoner has followed do not entail the realization of it. Thus,
we can view the process as one in which the reasoner has
attained the fact without taking any step specifically designed
for it” [15, p. 32]. Under different conditions, the operational
constraints will produce “overdetermined alternatives” [15, p.
33], that is, will produce pieces of information which do not
follow from the diagram of the premises.</p>
      <p>In contemporary terms, then, the debate on logic diagrams
pictured above may be taken as a debate on operational
constraints. When Leibniz claimed that the most perfect
systems of representations are those that are autarchic he was
maintaining that those systems of logical or mathematical
notation must be preferred in which the operational constraints
always give rise to free rides. In his system of linear diagrams,
the drawing of the conclusion from the premises is always a
free ride because the conclusion is obtained directly from the
diagram of the premises, without being necessary that any
specific step designed for it be taken.</p>
      <p>Likewise, Lambert’s idea that in an adequate system of
representation those premises from which nothing follows
should not be capable of being diagrammed is captured by the
notion of overdetermined alternative. A system which, given
certain operational constraints, may produce overdetermined
alternatives is one in which, in Lambert’s terms, the following
or not-following of a proposition upon another is not a
consequence of those constraints, but is the effect of
“external” (non-diagrammatical) logical rules. In other words,
if a system of diagrammatic representation is capable of
producing overdetermined alternatives (as in the case of
Bocardo in Figure 13), then that system is not autarchic in the
Leibnzian and Lambertian sense. On the contrary, if the
system is capable of producing all the consequences as free
rides, then that system is autarchic. An autarchic system of
diagrammatic representation is therefore one in which a
certain set of operational constraints always gives rise to free
rides (corollarial reasoning) and never to overdetermined
alternatives.</p>
      <p>The picture is no doubt more complicated than that, and
new problems may arise which might contribute drawing
parallels between old and new problems in logic, and building
new bridges between the history of logic diagrams and current
trends in diagrams research in computing and cognitive
sciences.</p>
    </sec>
    <sec id="sec-5">
      <title>ACKNOWLEDGMENT</title>
      <p>Research supported by Estonian Research Council Project
PUT267, “Diagrammatic Mind: Logical and Communicative
Aspects of Iconicity,” Principal Investigator Prof. Ahti-Veikko
Pietarinen.</p>
    </sec>
  </body>
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