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      <title-group>
        <article-title>User-centric approaches to annotating and presenting the audiovisual memory of the Netherlands</article-title>
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      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Johan Oomen</string-name>
          <email>joomen@beeldengeluid.nl</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Nederlands Instituut voor Beeld en Geluid</institution>
        </aff>
      </contrib-group>
      <kwd-group>
        <kwd>Audiovisual Archive</kwd>
        <kwd>Evaluation</kwd>
        <kwd>User-Generated Content</kwd>
      </kwd-group>
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      <p>The mass digitisation of analogue holdings is the key to heritage organizations
becoming an integral part of the web. In the case of fragile carriers, digitisation
is a means to ensure long-term preservation of the information. Digitisation is
also a precondition for creating new access routes to collections. Archives can
benefit from using a range of automatic annotation technologies and built
services targeted towards specific user groups.</p>
      <p>Once cultural artefacts are digital and part of an open network, they can be
shared, recommended, remixed, mashed, embedded and cited. In this way even
the most obscure artefacts can command attention. Archives and their users are
now beginning to inhabit the same, shared information space. Innovative new
services are being launched that explore this fundamentally new paradigm of
participation in this domain. Participation can have a big impact on the
workflows of heritage institutions, for instance, by inviting users to assist in the
selection, cataloguing, contextualization and curation of collections. These new
forms of interaction can also lead to a deeper level of involvement of users with
the collections. Furthermore, the adaptation of usage tracking tools can be
applied not only for evaluation purposes, but also as basis for more
personalized services.</p>
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