=Paper= {{Paper |id=Vol-1279/iesd14_11 |storemode=property |title=INVENiT: Exploring Cultural Heritage Collections While Adding Annotations |pdfUrl=https://ceur-ws.org/Vol-1279/iesd14_11.pdf |volume=Vol-1279 |dblpUrl=https://dblp.org/rec/conf/semweb/DijkshoornOAS14 }} ==INVENiT: Exploring Cultural Heritage Collections While Adding Annotations== https://ceur-ws.org/Vol-1279/iesd14_11.pdf
          INVENiT: Exploring cultural heritage
           collections while adding annotations

 Chris Dijkshoorn1 , Jacco van Ossenbruggen2 , Lora Aroyo1 , Guus Schreiber1
      1
          Computer Science, The Network Institute,VU University Amsterdam
              {c.r.dijkshoorn, lora.aroyo, guus.schreiber}@vu.nl
          2
            Centrum Wiskunde en Informatica, Amsterdam, the Netherlands
                         jacco.van.ossenbruggen@cwi.nl



      Abstract. The growing number of cultural heritage collections pub-
      lished as Linked Data has given rise to a vast source of collection ob-
      jects to explore. To provide an experience which goes beyond traditional
      search, the links from objects to terms from structured vocabularies can
      be used to create new paths to explore. We present INVENiT, a semantic
      search system which leverages these paths for result diversification and
      clustering. Users can freely explore the collection, but are also able to
      contribute their knowledge by annotating collection objects. The added
      information is directly incorporated in the search results. The demo can
      be found at http://sealinc.ops.few.vu.nl/invenit/.


1   Introduction
The increasing number of cultural heritage collections published as Linked Data
promises to be an incredible source of rich content for end users to explore [3,2].
Explorability of the collections heavily depends on the quality of the metadata
describing the objects [3]. The ability to explore collections is increased when
a dense network of links between objects is created. These relations can be
realised by linking objects to other collection objects and entities from structured
vocabularies.
    For example, the Rijksmuseum Amsterdam publishes its collection online and
for this purposes employs catalogers to register, annotate and digitise collection
objects. They use a limited set of structured vocabularies to annotate the subject
matter, the material, techniques and artists. However, there is a multitude of
LOD vocabularies that can be used in addition to support the desired exploration
of the collection.
    Many catalogers have a background in art-history allowing them to only pro-
vide basic information about different subject matter domains. To fill the missing
domain expertise, and provide annotations in all the domains represented in the
Rijksmuseum collection, we involve in the curation process people from outside
the museum that have expert knowledge in each of those domains. In this paper
we discuss a use case demonstrator, which allows external experts to annotate
parts of images with terms from structured vocabularies. The contribution of this
work is three-fold. First, we align the new vocabularies to the existing annotation
vocabulary structure of the Rijksmuseum, following standardised data models,
e.g. Europeana Data Model. Second, we explore linked data patterns to optimise
the use of these aligned vocabularies in the presentation and exploration of search
results. Finally, we integrate the annotation results of the external annotators in
a common semantic search system http://sealinc.ops.few.vu.nl/invenit/.

2     Data
The Rijksmuseum collection comprises around 1,000,000 artworks, of which
159,661 have a digital representation. The RDF data is modelled according to
the Europeana Data Model [2]. Objects are linked to multiple vocabularies: the
Iconclass vocabulary3 for describing subject matter, the Art and Architecture
Thesaurus (AAT) for materials and techniques and the Union List of Artist
Names4 (ULAN) for artists.
    The Rijksmuseum collection contains links to 11,945 of the 39,578 concepts
in Iconclass. These concepts are hierarchically structured, with more specific
resources further down the hierarchy. While there are many links from collection
object to AAT these concern a limited number of materials and techniques. In
contrast many distinct links are made to ULAN, the Rijksmuseum has a diverse
collection with works made by many different artists. In addition ULAN defines
interesting relations between the concepts, for example teacher of and uncle of.


                                edm:
               agg:COLLEC    aggregated                  hdl:          dc:
                 T.504055                              504055        subject       ico: 25F34
                                CHO

                                          dc:title                      skos:prefLabel
                   edm:                          oa:hasTarget
                            "Eagle owl in                           "owls"@en
                isShownBy   magnolia"@en
                                                     ann:id_6111f     oa:         birds:species-
                                                      edf002e9      hasBody       bubo_bubo
                            #xywh=percent:
                              19,40,39,27
                                               oa:hasTarget                     "0.27"^^xsd:float
                                       rdf:value                       ann:h
                                                                       ann:w    "0.38"^^xsd:float
                                                 genid:target
                            oa:hasSource
                                                 _44478b9eb            ann:x    "0.18"^^xsd:float
                                                                       ann:y
                                                                                "0.40"^^xsd:float


Fig. 1: The print “Eagle owl in magnolia” modelled according to the Europeana
Data Model, with an annotation added specifying the species of depicted bird.
The annotation resource has two targets, the cultural heritage object and a gen-
erated target resource, linking the digital representation with the area specified
by the annotator.


   For the current demo we take a subset of 1,598 object from the Rijksmu-
seum collection: artworks with depictions of birds. The catalogers might not
3
    http://www.iconclass.org/
4
    http://www.getty.edu/research/tools/vocabularies/
have enough knowledge to classify which species of bird is depicted while there
are many bird enthusiasts who do. To test the use of additional structured vo-
cabularies we made a conversion of the IOC world birdlist5 , including 31,644
species and sub species. Figure 1 shows an example of an artwork with an added
annotation. The INVENiT demonstrator has been also instantiated with other
Rijksmuseum sub-collections, e.g. prints related to biblical topics and books
http://invenit.wmprojects.nl/.


3     System
INVENiT is based on the Cliopatria semantic web server [4], extended with
an annotation module and a cluster search module, of which the corresponding
interfaces are depicted in Figure 2. The annotation module provides func-
tionality to add annotations to images. The annotation fields can be tailored to
the use case and autocompletion is based on a specified vocabulary. Relevant
objects in the image can be identified by drawing bounding boxes and all of the
provided information is stored in a triple store.




 (a) Annotation interface showing      a (b) Search interface showing clustered
 bounding box and autocompletion.        search results.

      Fig. 2: Annotation and search interface of the INVENiT demo system.


   The cluster search module utilises a graph search algorithm, which matches
keyword queries with literals, uses the graph structure to find connected artworks
and clusters similar objects together [4]. Literals in the database are assigned a
matching score according to a ranking function. Literals with a score above a
specified threshold are used as starting point for backward graph traversal. The
graph is traversed in a backward fashion until a specified class of resource is
reached, in this case edm:ProvidedCho. Objects with similar paths are clustered
together.
5
    http://github.com/rasvaan/naturalis
    Users can use this search functionality to explore the collection and find art-
works to annotate. We adapted the algorithm to interpret the added annotation
as subject matter metadata, which allows the user to directly inspect the result
of their efforts in the search results. The demo in its initial state (without user
contributed content), supports exploration based on the metadata provided by
the Rijksmuseum Amsterdam.
    The presented clusters are generated based on paths in the graph. These
paths can be based on a direct link between a literal and artworks, but also
longer paths are used. When possible properties are abstracted to their (SKOS)
root properties. The recourses used in paths are abstracted to their class. Below
three examples of paths can be found:
1) Literal → title → Artworks
2) Literal → subject → Owls → broader → Birds → subject → Artworks
3) Literal → prefLabel → Artist → teacherOf → Artist → creator → Artworks
These examples illustrate the characteristics of the dataset and vocabularies. The
first example includes results based on metadata in the collection. The second
example generalises the results based on links in Iconclass. The third example
uses links within the ULAN vocabulary to cluster results.


4   Discussion and Future Work

The INVENiT demo uses the semantics in structured vocabularies to diversify
and cluster results. Users can make new connections by annotating collection
objects with terms from structured vocabularies. We believe that providing users
with the possibility to find the objects they like to annotate and directly inspect
the results of their efforts will have a positive effect on their motivation.
    Currently all annotations are accepted and incorporated in the system. This
is not something a museum would allow, since unknowledgeable or malicious
users might add incorrect information. We therefore plan to incorporate trust
assessment in current work, providing an indication whether an annotation is
trustworthy or not, for example based on the assessed expertise of an annota-
tor [1].
    There are still open issues to address regarding the clustering of search re-
sults based on paths in the graph. The relevance of the results in a cluster are
influenced by the path used to retrieve them. At this moment the clusters are
ranked according to the number of results within the cluster. We plan on im-
proving this, since the meaningfulness of a path depends on the perception of
the user.
    The clusters of results are named by the paths used to create them. These
paths are hard to interpret for a user. Take for example Literal → title →
Artworks. This could be translated into the name “works titled”. Especially
longer paths are difficult to concisely describe. Automatically generating more
user-friendly names is a problem we want to address in future work.
Acknowledgements. This publication is supported by the Dutch national pro-
gram COMMIT/. We like to thank the members of the SEALINCMedia work-
table and in particular the Rijksmuseum for their support.


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