=Paper= {{Paper |id=Vol-1307/paper2 |storemode=property |title=Going Around in Circles? A Qualitative Evaluation of a Proposed Metro Map for Melbourne’s Underground System |pdfUrl=https://ceur-ws.org/Vol-1307/paper2.pdf |volume=Vol-1307 |dblpUrl=https://dblp.org/rec/conf/gsr/Cartwright14 }} ==Going Around in Circles? A Qualitative Evaluation of a Proposed Metro Map for Melbourne’s Underground System== https://ceur-ws.org/Vol-1307/paper2.pdf
                                                              GSR_3
                                                  Geospatial Science Research 3.
                                  School of Mathematical and Geospatial Science, RMIT University
                                                          December 2014


      Going around in circles? A qualitative evaluation of a
   proposed metro map for Melbourne’s underground system.
                                                  William Cartwright
                    School of Mathematical and Geospatial Sciences at RMIT University, Australia
                                      Email: william.cartwright@rmit.edu.au

Abstract:
When cities develop a rail network – above or under ground – this is usually accompanied by the publication of a metro
map. The map is an essential adjunct, produced and provided to commuters to facilitate informed use of the system.

It is generally agreed that the exemplar metro map is that of the London Underground, designed by Harry Beck, in
1931. Beck’s design principles have been copied, modified and adopted by numerous public transport bodies, when
producing maps of their own system. His map is regarded as a design classic, and used as the lodestone when judging
the effectiveness of other metromaps.

Recently, Public Transport Victoria (PTV) developed a new design for a metromap for the rail system for Melbourne,
Australia. This design is greatly based on Beck’s design ideas. As part of the press release, PTV sought passenger
feedback on its proposed new design. It is refreshing to see that an organisation like Public Transport Victoria has
taken the initiative to implement a new design, and to seek public feedback on this design. However, is this new design
effective, or just ‘more of the same’? Is the map no different, and perhaps no better, than previous maps of the
Melbourne metropolitan rail system, or a great improvement on what was previously published? Are we just going
around in circles?

This paper provides the results of an evaluation of this proposal for a new map for the Melbourne metropolitan rail
system. It begins by providing a brief history of metropolitan rail maps in Melbourne, to provide a background to what
now exists. Then it looks at this recent proposal and outlines the basis for evaluation, which is built around the design
principles of Beck’s London map. Finally, it provides the results from the evaluation, reports on conclusions from this
evaluation and makes recommendations about how the proposed map might be improved.

Keywords: underground map, design, Melbourne

Introduction
Commuters take for granted the mental map they have of how public transportation systems work. Through constant
travel on the system, and upgrading their knowledge of the system from time-to-time when system changes are
implemented, they maintain a current, usable mental image of what can be considered to be a complex system.

Cartographers and graphic designers design and implement representations of metropolitan transport systems for both
regular and new users of the system. These representations – usually referred to as maps (but this description of what is
used may vary – see Cartwright, 2014) – must provide a clear ‘picture’ of the network, its lines and nodes (railway
stations, bus and tram stops) and interchanges, so that users of the system can effectively plan journeys and navigate the
network once their travel is underway.

Many maps and diagrams have been produced of metropolitan transportation systems to facilitate this. Many are
produced as an adjunct to other promotional material produced by transportation authorities or private operators. Here,
they generally form part of documentation that serves to promote a certain image. Their main aim in this instance is to
reinforce and promote the corporate ‘look’ desired.

In Melbourne a new map design has been proposed to illustrate the rail transportation network. But, will the proposed
new Melbourne map work? This is the topic of this paper. It reports, briefly, on an initial analysis of this new design,
done with due consideration of the design principles employed by Beck, in his design of a new London Underground
map in the early 1930s. Here, the work sought to ascertain whether the design for a new map of Melbourne’s rail system
considered Beck’s design principles and whether it complements other information graphics associated with public
transport in Melbourne.
Melbourne’s rail system
Melbourne’s rail network is based on a commuter rail model centered on the City’s Central Business District (CBD)
and its main commuter station, Flinders Street Station. It consists of 16 electrified lines, the central City Loop subway,
and 207 stations, with a total length of 372 km of electrified lines (Wikipedia, 2014).

From its early days Melbourne has been well served with rail transportation, complemented with tramcar and omnibus
services. The city established its first railway line 20 years after it was founded (Wikipedia, 2014). In fact Melbourne
can claim Australia’s first railway line, built between Flinders Street Station and Sandridge (now Port Melbourne). It
opened on 12 September 1854 (Department of Infrastructure and Regional Development, Government of Australia,
2014), and it linked Melbourne’s main port of the time with the growing central business area. The Melbourne and
Hobson's Bay Railway Company, formed in 1853, operated the line (Wikipedia, 2014). In 1859 the Williamstown
railway line opened, connecting Williamstown and Geelong to the new Spencer Street railway station (Wikipedia,
2014). Initially, private companies developed the railway lines, then until the early 1980s, the Victorian Railways
Department (created in 1856 (Bau, nd).) operated the system.

The railway lines developed further from the centre, associated with the 1880 "Land Boom" in Victoria. The
development of the rail system continued, with lines pushed into some suburbs, and some under-patronised lines in
inner Melbourne being closed. The lines were electrified and new rolling stock introduced. But, the general
configuration of the system was still focussed around one hub – Flinders Street Station – and it continued to be basically
a suburbs-Central Business District radiating system.
The Railway Construction Act of 1884 saw the development of numerous lines. An Inner Circle line was established in
1888 and the Outer Circle in 1890 (Danno, nd). However, the circle lines proved not to be economic. The Circle lines
were soon closed – the Outer Circle in 1897 and the Inner Circle closed the following century - in 1948 (Danno, nd.).

The next real major change was the construction of the underground City Loop, which opened between 1981 and 1985.
This linked Melbourne’s two main central city stations – Flinders Street and Spencer Street (now Southern Cross
station) – with three new underground stations (Parliament, Museum (now Melbourne Central) and Flagstaff) and the
suburbs. Rather than simply radiating from Flinders Street Station to the suburbs, the lines now ran under the city,
through ‘The Loop’. This is basically the system that operates today – an inner city underground loop linking the
original radial railway system.

Before looking at the map being evaluated here, the next section of the paper provides a brief timeline of the maps
published to represent the system.

Mapping Melbourne’s metropolitan rail system
The initial maps of the system were basically produced as overlays atop of existing road network or cadastral plans.
They were rudimentary, but showed the system and its relationship to the growing city. The maps shown in figures 1
and 2 are ‘official’ maps from 1884 and 1926.




                      Figure 1. Melbourne suburban rail system. Victorian Railways, Melbourne : Railway Dept. 1884
                    Source: State Library of Victoria. http://handle.slv.vic.gov.au/10381/115264 This work is out of copyright.




   Figure 2. 1926 Victorian Railways map of Melbourne suburban lines. Victorian Railways. Melbourne: The Railways. Source: State Library of
                                Victoria. http://handle.slv.vic.gov.au/10381/115292. This work is out of copyright.

As well as the official government maps, a number of private publishing companies also produced their own
representations of the system. An example of this type of map, showing railways and tramways, produced by the
Melbourne Book Depot, is shown in figure 3.




 Figure 3. Railways & tramways map of Melbourne and suburbs, 1920. Collins Book Depot. Melbourne: Collins Book Depot? 1920. Source: State
                          Library of Victoria. http://handle.slv.vic.gov.au/10381/115385. This work is out of copyright.

Maps fundamentally followed this general design pattern, with both governmental and private sector maps being made
available. With the opening of ‘The Loop’ in 1981 a new type of map was developed, and the ‘look’ of the system map
was changed to something that promoted this new era of Melbourne’s metropolitan commuter rail system. The map in
figure 4 shows the new inner city underground loop and illustrates the 5 electrified lines and connecting non-electrified
lines using colour coding.
                                                             Figure 4. City Loop 1981
                           Source: http://i2.wp.com/railgallery.wongm.com/albums/melbourne-stations/D181_8122.jpg

Later, with the introduction of three suburban fare zones, the maps were changed to illustrate this. The map from 1994
(figure 5) shows the suburban network and the three-zone fare system. Later, the fare zones changed to just two,
and the maps were changed to reflect this (figure 6).




                                                                                Figure 6. Melbourne metropolitan rail system, 2007.
                                                                           Source: http://www.mappery.com/map-of/Melbourne-Train-Map
            Figure 5. Melbourne suburban rail system, 1994.
 Source: http://melbpt.files.wordpress.com/2008/06/1994-train-map.jpg

As well as rail-specific maps, there also exist maps illustrating the complete metropolitan public transport system. An
example is shown in figure 7.
The maps shown in this section of the paper show just a snapshot of the maps produced of the Melbourne rail system.
A number of iterations of the current map have been developed, as well as proposals for new maps. A proposal for a
new map of the Melbourne rail system is described in the following section.
                                  Figure 7. Melbourne train and tram guide, January 2014.
                                    Source: http://www.railmaps.com.au/melbourn.png

A new map for Melbourne
Recent promotional material and articles about the design of a new map for the Melbourne metropolitan rail system
were heralded as a process that considered users and provided a map which was designed according to ‘good’ design
principles (Milman, 2014). Public Transport Victoria (PTV) is piloting a potential version of a new map (figure 8).
PTV has solicited feedback from the travelling public on this new design.

It was developed with due reference to what is considered to be an exemplar of designs for representing transportation
systems - Harry Beck’s 1931 design map of the London Underground map (first published in 1933) (Garland, 1994).
The proposed new map for Melbourne uses different colours for the individual lines and has the ‘Beckesque’ vertical,
horizontal and 45o radiating rail lines, ‘ticks’ for rail stations and symbology denoting interchange stations.

The map also shows the V/Line (intra and-inter state rail system) train connections and where the MYKI (electronic
ticketing system) and paper tickets may be used. The different fare zones no longer exist, which is reflected on the
map, with no suburban zones shown.

Initial reactions from the travelling public have been quite positive, with Public Transport Users Association spokesman
Daniel Bowen saying: “"My initial impression: I quite like this” (Carey, 2014, p. 2).

So, the map concept has been launched for comment, initial comments are positive and, from first inspection, the map
does accord to Beck’s concepts of ‘good’ design for effective communication of an urban rail network. Closer
inspection of the map is warranted, to ascertain whether the map does accord to the design guidelines that Beck
proposed. As well, since Beck’s map accorded to the design ‘suite’ of graphics promoted and employed by The London
Passenger Transport Board (now Transport for London (TFL)) to promote a modern, efficient, coordinated rail system,
this factor also needs to be considered.

The next section of this paper describes Beck’s map and other system maps that have been developed using his design
concepts.
         Figure 8. Proposed new map for the Melbourne rail transportation system. Source: tumblr_n434oaHHsA1r54c4oo1_1280.jpg


Exemplars of metropolitan rail system mapping: Harry Beck and ‘followers’. A benchmark for
evaluation.

Henry (Harry) Charles Beck (1902 – 1974) worked as an Engineering Draughtsman in the London Underground
Signals Office at the London Passenger Transport Board. During a time that he was laid-off, in a time of austerity, he
developed his ideas for a different way of portraying the London Underground system. Beck’s pocket version design
was printed (figure 9) as a trial run and, according to Garland (BBC, 1987), the public loved it. 850,000 copies of the
map were in circulation within two months after its introduction (Garland, 1994).
Looking at Beck’s design certain rules can be noted:
        Except for the Thames River, the geography ‘above ground’ was removed;
        Only horizontal, vertical or 45o lines were used to demarcate rail lines;
        Each rail line was colour coded (as per the F. H. Stingemore map of 1927 that Beck’s map replaced);
        Stations were denoted by ‘tickmarks’;
        A distinctive symbol was used to show interchange stations;
        The centre of map was enlarged for better representation of stations in the central area of London; and
        The outlying extents of the rail system are closer to the centre, to facilitate a more comprehensive map.
        The distances between railway stations did not accord to the actual, ‘above ground’ distances, but altered to
         afford clearer demarcation of stations.
      Figure 9. Beck’s first published map - the 1933 ‘pocket ‘version. Source: Source:http://www.ltmuseum.co.uk/omnibus/pg/1919b.htm#
         Image in the public domain (a UK artistic work other than a photograph, made available to the public more than 70 years ago).



Evaluation
Basically, the evaluation compared the proposed new map for Melbourne according to the ‘rules’ that made the Beck
design work. These principles were listed earlier in the paper. The outcomes of the qualitative evaluation are provided
in table 1.
                              Table 1. Considering the proposed new Melbourne map with Beck’s design criteria.

                       Beck design criteria                                             Proposed new map for Melbourne
  Geography ‘above ground’ removed (except for Thames River)                         No geography ‘above ground’ whatsoever
        Only horizontal, vertical or 45o lines for rail lines                     Only horizontal, vertical or 45o lines for rail lines
                      Rail lines colour coded                                                  Rail lines colour coded
           Distinctive symbols for interchange stations                             Distinctive symbols for interchange stations
              Centre of map was enlarged for clarity                                    Centre of map not enlarged enough
  Outlying extents of the rail system ‘moved’ closer to the centre                   No real compression of outlying stations.

Opinion of the map with respect to Beck’s design rules and the new map’s affinity to other PTV
corporate imagery
The map
The map could be improved by adding a stylised Yarra River and Maribyrnong River. This would assist users of the
map when deciphering their general location in the city. Also, the centre of the map needs to be enlarged much further
than in the current design. (See figure 10 for an enlargement of the central part of the proposed new map for
Melbourne) At present this part of the map is much too crowded, and the design would be greatly improved if this were
done. Also, the map needs to compress the outlying stations, thus making the map easier to read, and to consider the
extent of the services provided by the various lines.

The rail line colours mean nothing – they relate to no previous symbology for different lines. Also, the map seems a
little ‘remote’, from a design perspective, from its ‘sister’ graphics used by the Met. The map is somewhat of an
orphan, when compared to other graphics products used in the Melbourne public transport system. However, having
said that, all of the graphics used are really a hodge-podge of various graphics designs. A selection of these can be seen
in figure 11.
         Figure 10. Central section of the proposed new map for Melbourne. Source: The Guardian, 21 April 2014. (theguardian.com)

The proposed map and its relationship to other PTV graphics
Looking at what had happened in London in the 1930s provides the ‘formula’ for how, with the appropriate choice of
graphics, architecture and vehicle design, a comprehensive, modern image was promoted. For Beck, having his map
accepted was not just related to the design of the map, but also to getting his map published. He needed to convince
The London Passenger Board’s publicity officer, Frank Pick (1878-1941), that his design accorded with the graphics
communication concepts championed by Pick. Pick guided the overall public ‘look’ of The London Passenger
Transport Board, and what he chose had to reflect ‘the new’, modernism and the avant-garde.
From its formation in 1933 the London Passenger Transport Board promoted itself, its facilities and rolling stock so that
it appealed to the general psyche of Londoners at the time. This was reflected in the design of things like the London
Underground stations, buses and train rolling stock and the graphics that promoted the transportation system and the
fact that it was part of contemporary London, a city of the age of electricity (Garland, 1994).

This reflected the British modern consciousness of the time, and Beck’s map had to be accepted not just for its
communication effectiveness, but also whether the design had been completed with due regard to the design ethics that
related to all artefacts that were scrutinised by Frank Pick.




                    Figure 11. A selection of Melbourne public transport signs. Photo: William Cartwright, August 2014.
Beck’s map did accord to the overall ‘look-and-feel’ of other London Passenger Transport Board graphics. The same
cannot be said for the new map proposed for Melbourne by Public Transport Victoria.


Conclusion
The proposal for a new map for the Melbourne rail system is certainly a development by Public Transport Victoria that
must be applauded. As well, seeking public comment on the design affords ‘crowd-sourced’ critique and suggestions.
The qualitative evaluation showed that the map generally ‘works’, albeit with work needing to be done to remove the
clutter in the inner sections of the map and to foreshorten the extent of the suburban rail lines reach. As well, the map
could be improved by the addition of a stylised representation of Melbourne’s two main rivers: the Yarra and the
Maribyrnong. This would greatly assist locating and navigation.
Perhaps the problem that cannot be overcome is that the map is somewhat an orphan, within a cluster of other orphan
graphics and signage used by Public Transport Victoria. This is a bigger design coordination problem that is beyond
just the design of this map. Perhaps a modern-day Frank Pick could help here!
References
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2014.
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documentary)
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London Underground through a qualitative expert survey”, International Journal of Digital Earth.
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Carey, A., 2014, “Rail map gets a rainbow update”, The Age, April 21, 2014.
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http://www.infrastructure.gov.au/rail/trains/history.aspx Web page accessed 16 June 2014.
Danno, 2014, Beside the Yarra: Melbourne's Phantom Railways. http://marvmelb.blogspot.com/2014/04/melbournes-
phantom-railways.html. Web page accessed 16 June 2014.
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June 2014.