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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>Shape up, baby!</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Maria M. HEDBLOM</string-name>
          <email>mariamagdalena.hedblom@unibz.it</email>
          <xref ref-type="aff" rid="aff0">0</xref>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Oliver KUTZ</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Free University of Bozen-Bolzano</institution>
          ,
          <country country="IT">Italy</country>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>Otto-von-Guericke University</institution>
          ,
          <addr-line>Magdeburg</addr-line>
          ,
          <country country="DE">Germany</country>
        </aff>
      </contrib-group>
      <fpage>59</fpage>
      <lpage>65</lpage>
      <abstract>
        <p>Embodied cognition has emphasised the importance of sensorimotor processes for concept formation. According to this theory, image schemas are suggested to be a cognitive representation of certain basic spatial relationships. At the same time, the shape of objects is essential for categorisation and understanding. While information on both shapes and image schemas are primarily obtained through visual perception, their cognitive nature differs. Shape is an attribute of an object, whereas an image schema is a basic spatial relationship between (several) objects in a particular environment and context. We here discuss interdependencies between these two modes of perception with regard to their roles in concept formation.</p>
      </abstract>
      <kwd-group>
        <kwd />
        <kwd>concept formation</kwd>
        <kwd>image schemas</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>1. Introduction</title>
      <p>
        When a child is born, it is immediately exposed to a complex world and, as a result,
cognitive and conceptual processes start to take form. Eventually, the child becomes so
familiar with objects and their behaviour in the environment that it successfully learns
to categorise perceived objects and understands their purposes, roles, and affordances
(in the sense of Affordance Theory [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ]). Exactly how this process of concept formation
occurs remains controversial.
      </p>
      <p>
        Embodied and grounded cognition theory identify the sensory/motor system as the
prime source for cognitive development [
        <xref ref-type="bibr" rid="ref1 ref24">1, 24</xref>
        ]. The theories argue that it is through an
agent’s experience with the environment that her concepts and understanding emerge.
This theory has been corroborated by findings in cognitive linguistics, psychology and
neuroscience (e.g. [
        <xref ref-type="bibr" rid="ref12 ref25 ref26 ref4 ref5">25, 5, 4, 26, 12</xref>
        ]).
      </p>
    </sec>
    <sec id="sec-2">
      <title>2. Concept formation</title>
      <p>
        Developmental psychologist Jean Mandler [
        <xref ref-type="bibr" rid="ref15">15</xref>
        ] investigates cognitive development and
concept formation in the ‘sensorimotor period’ (as introduced by Piaget [
        <xref ref-type="bibr" rid="ref21">21</xref>
        ]) during
early infancy. In the paper series How to build a baby I, II &amp; III [
        <xref ref-type="bibr" rid="ref13 ref14 ref16">13, 14, 16</xref>
        ], the author
studies how perceptual information gives rise to conceptual understanding. Mandler
points out that while shape is important for categorisation, it (typically) does not explain
in itself what the object is (i.e. a particular shape might be a typical but not an essential
property of an exemplar). This discrepancy between perception and conceptualisation
is further developed in [
        <xref ref-type="bibr" rid="ref18">18</xref>
        ], where she distinguishes two cognitive processes that take
place during concept formation: perceptual and conceptual processes.
      </p>
      <sec id="sec-2-1">
        <title>2.1. The perceptual process</title>
        <p>
          The first, the perceptual process, is seen to be responsible for object categorisation based
on similarity. As pointed out above, the shape of objects plays a central role here. For
example, infants can early on distinguish between animals such as dogs and birds, but
it takes much longer before they consistently and correctly categorise and distinguish
between animals exhibiting greater similarity such as cats and dogs [
          <xref ref-type="bibr" rid="ref20">20</xref>
          ].
        </p>
        <p>
          There are a few theories that aim to explain perceptual categorisation. One of these
is the Prototype theory, which hypothesizes that all object categories are build from
prototypes derived from experience [
          <xref ref-type="bibr" rid="ref23">23</xref>
          ]. Perceptions are categorised into a particular
group if they sufficiently resemble the prototype. An example is ‘dog’. There are many
dog breeds that often greatly differ visually from each other. Still, (in most cases)
people can intuitively relate instances they encounter, to the abstract version of their
‘prototypical dog’.
        </p>
        <p>
          Similarly, an influential theory explaining object recognition is the Recognition by
components theory [
          <xref ref-type="bibr" rid="ref3">3</xref>
          ]. Here, all (concrete) objects can be taken apart into a limited set
of simple geometric shapes, called geons2, and it is the combination of these shapes
that defines the object. An example is how a coffee cup could be defined as a hollow
cylinder with handle on one side. This can be extended to more complex objects. E.g.,
the ‘prototypical dog’ from above might be a particular construction of a cylinder for
a torso, four expanding cones representing legs, an expanding handle for a tail and an
ellipsoid for a head. Each of these parts can be divided to capture more details, e.g. cones
for ears, creating a more detailed spatial description and/or ontology based on geons.
        </p>
        <p>However, the visual description does not, as Mandler pointed out, in itself carry the
nature of the object. To ascertain affordances of an object, such as a coffee cup, where
the capability to contain liquids is paramount, a different approach is required.</p>
      </sec>
      <sec id="sec-2-2">
        <title>2.2. The conceptual process</title>
        <p>
          The second component of Mandler’s notion of concept formation is the conceptual
process, during which the purpose and usage of objects are established [
          <xref ref-type="bibr" rid="ref18">18</xref>
          ]. Here, the
role of shape and visual characteristics is less clear, and instead affordances of the objects
play a central role.
        </p>
        <p>While embodied cognition theory has found increased support, one remaining
problem is the connection between the embodied experience and its mental representation.</p>
        <p>
          Research on image schemas aims to address this problem, and to approach the
conceptual process as a whole. It was introduced by Lakoff [
          <xref ref-type="bibr" rid="ref11">11</xref>
          ] and Johnson [
          <xref ref-type="bibr" rid="ref9">9</xref>
          ] in the
late 1980s and has become an important field of enquiry in linguistics, psychology, and
computational concept invention.
        </p>
        <p>2Examples are cones, cubes and spheres.</p>
        <p>Image schemas are defined as conceptual building blocks and capture abstracted
patterns of spatial relationships learned from sensorimotor experiences. Often mentioned
examples of image schemas are: CONTAINMENT, the notion that objects can be within
borders or inside other objects; SUPPORT, the notion that objects can rest on other
objects; and PATH, the notion of movement, often implying directed movement along a
particular path.</p>
        <p>
          One of the most important aspects of image schemas is how they can be seen as
‘abstractions that model affordances’ [
          <xref ref-type="bibr" rid="ref10">10</xref>
          ]. To illustrate this point, Kuhn demonstrated
how (some) concepts could be broken down to their core by using image schemas. For
example, the concept of ‘transportation’ may be described as a combination of PATH and
SUPPORT (alternatively CONTAINMENT). In a similar fashion, Mandler proposed that
‘marriage’ could be viewed as a LINKED PATH—the combination of the image schemas
LINK and PATH [
          <xref ref-type="bibr" rid="ref15">15</xref>
          ]. Naturally these concept contain more information, but the image
schemas model the conceptual skeleton.
        </p>
        <p>Returning to the coffee cup. The most prominent and important image schema
involved for a cup is the CONTAINMENT schema. If the cup is leaking, or for any other
reason does not have the CONTAINMENT schema, the ‘cup’ is useless. Naturally, it is
important that the cup has the prototypical ‘coffee cup’ shape for it to be classified as
a coffee cup; otherwise objects such as ‘glasses’, ‘houses’ and ‘cars’, also capable of
CONTAINMENT, could be classified as a cup. Clearly, visual characteristics are important
alongside CONTAINMENT. However, in a situation where there are not enough coffee
cups for all guests, a container such as a glass or a bowl, would be a better substitute,
than an object without the CONTAINMENT capability. Arguably, both glasses and bowls
visually resemble coffee cups, but so do flower pots. While flower pots also are capable of
CONTAINMENT, as their purpose is to contain soil and plants, they are constructed to let
excess water flow through. Serving coffee in such an object, becomes, if not impossible,
inconvenient for the guest.</p>
        <p>Clearly both visual characteristics and affordances play an important role for the
nature of concepts.</p>
      </sec>
    </sec>
    <sec id="sec-3">
      <title>3. Image schemas</title>
      <p>Looking a bit closer at image schemas, they offer a tool to pin down cognitive
phenomena, such as language, understanding, and reasoning, in the embodied experience.
They offer a connection between externally experienced relationships of physical objects
in time and space with the internal conceptual world of an agent. In natural language,
they often constitute the conceptual components for metaphorical and abstract thought.</p>
      <p>
        The cognitive benefit of image schemas lies in their generalised nature. Via
analogical transfer, abstract information can be used in order to explain unknown
objects and processes. Moreover, they can function as a conceptual framework when
forming new concepts (discussed in more detail in [
        <xref ref-type="bibr" rid="ref8">8</xref>
        ]). For example, if the notion of
CONTAINMENT has been learnt by observing water in a glass, an infant can also infer
that coffee can be in a cup, and from this build a concept of ‘container for liquids’.
      </p>
      <p>It is through such analogical inferences that abstract concepts are thought to be
explained. Expressions such as “life is a journey” conceptualize the passing of time as
movement along a PATH, and “to fall into a deep sleep” illustrate how the mental state of
unconscious rest is conceptualised as a form of CONTAINMENT.</p>
      <sec id="sec-3-1">
        <title>3.1. The shape of image schema</title>
        <p>Image schemas are abstract in nature and are therefore ‘shapeless’ in essence. Yet
they are learnt through perceiving shapes and relationships between objects. For
Path: the image schema family of moving along paths and in loops</p>
        <p>Movement_Of_Object
Movement_Along_Path</p>
        <p>add Path
Source_Path</p>
        <p>S</p>
        <p>S = G
extending an image
schema axiomatically
extending by new spatial
primitives and axioms
add Start_Path</p>
        <p>add End_Path
add End_Path</p>
        <p>add Start_Path
Source-Path-Goal</p>
        <p>S</p>
        <p>G
Closed_Path_Movement
G</p>
        <p>Source_Path_Via_Goal
add Landmark
S
xD</p>
        <p>G</p>
        <p>add Focal_Point
Path_Goal</p>
        <p>Movement_In_Loops</p>
        <p>o</p>
        <p>Revolving_Movement
x</p>
        <p>D
S = G</p>
        <p>Closed_Path_Movement,</p>
        <p>
          with additional
distinguished point
example, infants appear to learn CONTAINMENT by focusing on objects that enter
and exit containers [
          <xref ref-type="bibr" rid="ref19">19</xref>
          ], rather than by directly perceiving an ‘outside-border-inside’
relationships [
          <xref ref-type="bibr" rid="ref11">11</xref>
          ]. This image schematic generalisation is made instead by merging
a multitude of different CONTAINMENTs: ‘liquid in a glass’ implies a tightly fitted
container, ‘being inside a house’ demonstrates a loosely fitted container, ‘eating food’
displays a seemingly bottomless container and object such as flower pots and colanders
illustrate containers that intentionally leak liquids. Obviously, there is a multitude of
different kinds of CONTAINMENT, yet, the ‘shapes’ of these are often disregarded in
image schema research.
        </p>
        <p>
          Bennett and Cialone performed a linguistic corpus analysis on the image schema
CONTAINMENT in order to investigating the shapes of image schemas in a reverse
engineering fashion, i.e. from language to generalised image schema notions [
          <xref ref-type="bibr" rid="ref2">2</xref>
          ]. They
distinguished no less than eight different CONTAINMENT schemas from natural language
(see Figure 3).
        </p>
        <p>
          Similarly, Hedblom et al. visualised image schemas as a series of theories of
increasing complexity [
          <xref ref-type="bibr" rid="ref7">7</xref>
          ] (see Figure 3). They aimed to explain how image schemas
become more fine-tuned in cognitive development as a result of a complex environment
[
          <xref ref-type="bibr" rid="ref17 ref22">17, 22</xref>
          ], by using the PATH-following image schema as evidence.
        </p>
      </sec>
    </sec>
    <sec id="sec-4">
      <title>4. Outlook</title>
      <p>This short contribution aimed to discuss the relationship between perceptual and
conceptual processes in concept invention, in particular regarding shapes and image
schemas.</p>
      <p>
        Shape appears to occupy a central role during concept formation [
        <xref ref-type="bibr" rid="ref18">18</xref>
        ]. In the
perceptual processes of concept formation, shape is of great importance for the
categorisation of objects, but regarding conceptual processes, has often been neglected.
However, image schemas have been suggested to play a pivotal role as the conceptual
components that model affordances.
      </p>
      <p>While image schemas are abstract and ‘shapeless’ in essence, they are still drawn
from perception and embodied experiences, where shape is important. Additionally, one
kind of image schema appears to exist in different constructions. Therefore, it follows
that the shape of image schemas needs to be considered when speaking of the conceptual
processes in concept formation.</p>
      <p>The concluding remark for future research is that while performing research on
concept formation, in particular the conceptual side thereof, shape considerations should
play a more important role than previously considered.</p>
      <sec id="sec-4-1">
        <title>Acknowledgements.</title>
        <p>The project COINVENT acknowledges the financial support of the Future and Emerging
Technologies (FET) programme within the Seventh Framework Programme for Research
of the European Commission, under FET-Open Grant number: 611553.</p>
      </sec>
    </sec>
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