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  <front>
    <journal-meta>
      <journal-title-group>
        <journal-title>Applications</journal-title>
      </journal-title-group>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">10.1007/s11042-012-1218-6</article-id>
      <title-group>
        <article-title>Screen Concepts for Multi-Version Hypervideo Authoring</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Author Keywords Hypervideo</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Navigation</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Multilingual</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Translation</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Authoring</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>4th International Workshop on Interactive Content Consumption at TVX'16</institution>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>Britta Meixner</institution>
        </aff>
      </contrib-group>
      <pub-date>
        <year>2012</year>
      </pub-date>
      <volume>70</volume>
      <issue>2</issue>
      <abstract>
        <p>The creation of hypervideos usually requires a lot of planning and is time consuming with respect to media content creation. However, when structure and media are put together to author a hypervideo, it may only require minor changes to make the hypervideo available in other languages or for another user group (like beginners versus experts). However, to make the translation of media and all navigation elements of a hypervideo efficient and manageable, the authoring tool needs a GUI that provides a good overview of elements that can be translated and of missing translations. In this work, we propose screen concepts that help authors to provide different versions (for example language and/or experience level) of a hypervideo. We analyzed different variants of GUI elements and evaluated them in a survey. We draw guidelines from the results that can help with the creation of similar systems in the future.</p>
      </abstract>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>-</title>
      <p>Hypervideo media content creation is time consuming and
requires a lot of planning. Currently, if a new version of an
already finished hypervideo is needed, for example in another
language or for another target group (like beginners versus
experts), a completely new hypervideo has to be created. This
requires either to copy the existing video and replace contents
in a database or (often XML- or JSON-based) transfer file,
or a new hypervideo has to be put together in the authoring
tool from scratch. In case of changes in the hypervideo, both
versions have to be altered and maintained, which can be
error prone in larger projects. Translating a hypervideo means
not only translating every text or medium, it also involves
the table of contents, the terms for the keyword search, the
titles of scenes, alternative texts for media, the captions and
button labels of control panels, and all other elements that
are shown in the player at some point. Providing facilitating
functions for this in a hypervideo authoring tool can help
keeping maintenance costs low while providing up to date
hypervideos.</p>
      <p>The aforementioned issues raise the question how a translation
feature can be integrated into a desktop hypervideo authoring
tool without overcrowding the GUI. However, possibilities
need to be provided to add contents in another language for
all hypervideo elements. Accordingly, the goal of this work
was to understand:</p>
      <p>How are the different versions of the hypervideo best
indicated in the GUI?
What is a suitable GUI approach to enable the translation
of single elements in a hypervideo?
What is a suitable GUI approach to give an overview of all
elements and enable editing in the overview?
We conducted a survey with 51 people mainly from Germany
and Austria presenting them different screen concepts. The
survey used conditional statements to present screen concepts
always based on previous decisions to avoid confusion among
the participants. We found out that users preferred a tidy
user interface that can be controlled by keyboard and mouse,
making it not overcrowded with too many buttons.
This paper is structured as follows: We first give an overview
of related work, then we describe the procedure and
participants of our study. The evaluation results lead to tentative
recommendations for hypervideo authoring tools. The paper
ends with a discussion and conclusion section.</p>
      <p>
        RELATED WORK
Taking a look at hypervideo and multimedia authoring
systems, it can be noted that neither early systems like
HyperHitchcock [
        <xref ref-type="bibr" rid="ref16">16</xref>
        ] nor current systems like the SIVA Producer
[
        <xref ref-type="bibr" rid="ref10 ref11 ref9">11, 9, 10</xref>
        ] or Klynt [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ] are capable of translating contents
or providing different versions of contents. This is why we
started looking at systems with similar underlying structures
of the content, namely Content Management Systems (CMS)
for web-pages. According to [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ], a CMS should “enable and
disable as many languages” as required and provide a fallback
locale. The fallback locale is used if content is not available in
the language selected by the user.
      </p>
      <p>
        Several CMS offer the option to translate the contents of a
web-page. OctoberCMS [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ] provides a default language and
translations. New languages have to be added in the settings
view, where already added languages can also be managed.
Text can be translated via a table. The table provides two
options, one shows all contents, the other allows to hide already
translated contents giving a better overview. The Adobe
Experience Manager (Adobe CQ5) [
        <xref ref-type="bibr" rid="ref4">4</xref>
        ] lets users translate whole
web-pages. “The website will be displayed side by side in
2 parts with the source (reference page) and the target
language page in order to compare, check difference, edit and
translate as appropriate”. ICanLocalize [
        <xref ref-type="bibr" rid="ref7">7</xref>
        ] is a translation
service for web-pages by professional translators. The tool
that is provided for the translators loads web-pages and shows
a list of sentences which are extracted from the web-page.
The translators can then translate sentence by sentence. The
rubedo CMS [
        <xref ref-type="bibr" rid="ref15">15</xref>
        ] requires to first add a list of languages into
which the currently available content is translated. The user
selects between two strategies. The “only one” strategy displays
only translated elements in the resulting web-page (nothing
is displayed in case no translation is provided). The “with
fallback” strategy displays the fallback language if content is
not translated. In order to edit or translate contents of a
language, it is selected in a combo-box. Then, only the contents
in this language are shown, which allows no comparison with
the default language. Images and other media files cannot be
translated (or replaced with content in another language), only
descriptions can be translated. Synapse [
        <xref ref-type="bibr" rid="ref8">8</xref>
        ] is a system for the
management of translations of websites. Translation is done
sentence by sentence (or parts of sentences). The translation
interface shows the original text and the translated text
alternating for the single parts separated by markups. Another way
to deal with the translation issue is proposed by the Open Real
Estate CMS which provides automatic translation of contents
[
        <xref ref-type="bibr" rid="ref12">12</xref>
        ]. It first used the Google Translate API [
        <xref ref-type="bibr" rid="ref5">5</xref>
        ] and is now
using the MyMemory API [
        <xref ref-type="bibr" rid="ref18">18</xref>
        ].
      </p>
      <p>The systems described in this section offer different
implementations of the translation functionality in the GUI. Ranging
from translations of whole web-pages to translations of
single text elements, most of the tools do not offer functions to
replace media files.</p>
      <p>
        STUDY/METHOD
To answer the questions stated in the introduction, we
conducted an online survey comparing different interface designs.
Procedure/Data Collection
A brainstorming in a focus group [
        <xref ref-type="bibr" rid="ref14">14</xref>
        ] with four participants
(N = 4) was used to find different ways of presenting the
different versions of a hypervideo in the GUI of the SIVA
Producer. Then, high fidelity paper prototypes were created
and refined step by step that covered all alternative
presentation approaches in a way with consistent representations of
concepts. The high fidelity prototypes were then integrated
into an online survey that allowed conditional elements based
on previous answers.
      </p>
      <p>The survey as well as the high fidelity prototypes used a car
repair scenario. The goal was to make the instructions on
how to repair a car available for beginners and experts in both
German and English. Accordingly, the original version of the
hypervideo which was created for German novices had to be
extended with a version for German experts and translated
into English.</p>
      <p>First, participants were asked about their demographic data
(age, gender, level of education) and technical background
(monitor size, monitor resolution, experience in video editing).
The second part of the survey showed three different
representations of the versions used in a combo-box (see Figure 1) and
on tabs (see Figure 2). The first representation (a) was purely
text based combining language and experience level with a
“_”, the second representation (b) was purely image based
showing a flag and a symbol, and the third representation (c)
was a combination of text and image, where the experience
level was written as text and the language was shown as a
flag-symbol. In the remainder of the survey, the version
representation option preferred by the participant in a ranking was
utilized in the next screens.</p>
      <p>The third part of the survey showed different variants of the
media repository and how the elements should be grouped (see
Figure 3). Variant (x) grouped all images, videos, text-files,
audios, and subtitles into separate folders not differentiating
between the versions. Variant (y) adds a second layer for
grouping the elements. Here the files are first grouped by
medium and then by version. Variant (z) also has a second
layer for grouping the elements. In this variant, the files are
grouped by version first and then by medium. Again, the
versions had to be ranked. Another question in this part of
the survey explored various ways to import media into the
media repository, which also had to be ranked. One way was
first selecting the version and then the media which were then
added to the right folders automatically. Another way was to
first select the media and then the version. The third option
imported the media into a “global” folder from where they had
to be added to the according folders in the media repository
by drag-and-drop. These solutions also had to be ranked. A
text field was offered for suggestions of other solutions.
The fourth part of the survey showed three variants of
exemplary GUI elements needed for the creation and translation
of the hypervideo itself. The shown GUI elements were part
of the scene editor (simple text field, Figure 4), the editor for
the path selectors at a fork in the scene graph (more complex
set of text fields, combo- and check-boxes, Figure 5), the
annotation editor for image galleries (text fields and drop areas
for images, Figure 61), and the editor for the table of contents
(tree structure with entries and list of scenes, Figure 71). Each
GUI element had a variant that showed the current
implementation in the SIVA Producer, but extended with a combo-box
for version selection (variant (A), see Figure 4 and Figure 5).
Variant (B) showed a very similar view compared to the
current implementation but arranged on tabs (one tab for each
version) (see Figure 4 and Figure 5). Variant (C) extended the
screen. It showed both the original version of the element and
three tabs for the other experience levels and translations (see
Figures 4, 5, 6, and 7). The variants for each GUI element
were ranked by the participants.</p>
      <p>The last part of the survey showed different versions of an
overview table that allows the author to detect missing
translations. One version of the table had equally high rows for all
elements (see Figure 8 (Y)), the other had collapsible rows that
showed previews and full texts if they were expanded and only
basic information (like the beginning of a text or the name of
a media file) when they were collapsed (see Figure 8 (Z)). The
participants were asked several questions about each version
as well as to select the preferred variant. Other questions were
1Variants with combo-box and tabs are not shown here to avoid
repetitive images and space issues.
about editing and deleting of elements and contents in the
table and the presentation of editing options.</p>
      <p>
        Participants
Survey participants were recruited through emails and postings
on social networks2. The participants had a mean age of 23.23
years (SD = 3:47). 39 of the participants were male and 11
were female, one person did not want to tell. All participants
had at least some school degree; 6 had finished a training on
the job, 21 finished university. About half of the participants
used screen resolutions of 1920x1080 and monitor sizes of
20 inch and larger. Most of the participants did not have
a lot of experience with video editing software, only two
categorized themselves as experts for Adobe Premiere [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ],
some had knowledge of Adobe Flash [
        <xref ref-type="bibr" rid="ref1">1</xref>
        ], Blender [
        <xref ref-type="bibr" rid="ref17">17</xref>
        ], and
Adobe After Effects [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ].
      </p>
      <p>EVALUATION
The question regarding the representation of a version clearly
showed that a combination of text and symbol is preferred
(42 participants) (see Figures 1 and 2 variant (c)), 6
participants chose the symbol and 3 participants chose the plain text
variant.</p>
      <p>For the question about media grouping in the media repository,
no clear statement regarding a preferred version can be made.
However, it can be stated that a grouping with only one layer is
not preferred, as variant (x) was selected by only 8 participants.
Variant (y) was picked by 20 and variant (z) by 23 participants
(see Figure 3). The steps for importing media into the desired
2https://www.facebook.com/ (accessed May 26, 2016)
media repository folders also revealed no clear answer with
an even distribution of the answers for each option.
Taking a look at the variants of the four different GUI elements
(scene settings, path settings, image gallery editor, and table
of contents) it can be noted that the tab-based variant (B) was
considered as most appealing (average over all elements: 25
participants) and clearly arranged (average over all elements:
23.75 participants). The representation of the different
versions was considered most obvious (average over all elements:
28 participants) and the distinction of the versions from each
other was most clearly visible (average over all elements: 26.5
participants) for variant (B). Asking the participants which
variant they would want to use, on average 24.75 chose variant
(B), 15 chose variant (C), and 11.25 chose variant (A). Variant
(A) with the combo-box seems to be considered better for
the simpler GUI elements (scene settings and path settings),
compared to the more complex ones. However, variant (C)
achieved the best results regarding the question which variant
makes the translation of contents the most pleasant (average
over all elements: 26 participants).</p>
      <p>The questions regarding the overview table revealed somewhat
controversial results. Half of the participants found the GUI
of both versions appealing and clearly arranged. They found
that the contents can be recognized well (35 participants) and
it is easy to find out which elements do not have an
explanation or translation in a certain variant (25 participants) in
the variant showing all the available information (i.e. variant
(Y). However, 30 participants preferred the collapsible variant.
Regarding the editing of contents in the table, 38 participants
preferred “drag &amp; drop from the media repository or input of
text directly in the cell of the table”, 8 participants wanted
an editor window that only shows the content of the cell as
well as editing tools, and 5 participants wanted to open the
standard annotation editor. Regarding the question how to
delete contents, 26 participants preferred marking a cell and
pressing the delete button, 12 participants wanted a
right-clickmenu with a delete option, 9 participants wanted to drag the
element and drop it on a trash-bin symbol, and only 4
participants preferred an additional delete button in each cell. This
is also supported by the results of another question, where 42
participants wanted a tidy user interface instead of providing
additional buttons in each cell for editing contents. Regarding
the question how missing versions should be presented, 22
participants preferred empty cells and 29 preferred a grayed-out
miniature view of the standard version.</p>
      <p>RECOMMENDATIONS
The evaluation results of the versioning interfaces for the
desktop hypervideo authoring tool allow us to draw tentative
guidelines and recommendations for similar systems where contents
of hypervideo have to be translated or edited for another
version:</p>
      <p>If suitable, provide a combination of text and symbol for
representing a version in the GUI.</p>
      <p>The media repository should provide more layers than just
sorting by medium.</p>
      <p>A view with tabs is preferred to switching between versions
with a combo-box.</p>
      <p>Showing the default and translated versions next to each
other makes the translation task more pleasant.</p>
      <p>In an overview, elements should be editable as easily as
possible (direct entry, drag &amp; drop, keyboard shortcuts)
and only necessary information should be visible without
overcrowding the GUI with buttons for editing the contents.
Missing information should be either visualized by empty
fields or by grayed-out versions of the originals.</p>
      <p>DISCUSSION AND CONCLUSIONS
In this paper we presented a GUI concepts study for providing
hypervideo contents in different versions, like for beginners
and experts and/or in different languages. We created high
fidelity prototypes of GUI concepts and integrated them in
a survey which was answered by 51 participants. However,
most of the participants were less than 30 years old, from
Germany/Austria, and had very limited to no experience in video
editing. A more diverse user group with more participants
would make the results more reliable. Rough guidelines could
nonetheless be drawn from the results where most of the users
agreed. Our prototypes have a somewhat complex scenario
showing different experience levels and languages making it
harder for the participants to understand the scenario. Using a
simpler scenario would have made understanding the scenario
easier, but would also have over-simplified the prototypes.
This may have resulted in results that are not applicable to
more difficult scenarios.</p>
      <p>A combination of text and symbol are preferred for the
description and differentiation of the different versions. Media
organization in the media repository should be enabled on two
levels, either medium-version or version-medium; an
organization structure with only one level is not desired. Comparing
the different GUI variants for editing hypervideo elements,
variant (B) with a list of tabs is preferred to variant (C) with
the view of the standard version and the tabs of the alternative
versions, and to variant (A) with the combo-box. No clear
statement can be made regarding the design of the overview
table where participants evaluated the version showing more
information at one time better, but would prefer the more
compact version when they were asked directly.</p>
      <p>Future work should include follow-up studies to confirm and
refine the tentative guidelines and recommendations
formulated in this work. Further work in this area should also include
hypervideo authoring on tablets and other devices.</p>
    </sec>
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