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<article xmlns:xlink="http://www.w3.org/1999/xlink">
  <front>
    <journal-meta>
      <journal-title-group>
        <journal-title>R. Sims. Interactivity: A Forgotten Art?
Computers in Human Behavior</journal-title>
      </journal-title-group>
    </journal-meta>
    <article-meta>
      <title-group>
        <article-title>Interactive Infographics in German Online Newspapers</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Sandra Zwinger</string-name>
          <email>sandra.zwinger@live.at</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Michael Zeiller</string-name>
          <email>michael.zeiller@fh-burgenland.at</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>University of Applied Sciences Burgenland</institution>
          ,
          <addr-line>Eisenstadt</addr-line>
          ,
          <country country="AT">Austria</country>
        </aff>
      </contrib-group>
      <pub-date>
        <year>2016</year>
      </pub-date>
      <volume>13</volume>
      <issue>2</issue>
      <fpage>54</fpage>
      <lpage>64</lpage>
      <abstract>
        <p>Interactive infographics are increasingly used in online journalism. Especially in data-driven journalism they provide a powerful tool to represent and communicate complex information. On the basis of a content analysis of five German-speaking online newspapers we show which kinds of interactive visualizations are preferred in Germanspeaking online media. However, users are still unfamiliar with interactive infographics. The results of a user survey demonstrate how readers of online newspapers use interactive infographics. These results point out how users interact with interactive infographics and how they assess the availability and findability of interactive infographics in online newspapers.</p>
      </abstract>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>-</title>
      <p>1. Introduction
Data-driven journalism (short: DDJ) collects, evaluates,
interprets and presents large amounts of data. In an
innovative and unique way data-driven journalism
explains new insights and clarifies facts while telling
complex stories on the basis of large amounts of
retrieved data [Mat16] [GBC12]. Lorenz [Lor10]
defines data-driven journalism as a workflow, where
data is the basis for analysis, visualization and – most
importantly – storytelling. The growth potential of
datadriven journalism is vast and according to Weinacht und
Spiller [WS14] it is one of the big issues in specialist
publications on journalism and in education of
journalists in Germany.</p>
      <p>Data-driven journalism can help a journalist to tell a
complex story through engaging information graphics
[GBC12] [WR13]. In the reporting phase, visualizations
can help journalists to identify themes and questions, to
identify outliers or to find typical examples. In
publishing, visualizations play multiple roles, e.g., to
Copyright © by the paper’s authors. Copying permitted only for private
and academic purposes.
illustrate a point made in a story in a more compelling
way, to remove unnecessary technical information from
prose and to provide transparency about the reporting
process to readers (especially interactive visualizations
that allow exploration) [GBC12].</p>
      <p>Information visualization is the use of interactive
visual representations of abstract data to amplify
cognition [Che10] [War12]. Information visualization in
online media like online newspapers or online
magazines can be interactive, i.e., it provides users with
at least one option to control which and how much
information shall be shown. Shneiderman [Shn96]
proposed key principles for the success of information
visualization that are based on his Visual
InformationSeeking Mantra: Overview first, zoom and filter, then
details-on-demand. Since then several types of
interactivity have emerged. Information visualization
provides several types of information graphics, e.g.,
functional infographics, cartographical graphics or
visualization of statistical data, that can be enhanced
with interactive elements.</p>
      <p>Journalists tell stories based on their investigations.
Data visualization is an appropriate communication
medium for storytelling, in particular when the story
also contains a lot of data [KM13]. However, these data
stories told by data journalists differ from traditional
forms of storytelling [SH10]. An emerging number of
stories is enhanced with narratives including complex
graphics and especially interactive graphics. Like the
pioneers of data-driven journalism using interactive
visualizations from Anglo-Saxon countries (e.g., The
Guardian, The New York Times) the increasing number
of data-driven journalistic projects in German-speaking
countries use various visualizations with different
options of interaction.</p>
      <p>
        In this paper, we investigate which kinds of
interactive infographics are used in data-driven
journalism in Germany, Austria and Switzerland to
effectively present complex data and causal
relationships. A content analysis is applied to five
examples of German-speaking online newspapers. The
interactive infographic
        <xref ref-type="bibr" rid="ref1">s that have been published in
2014</xref>
        and 2015 are analyzed.
      </p>
      <p>Although interactive infographics are increasingly
used in online media, readers really have to view them
and use the control tools. First, readers have to identify
interactive infographics as such and the control tools
have to be recognized intuitively. Thus, we investigate
how readers of online newspapers assess the availability
and findability of interactive infographics and which
types of interaction they utilize.
2 Interactive Infographics
Information graphics (short: infographics) combine
graphics, image and text to communicate information,
data or knowledge effectively using graphic visual
representations [Ale13] [Yau11] [Yau13]. Infographics
aim at providing the percipient with new insights and a
quick overview on complex facts on subjects like
politics, science, technology, and nature that are hard to
understand just using text-based information. They shall
communicate complex issues efficiently and draw the
attention of percipients to them. However, there is a
continuous debate over visual embellishment, i.e.,
adding unnecessary visual embellishment – chart junk –
versus a minimalistic approach using plain and simple
charts [BMG+10]. Like the data-ink ratio for
noninteractive infographics proposed by Tufte [Tuf01]
to reduce chart junk, interactive infographics have to
apply interactivity purposeful.</p>
    </sec>
    <sec id="sec-2">
      <title>2.1 Types of Infographics</title>
      <p>Infographics can be categorized in three basic types
(Figure 1): [JS99] [Sta13]
• Principle representation
• Cartographic infographics
• Statistics chart
The principle representation – also denoted as functional
graphics – covers What and How questions and
describes complex causal relationships in real or abstract
form. Principle representations are subdivided in fact
graphics, structure graphics and process graphics
(Figure 2). [JS99]
The cartographic infographics (map) conveys
spaceoriented information in a clearly arranged, simple and
understandable way that provides orientation. This type
consists of event space map, topic map and weather
map. [JS99]</p>
      <p>Statistics charts help to illustrate quantities and
compare them, especially large, complex sets of
numbers and relations. This type consists of pie chart,
bar chart, curve chart, area diagram, scatter plot, Sankey
diagram and radar chart (Figure 3). [JS99] [Sta13]</p>
    </sec>
    <sec id="sec-3">
      <title>2.2 Interactions in Infographics</title>
      <p>Many technical systems offer interactive performance.
However, the interactive elements have to be recognized
and utilized by users. This level of action is made up of
a control dimension and a transmission dimension that
allows the system to react on user input. The control
dimension ist subdivided in options for selection
(selection of existing content, e.g., click on a hyperlink)
and options for modification (change of system range by
input; e.g., input of text) [QS06].</p>
      <p>There exist several methods of interaction to
manipulate a visual representation, like scrolling,
overview plus detail, or focus plus context, filtering or
data reordering [Maz09].</p>
      <p>Weber and Wenzel [WW13] define interactive
infographics as being a visual representation of
information that integrates several modes (at least two),
e.g., image/video, spoken or written text, audio, layout,
etc. (image mode is constitutive), to a coherent ensemble
that offers at least one option of control to the user. The
provided option of control can be, e.g.,
• Start or Stop button
• Forward or backward button
• Menu item to select
• Timeline or time controller
• Filter, data request or input box
2.3 Classification of Interactive Infographics
While evaluating interactive infographics we analyze
five features which cover interaction as well as narrative
issues: degreee of interactivity, course of action,
communicative intent, “W-questions” and topic. We
follow a typology introduced by Weber and Wenzel
[WW13] and Weber [Web13]. Other features like genre
or visual narrative as in [SH10] might be applied as
well, but have not been included.</p>
      <sec id="sec-3-1">
        <title>2.3.1 Degree of Interactivity</title>
        <p>Weber and Wenzel [WW13] distinguish three degrees
of interactivity:
• Low interactivity
• Medium interactivity
• High interactivity
A low level of interactivity allows users to navigate
within the infographics and select content, e.g., by using
internal links, zooming, mouseover effects for showing
details, Next or Start buttons, but without changing the
infographics. On a medium level of interactivity users
can manipulate the infographics, e.g., by a timeline
slider or menu items, thus showing changes and
comparing information. A high level of interactivity
enables users to explore the infographics and to interact
with data and information, e.g., by inputs, filtering or
data retrieval (Figure 4).</p>
        <p>We analyze only the degree of interactivity, but do
not identify the ways of manipulation as in [SH10], like
hover highlighting and details, filtering and selection,
search or navigation buttons.</p>
      </sec>
      <sec id="sec-3-2">
        <title>2.3.2 Course of Action</title>
        <p>Weber and Wenzel [Web13] [WW13] distinguish three
types of course of action:
• Linear
• Nonlinear
• Linear-nonlinear
Linear interactivity enables the user to move (forward or
backward) through a predetermined linear sequence
[Sim97]. The linear type is based on a step-by-step
course defined by the author (i.e., author-driven
[SH10]). The user follows a strict path and does not have
to explore the visualization by himself. Navigation tools
like Start, Stop, Forward, Backward or Next are used to
navigate in a liner course. A navigation bar provides a
better overview on the whole sequence. [Web13]</p>
        <p>A nonlinear visualization does not provide a
prescribed ordering and requires a high degree of
interactivity by the user [Rya06] – its narrative being
reader-driven [SH10]. Nonlinear-based interactive
infographics provide the user with many ways to explore
and query the visualization – including free exploration
without predefined navigation paths. Navigation tools
for nonlinear infographics include filter, input box, data
query or brushing (various visual representations of
same data). [Web13]</p>
        <p>The linear-nonlinear type results from a hybridization
of the linear and nonlinear course of action. This type is
a hybrid of the author-driven and reader-driven
approach [SH10] that enables the author to
communicate his message using a predefined path, but
still allowing the user a certain amount of selection
ability. Navigation tools for linear-nonlinear
infographics include interactive timelines, time
controller, and integrated navigation menu. [Web13]</p>
        <sec id="sec-3-2-1">
          <title>2.3.3 Communicative Intent</title>
          <p>Based on Nichani und Rajamanickam’s taxonomy
[NR03] we use the following categories to represent the
communicative intent oft interactive infographics:
• Narratives: Stories told from a distinct point of view
(e.g., anecdotes, personal stories, business stories,
case studies).
• Instructives: Step-by-step instructions explaining
how things work or how events occur.
• Exploratives: Allow readers to discover the intent
themselves by active exploring and sensemaking.
• Simulatives: Allow readers to experience the intent
(usually a real world phenomena) themselves.</p>
        </sec>
        <sec id="sec-3-2-2">
          <title>2.3.4 W-Questions</title>
          <p>In addition to the communicative intent [NR03] the
communicative function can be derived using an
extended version of the journalistic W-questions
[Web13] [Roa09]:
• What/Who
• When
• Where
• How
• Why
• How much
2.3.5 Topic
Following the news departments of a newspaper/
magazine that classify a newspaper article we classify
the topic of the interactive infographics:
• Politics/Economics
• Accidents/Natural disaster
• Consumption
• Sports
• Science/Society
• Crime
• Others
3 Analysis of Utilization of Interactive
Infographics in German-speaking Online
Newspapers
Interactive infographics have various occurrences and
are used for multiple purposes. However, not all types
of interactive infographics can be utilized in data-driven
journalism. In this section we analyze which interactive
infographics are used in data-driven journalism in
Germany, Austria and Switzerland to efficiently present
complex data and their causal relationships. [Zwi16a]</p>
        </sec>
        <sec id="sec-3-2-3">
          <title>3.1 Method</title>
          <p>The analysis of interactive infographics of selected
online newspapers is based on evaluation research. The
object of the evaluation – the interactive infographics –
is assessed according to predefined goals and specified
criteria. [GJ14] [SM14]</p>
          <p>To represent the German-speaking online
newspapers we selected five newspapers from Germany,
Austria and Switzerland that are published in print and
online: „Zeit Online“, „Berliner Morgenpost“, „Neue
Zürcher Zeitung“, „Der Standard“ und „Kurier”. The
objects to be evaluated are the interactive infographics
that had been published between January 1, 2014 and
December 31, 2015 in the newspapers’ online portals.</p>
          <p>A total of 276 interactive infographics have been
identified and subsequently analyzed: Zeit Online 36,
Berliner Morgenpost 54, Neue Zürcher Zeitung 89, Der
Standard 60, and Kurier 37 infographics.</p>
          <p>Based on the typology and classification introduced
in section 2 a list of criteria is defined. The type of
infographics is classified on a nominal scale (scale
values A-M and A-E respectively) (Table 1). The
classification criteria are assessed using an ordinal scale
with varying degree (Table 2).</p>
        </sec>
        <sec id="sec-3-2-4">
          <title>3.2 Results</title>
        </sec>
        <sec id="sec-3-2-5">
          <title>3.2.1 Example: Zeit Online</title>
          <p>As an example, we present the results of the evaluation
of interactive infographics that have been published by
„Zeit Online” [Zwi16a]. The other newspapers, i.e.,
„Berliner Morgenpost“, „Neue Zürcher Zeitung“, „Der
Standard“ und „Kurier”, have been evaluated in the
same way.
We identified 36 interactive infographics that have been
published during the period of investigation by “Zeit
Online”. 27 of them are single type infographics, and 9
are hybrid infographics. The single type infographics are
made up of seven topic maps, four bar charts, four curve
charts, three event space maps, two fact graphics and
one process graphics; the remaining six infographics are
of type Other. The nine hybrid infographics consist of
three cartographic infographics with statistics chart, two
principle representation with statistics chart, two mixed
statistics charts and two infographics of type Other.</p>
          <p>“Zeit Online” published 18 interactive infographics
with a low degree of interactivity, 13 infographics with
medium interactivity and 5 infographics with high
interactivity. In category Course of action 6
infographics were linear, 25 infographics were nonlinear
and 5 of the combined type linear-nonlinear. Analyzing
the communicative intent shows 21 infographics of type
Exploratives, 10 infographics of type Instructives, 3 of
type Simulatives and 2 of type Narrratives.</p>
          <p>Most infographics have been published relating to
topics in science and society: 19 infographics in total. 6
infographics cover politics and economics, 5 deal with
sports, 5 deal with consumption and one infographics is
on crime (Figure 5).
3.2.2 Using Interactive Infographics
The unrepresentative evaluation research analyzed 276
interactive infographics in five selected online
newspapers (period: January 1, 2014 until December 31,
2015) showing that in German-speaking data-driven
journalism typically interactive infographics are used
that belong to single type infographics (77.54 % vs.
22.46 % of hybrid type). Most commonly used are bar
charts (23.83 %) and curve charts/area diagrams (18.69
%). Topic maps are used at a percentage of 17.76 % and
event space maps are used at a percentage of 12.15 %.
Rarely used are structure graphics (2.34 %), pie charts
(1.87 %), Sankey diagrams (1.87 %), process graphics
(1.40 %) and fact graphics (1.40 %) (Figure 6).</p>
          <p>Bar charts
Curve charts</p>
          <p>Topic maps
Event space maps
Structure graphics</p>
          <p>Pie charts
Sankey diagrams
Process graphics</p>
          <p>Fact graphics
Radar charts
The majority of interactive infographics, i.e., 43.11 %,
shows a low degree of interactivity. 38.77 % of the
analyzed infographics have a medium degree of
interactivity, whereas only 18.12 % of the analyzed
infographics offer a high degree of interactivity (Figure
7).</p>
          <p>The vast majority of published interactive
infographics exhibits a nonlinear course of action. 75.0
% are nonlinear infographics, whereas 13.77 % of the
infographics are identified as belonging to the
linearnonlinear type. Only 11.23 % of the analyzed
infographics have a linear course of action (Figure 8).</p>
          <p>The evaluation of the communicative intent depicts
that Exploratives are used most at a ratio of 70.65 %. We
identified 21.02 % Instructives. Narratives (5.07 %) and
Simulatives are seldom used (Figure 9).</p>
          <p>18%
39%
43%</p>
          <p>Low
Medium
High
Interactive infographics are most frequently used in
online newspapers to illustrate information on the topic
science and society with 46.01 % of all occurrences.
34.06 % of the analyzed infographics cover issues on
politics and economics. 10.51 % cover sports, 6.16 %
crime and 2.54 % consumption. Accidents and natural
disaster are seldom discussed with the help of
infographics (0.36 %). Another 0.36% could not be
assigned clearly and were labeled as Other (Figure 10).
6%</p>
          <p>0%
46%
34%
0%
11%
3%</p>
          <p>Politics/Economics
Accidents/
Natural disaster
Consumption
Sports
Crime
Others
Science/Society
4 Utilization of Interactive Infographics by
Readers
During the evaluation research process it turned out that
interactive infographics are hard to identify in online
newspapers. In particular, it was difficult to find
infographics in the two Austrian online newspapers.
Most newspapers have no dedicated sections
aggregating interactive infographics and even the
integrated search function often failed.</p>
          <p>In this chapter we analyze how Austrian readers of
online newspapers assess the availability and findability
of interactive infographics and how they use the
facilities for interaction. Our goal is the demonstration
that readers of online newspapers search purposeful for
interactive infographics or just use them by pure chance.
We examine how laborious and time-consuming readers
estimate searching for infographics. The intensity of the
use of infographics and the frequency of the utilization
of the individual facilities for interaction are determined.
4.1 Method
To determine the opinion of readers of online
newspapers a quantitative research approach has been
chosen [BB14]. Since the target group is very familiar
with online tools we chose to conduct a
nonrepresentative online survey [WH14]. The online
survey was made up of 24 questions that included closed
questions (single choice, multiple choice questions) as
well as matrix questions with different evaluation scales.
[MG14]</p>
          <p>
            Only readers of online newspapers have been
surveyed. Persons that got access to the survey, but do
not read online newspapers were identified at the
beginning using a knockout question. The survey was
published in the off-topic forum of the Austrian
newspaper “DerStandard”, on the Facebook page of the
Austrian newspaper “Kurier”, and additionally on the
Facebook account of one of the authors and among
students of the University of Applied Sciences
Burgenland [Zwi16b].
            <xref ref-type="bibr" rid="ref5">Survey period: June and July
2016</xref>
            .
          </p>
          <p>259 persons participated in the survey. Due to the
research design primarily Austrian readers of
Germanspeaking online newspapers have been surveyed. 215
persons (83.01 %) answered the preceding knockout
question positive and were identified as readers of
online newspapers. The following outcome of the
survey refers to this group.
4.2 Results
86.98 % of the respondents (187 persons of 215)
deliberately view interactive infographics. Asked for the
reasons of using those infographics they name the
wellknown advantages of infographics like illustration of all
relevant numbers/facts (77.54 %), a clearly structured
overview (63.64 %) or good memorability due to the
combination of text and image (51.34 %). Table 3 shows
the results of this question (multiple references
possible).</p>
          <p>The respondents could rate on a five-point Likert
scale (“very intensive” to “less intensive”) how
intensively they use the offered facilities to interact with
the infographics. More than half of the persons
questioned use them “moderately intensive” (54.01 %,
101 persons). The infographics are “very intensively”
used by only 6.42 % respondents (12 persons). 25.13 %
(47 persons) used them “intensively”. The option “rather
less intensive” has been named by 13 persons (6.95 %)
and there are 14 users who use the infographics “less
intensive” (Fig. 11).
Interactive infographics offer different functions to
control the graphics. Table 4 presents how frequently (or
seldom) users apply those control tools.</p>
          <p>The respondents have been asked whether those control
functions are sufficiently recognizable and easy to
identify. Only 2.67 % of the respondents (5 persons)
consider the control tools as “very well recognizable”.
33.16 % (62 persons) consider them as “good
recognizable” and the majority of 37.97 % (71
respondents) consider the control tools as “moderately
recognizable”. 20.32 % respondents (38 persons) have
not been satisfied with the visibility of the control tools
and graded them as “poorly recognizable”. One
respondent (0.53 %) did not find the control tools and
answered “not recognizable” (10 persons, i.e., 5.35 %,
did not specify) (Fig. 12). Obviously there is need for
action.
Only 24.06 % of the respondents (45 persons) indicated
that they actively search for interactive infographics in
online newspapers. These persons would see a big
advantage if online newspapers mark or label interactive
infographics or offer easy access using dedicated menu
items. 75.94 % (142 respondents) do not search actively
for articles that contain interactive infographics.
However, a majority of three-quarters of those
respondents (n=142; i.e., 106 persons) mentioned that
they would use infographics more often, if they would
be easier to find.</p>
          <p>
            53.48 % respondents of the survey quoted that they
think that currently most interactive infographics deal
with politics. 24.60 % respondents indicated that most
interactive infographics are about economics. The
respondents would prefer if more interactive
infographics are published concerning science (24.60
%), economics (22.99 %), consumption (10.70 %),
crime (9.63 %) and politics (8.56 %) (remark: only
single response allowed). However, 73.26 % of the
respondents of the survey would appreciate an
increasing offering of interactive infographics in online
newspapers.
5 Conclusion
The evaluation of interactive infographics that have
been publi
            <xref ref-type="bibr" rid="ref1">shed in the years 2014</xref>
            and 2015 in five
selected German-speaking online newspapers shows
inhomogeneous and diverse results. The analyzed
infographics depict that data-driven journalism in
German, Austria and Switzerland typically makes use of
infographics that belong to a single type (77.54 %). Most
commonly used are bar charts at a percentage of 23.83
%. Often single type infographics are combined to
hybrid forms that are used at a percentage of 22.46 %.
Most examples of those hybrid forms (53.23 %) are
cartographic infographics with statistics chart.
          </p>
          <p>The majority of interactive visualizations only have a
low degree of interactivity (43.11 %). Users can
manipulate the infographics easily, e.g., by using Next
or Start buttons or mouseover effects for showing
additional information. Only a small percentage of 18.12
% of the analyzed infographics offer a high degree of
interactivity and allow users to interact with the help of
input boxes, data retrieval or filtering.</p>
          <p>Three-quarters of the analyzed infographics have a
nonlinear course of action. They offer several options to
explore and manipulate the infographics. By means of
navigation tools like input box, filter, menu item or
mouseover effects the requested information can be
displayed.</p>
          <p>The survey of readers of German-speaking online
newspapers demonstrates that the offering of interactive
infographics is highly accepted. However, it is often
hard to recognize that a graphics is an interactive
infographics with corresponding control tools.
Consequently, those control tools are only moderately or
seldom used. There is potential for improvement to
identify controls for interactivity more clearly and thus
allowing users to fully utilize the offer of information of
the infographics. For example the findability of
interactive infographics might be improved by dedicated
sections in the online newspapers aggregating
infographics (e.g., specific menu items in the main
navigation) or by others ways of identification. The
reason why interactive infographics are often not used is
due to the simple fact that they cannot be found.
However, readers of online newspapers have strong
interest in using and exploring interactive infographics.
6 Summary
Data-driven journalism deals with the collection,
evaluation, interpretation and presentation of large
amounts of data. Frequently, visualizations are used to
present these data in online reporting. Online media
allow to design those infographics interactively. Users
can determine by themselves which and how many
information shall be shown. For example, interactive
infographics with nonlinear course of action provide a
high degree of interactivity up to free exploration
without predefined navigation paths.</p>
          <p>
            Based on the evaluation of 276 interactive
infographic
            <xref ref-type="bibr" rid="ref1">s that have been published in 2014</xref>
            and 2015
in five German-speaking online newspapers we
demonstrated which types of visualization are used in
data-driven journalism in Germany, Austria and
Switzerland. The evaluation research shows a large
variety of used types of infographics. At the same time,
we recognize a great potential for improvement when
applying those infographics in data-driven journalism.
In particular, the degree of interactivity can be improved
to facilitate even more flexibility when exploring those
infographics.
          </p>
          <p>From the point of view of readers of online
newspapers we identified potential for improvement
concerning the findability or recognizability of
interactive infographics. Additionally, various control
tools for the manipulation of infographics are available,
but they are used only to a limited extend due to the fact
that they cannot be identified conveniently. Therefore,
improvements in the usability of interactive
infographics might increase the utilization of
infographics. Usability issues have not been investigated
in the present analysis, but further research should
examine the usability of interactive infographics in
datadriven journalism.
[Ale13]
[BB14]</p>
          <p>
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Information und Kommu
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Vieweg, 2013</xref>
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