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  <front>
    <journal-meta>
      <journal-title-group>
        <journal-title>Genoa, Italy, November</journal-title>
      </journal-title-group>
    </journal-meta>
    <article-meta>
      <title-group>
        <article-title>AI*CH 2016 The 10th workshop on Artificial Intelligence for Cultural Heritage</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Preface</string-name>
        </contrib>
      </contrib-group>
      <pub-date>
        <year>2016</year>
      </pub-date>
      <volume>28</volume>
      <issue>2016</issue>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>-</title>
      <p>Copyright © 2016 for the individual papers by the papers’ authors. Copying
permitted for private and academic purposes. This volume is published and
copyrighted by its editors.</p>
      <p>Editors’ addresses:
ENEA-DTE
Energy Technologies Department
Lungotevere Thaon di Revel 76
00196 Rome, Italy</p>
      <p>i
Today, there are some challenges that have to be addressed in the Cultural
Heritage (CH) domain: management of large amounts of daily growing data;
new interaction paradigms for Cultural Heritage promotion; research of fast and
minimally invasive techniques for the assets protection. New applications in the
area of Artificial Intelligence (AI) produced innovative services and technology
to address such questions in CH.</p>
      <p>The 10th Artificial Intelligence for Cultural Heritage workshop (AI*CH 2016)
is the meeting point between Artificial Intelligence (AI) areas and Cultural
Heritage (CH) domain. During the workshop the latest academic and industrial
results in the application of AI methods and techniques to improve the
valorization, conservation and promotion of the CH have been discussed and
investigated. AI*CH 2016 is inherently interdisciplinary and integrates computer and
information sciences with any aspect of the Cultural Heritage sector.</p>
      <p>Each proposal has been reviewed by three members of the Program
Committee of the Workshop, and on the basis of their recommendations 7 documents
have been selected for publication and presentation at AI*CH 2016. In
addition, the workshop was enriched by the participation of Sara Di Giorgio of the
Progetto Portale della Cultura Italiana - ICCU Rome as invited speaker.</p>
      <p>We thank all Program Committee members, our invited speaker, and all
authors of accepted papers for making the realisation of the AI*CH 2016 possible.</p>
    </sec>
    <sec id="sec-2">
      <title>December 2016</title>
      <p>Luciana Bordoni, Francesco Mele and Antonio Sorgente
Workshop Organization</p>
      <sec id="sec-2-1">
        <title>Chairs</title>
      </sec>
    </sec>
    <sec id="sec-3">
      <title>Luciana Bordoni: Francesco Mele: Antonio Sorgente:</title>
      <sec id="sec-3-1">
        <title>Program</title>
      </sec>
      <sec id="sec-3-2">
        <title>Commitee</title>
      </sec>
    </sec>
    <sec id="sec-4">
      <title>Liliana Ardissono</title>
      <p>Luciana Bordoni
Antonio Calabrese
Francesco Cutugno
Cristina Gena
Tsvi Kuflik
Francesco Mele
Paul Mulholland
Cataldo Musto
Antonio Origlia
Giovanni Semeraro
Antonio Sorgente
Giuseppe Vettigli</p>
    </sec>
    <sec id="sec-5">
      <title>ENEA, Roma, Italy ISASI - CNR, Napoli, Italy ISASI - CNR, Napoli, Italy</title>
    </sec>
    <sec id="sec-6">
      <title>University of Turin, Italy</title>
      <p>ENEA, Italy
ISASI-CNR, Italy
University of Naples, Italy
University of Turin, Italy
University of Haifa, Israel
ISASI-CNR, Italy
Open University, UK
University of Bari, Italy
University of Naples, Italy
University of Bari, Italy
ISASI-CNR, Italy
Cambridge Coding Academy, UK</p>
      <sec id="sec-6-1">
        <title>Invited Talk</title>
        <p>1</p>
      </sec>
      <sec id="sec-6-2">
        <title>Regular Papers</title>
      </sec>
    </sec>
  </body>
  <back>
    <ref-list>
      <ref id="ref1">
        <mixed-citation>
          <article-title>Listen to What You Look at: Combining an Audio Guide with a Mobile Eye Tracker on the Go Moayad Mokatren</article-title>
          , Tsvi Kuflik,
          <string-name>
            <surname>Ilan Shimshoni . . . . . . . . . . . .</surname>
          </string-name>
          <article-title>2 Steps Towards Accessing Digital Libraries Using Narratives Carlo Meghini</article-title>
          , Valentina Bartalesi,
          <string-name>
            <surname>Daniele Metilli . . . . . . . . . . 10</surname>
          </string-name>
          <article-title>Why so Serious? Raising Curiosity Towards Cultural Heritage with Playful Games Antonio Origlia</article-title>
          , Maria Laura Chiacchio, Dario Di Mauro,
          <string-name>
            <surname>Francesco Cutugno . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18</surname>
          </string-name>
          <article-title>Designing Interactive Experiences to Explore Artwork Collections: a Multimedia Dialogue System Supporting Visits in Museum Exhibits Antonio Origlia</article-title>
          , Enrico Leone, Antonio Sorgente, Paolo Vanacore, Maria Parascandolo, Francesco Mele,
          <string-name>
            <surname>Francesco Cutugno . . . . . . .</surname>
          </string-name>
          <article-title>26 Multi Attributes Approach for Tourist Trips Design Ilaria Ba↵ o, Pasquale Carotenuto</article-title>
          , Antonella Petrillo, Fabio De Felice 34
          <string-name>
            <given-names>Integrating</given-names>
            <surname>Archaeological</surname>
          </string-name>
          <article-title>Datasets: the ARIADNE Portal Paola Ronzino</article-title>
          , Achille Felicetti,
          <string-name>
            <surname>Sara Di Giorgio . . . . . . . . . . .</surname>
          </string-name>
          <source>42 Syncretic Text Composition in Artificial Museum Guides Antonio Sorgente</source>
          , Antonio Calabrese, Gianluca Coda, Paolo Vanacore,
          <string-name>
            <surname>Francesco Mele . . . . . . . . . . . . . . . . . . . . . . . . . . 50</surname>
          </string-name>
        </mixed-citation>
      </ref>
    </ref-list>
  </back>
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