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|pdfUrl=https://ceur-ws.org/Vol-1861/workshop5.pdf
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Hands on soft prototyping and its applications in educational practices Adriana Cabrera Rhine-Waal University of Applied Sciences Kamp-Lintfort, Germany adriana.cabrera@hochschule-rhein-waal.de ABSTRACT In this workshop we will look at the spectrum of Hands-on soft prototyping and its educational practices is a prototyping in educational practices and its impact in the workshop that will present an overview of the activities in global and local community. In the first part of the digital fabrication, soft materials and sustainable production workshop we will share some of the local and global in Open Labs and university practices. During the community activities. In the second part, we will work on workshop participants will explore different soft materials soft prototyping, experimenting with different conductive thinking in the possibilities of application and how to and non-conductive materials, thinking in the possibilities introduce interactivity and ways of prototyping from a of generating embodiment interaction and its applications. material research point of view. WORKSHOP PROPOSAL Author Keywords In this workshop we will reminisce the role of surface and Soft Prototyping, Digital Manufacturing, Materials research materials in the process of prototyping. For this aim method. Soft Interfaces, Social Fabrication. emerging technologies and methods of prototyping will be ACM Classification Keywords introduced and evaluated from the materials research design [3] looking for a new way of fabrication with soft H.5.m. Information interfaces and presentation (e.g., HCI): interfaces. Miscellaneous; D.2.2 Design Tools and Techniques: User Interface In this overview, previous experiences in the Fab Lab practices will be referred, illustrating how professors, INTRODUCTION students and researchers from different disciplines can Digital Fabrication has in the last times been increasing the make an approach in this field. Next, attendees will be boundaries of how and why we are manufacturing. This instructed about the materials and their experimentation process provides efficiency and individualization of the with modularity within non-conductive and conductive prototype, working in a small scale, but in a high level of materials for interaction practices. complexity. This development includes not only the use of the machines but also an in depth study of the materiality of In this context, we will explore some Sensoaesthetic [4] prototyping, process and their applications. perceptions of the materials and the transformation that comes with digital fabrication, thinking in their possible Why Rapid Prototype? On one side, Rapid Prototype refers applications and implications. Participants will have the to functionality and effectiveness, on the other side, it opportunity to explore through prototyping and with the empowers the transition from digital to tangible. Tangibility materials at their disposition. At the end of the session, we is the matter that connects the objects to something real, will share the results, and discuss future work and the understandable and near to the human being. The impact in the global community. possibilities to conduct experimental research in soft fabrication in an open laboratory gives the physical and WORKSHOP TOPIC COVERED mental space for innovative re-thinking and reframing of Model making and its impact today's realities. It offers the resources for visions to be Model making is one of the practices that connects the materialized, tested, developed and makes an active impact visualization of our thoughts to the human tangible space. in people’s life, not as a linear process, but as a spiral With typical drawing or computer modelling, your brain iteration and implementation in the reality [1]. must interpolate a third dimension, assuming relationship Practicing with materials allows a participatory process of between the previous experiences with the objects [3], but learning and making by experimenting, creating feedback with rapid prototype, we have the ability to produce actual loops with project development, where materials, material objects, even in full scale. The model as an actual aesthetics, sustainability and customization play equal and object, becomes an autonomous thing that one can feel and important roles [2]. see for what it is. The brain is allowed to observe, analyze and project. “Your mind is like a database of sensory experiences [4].”. Linking manufacturing with soft prototyping ABOUT THE AUTHOR Textiles and its production has had a very important role in Adriana Cabrera is scientific assistant in the project 3D the history of machines and industrial fabrication. As a Competence Center Niederrhein in the FabLab Kamp- material, textile remarks the development of personal Lintfort, Germany, at the University of Applied Sciences fabrication due to the individualization in the process of Rhine Waal. Originally from Colombia, she works in making clothes. Soft goods have a strong connection with different areas of design, art and interaction. Having a the development of bespoke fabrication. Soft prototyping, background in Industrial Design, she complemented her hacking, reconfiguring and individualizing are some of the studies in the MFA Media Art and Design at Bauhaus features that facilitate an open laboratory. Today, these University Weimar, combining traditional techniques with activities allow the intervention of the new craftsman in the new technologies in the field of Printed Electronics. In digital manufacturing era. 2013, she began the studies MA Surface and Textile Design Fablabs and the educational practices at the Weißensee Academy of Art Berlin, focusing on There are different aspects that make the FabLab a material research, introducing textiles as a medium of generator of knowledge. Digital fabrication laboratories are communication. She completed the FabAcademy 2016 with becoming incubators for innovative technologies, and the project MyOrthotics, developing an orthosis for a creators of derivative and disruptive initiatives, patient with a paralysis in his left arm. She also participated implemented in the “real” word. The philosophy of making in the Textile Academy at the Waag Society, Amsterdam. is transforming the way of learning, in which teachers, She is leading workshops in soft prototyping and professors and students are learning together. Documenting implementing a sustainable experimentation at FabLab the work process creates a setting where the FabLab users Kamp-Lintfort by exploring new bio inspired design, soft are not only learning through the making process, but also interfaces and the impact of today's prototyping. there are able to teach it afterwards. This process allows the ACKNOWLEDGEMENTS engagement of the participants and them to be independent This introduction of soft prototyping research and activities in their own experimentation. in digital fabrication for educational practices are supported “We work locally, while creating connected communities by the project 3D Competence Center Niederrhein globally” [2]. This exchange between communities opens Germany. the opportunities for learning and extends the thoughts in REFERENCES trends and ideas in prototypes. FabLabs are catalyst in the 1. Academany/softacademy-handbook, GitHub. Retrieved community allowing a contact with the space and the April 11, 2017 from sharing of know-how for a common purpose. https://github.com/Academany/softacademy-handbook. New Materials and Soft Interfaces 2. FabTextiles. Retrieved April 11, 2017 from The term soft matter was established around 1970 [6]. https://fabtextiles.org/what/. Physicists, like Pierre-Gilles de Genne [7], used the term for describing the importance of materials that were neither 3. J. McDonald and N. Yi Messier, Input/Output: Paper simply solid or liquid. Prototyping for the Future, in Proceedings of the Ninth International Conference on Tangible, Embedded, and “It is no coincidence that biological material generally is Embodied Interaction, New York, NY, USA, 2015, soft. Life simply could not be without the unique properties 493–495. of soft matter, combining the flexibility and suppleness of 4. Sensoaesthetic Materials - Research, Institute of fluids with the stronger interactions and sometimes also Making. Retrieved April 11, 2017 from long-range order otherwise seen only in solids.” Soft http://www.instituteofmaking.org.uk/research/sensoaes matter is a concept that today is connecting interfaces and thetic-materials. fabrication. Using material experimentation provides a different approach of prototyping interfaces, envisioning 5. M. Werner. Model Making, (1rst. ed.),. New York, the changes of a more near connection between the human NY: Princeton Architectural Press, 2011. being and the interaction. 6. J. P. F. Lagerwall, Cellulose nanocrystal-based materials: from liquid crystal self-assembly and glass formation to multifunctional thin films, NPG Asia Materials, vol. 6, no. 1, p. e80, Jan. 2014. 7. P.-G. de Gennes, Soft Matter, Soft matter: More than words, 1, .2005, 16-16 “Soft matter: More than words”