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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>Gesture meaning needs speech meaning to denote - A case of speech-gesture meaning interaction</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Insa Lawler</string-name>
          <email>insa.lawler@uni-due.de</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Florian Hahn and Hannes Rieser</string-name>
          <email>@uni-bielefeld.de</email>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Department of Philosophy, University of Duisburg-Essen</institution>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>Faculty for Linguistics and Literary Studies, Bielefeld University</institution>
          ,
          <addr-line>ffhahn2,hannes.rieserg</addr-line>
        </aff>
      </contrib-group>
      <abstract>
        <p>We deal with a yet untreated issue in debates about linguistic interaction, namely a particular multi-modal dimension of meaning-dependence. We argue that the shape interpretation of speechaccompanying iconic gestures is dependent on its co-occurrent speech. Since there is no prototypical solution for modeling such a dependence, we offer an approach to compute a gesture's meaning as a function of its speech context.</p>
      </abstract>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>1 Introduction</title>
      <p>
        Speakers often convey multi-modal content by
pointing at things or shaping their contours while
talking. The semantics of the verbal part is
intertwined not only with the communicative
situation and the agent’s informational situation, but
also with the semantics of the non-verbal part.
So, one information providing system (gesture)
depends on another one (language) for its
interpretation. In gesture research, there are at least
three claims about how a gesture’s interpretation
depends on its accompanying speech context: (i)
The classification of gestures is speech-dependent
(see, e.g.,
        <xref ref-type="bibr" rid="ref12 ref14 ref2 ref7">(McNeill, 1992; Kendon, 2004; Mu¨ller,
2010; Fricke, 2014)</xref>
        ). Whether a movement by
the index finger is interpreted as drawing a line
or as indexing an area in gesture space depends
on the respective utterances. Such a movement
is likely to be interpreted as indexing when the
speaker says ‘There is my ball,’ but it is likely to be
interpreted as a drawing if the speaker utters ‘The
path continues for ten miles.’ (ii) The
individuation of gestures is speech-dependent. For instance,
it depends on the context whether one interprets
an iterative movement as one gesture or as
several directly subsequent ones (an example by
Lascarides and Stone (2009): 403). (iii) Lascarides
and Stone argue that an interpretation of a
gesture’s meaning does not only depend on its shape,
but also on its rhetorical connection to its speech
context (e.g.,
        <xref ref-type="bibr" rid="ref9">(Lascarides and Stone, 2009)</xref>
        ). We
set these three types of dependencies aside here.
Instead, we argue that there is another type of
dependence: The meaning of gestures with respect
to their shape interpretation depends on their
accompanying speech. In this paper, we present an
approach how to model this particular
meaningdependence of iconic gestures.
2
      </p>
    </sec>
    <sec id="sec-2">
      <title>The meaning-dependence of iconic gestures on their co-occurring speech</title>
      <p>
        The iconic gestures we are concerned with are
spontaneous movements of hands or fingers that
do not have a lexical meaning. Here, we employ
McNeill’s conception of a stroke and its
semantic synchrony with the accompanying speech
        <xref ref-type="bibr" rid="ref12">(McNeill, 1992)</xref>
        , but we acknowledge the
idealizations involved in these matters (for treatments of
asynchronous strokes, see, e.g.,
        <xref ref-type="bibr" rid="ref4">(Hahn and Rieser,
2012)</xref>
        ). We take for granted that modeling the
meaning of gestures qua linguistic signs requires
a well-founded concept of meaning and benefits
from a formal semantics approach.
      </p>
      <p>
        Humans do not gesticulate geometrical shapes.
If one takes a closer look at roundish-looking
gestures, one quickly notices that such gestures are
mostly if not always spiral. If a speaker iterates
such a sloppy gesture, it looks helix-like.
Moreoever, gestures that are intended to be angular
are often roundish. This sloppiness is
presumably due to the physiological features of humans,
time limits, etc. Despite this fact it is common
to interpret gestures as conveying meanings like
round0 or square0. It seems natural to interpret,
say, a roundish gesture as an imperfect sign for the
meaning round0. Roundish gestures can be
interpreted as approximating geometrical shapes like
circles. If so, the gesture’s speech-independent
morphological features alone, such as its hand
shape, movements, could provide the core of the
gesture’s meaning. This view has been (implicitly
or explicitly) suggested by authors of formal
theories of gesture meaning (which range from
employing HPSG (e.g.,
        <xref ref-type="bibr" rid="ref1 ref10 ref3 ref6">(Johnston, 1998; Lu¨cking,
2013; Alahverdzhieva and Lascarides, 2010)</xref>
        ), to
LTAG (e.g.,
        <xref ref-type="bibr" rid="ref8">(Kopp et al., 2004)</xref>
        ), to -calculus
(e.g.,
        <xref ref-type="bibr" rid="ref16">(Rieser, 2004)</xref>
        ), to Montague grammar (e.g.,
        <xref ref-type="bibr" rid="ref3">(Giorgolo, 2010)</xref>
        ), to SDRT (e.g.,
        <xref ref-type="bibr" rid="ref9">(Lascarides and
Stone, 2009)</xref>
        )1, and to TTR (e.g., (Lu¨cking,
forthcoming)). One might argue for such an approach
by suggesting that humans abstract away from the
sloppiness while interpreting gestures, since most
if not all gestures are sloppy. Sloppiness itself
need not pose a problem (apart from the
problem of exact depiction). Nonetheless, we found
that the sloppiness is the reason for a specific
speech-dependence of gesture meaning. In what
follows, we argue that the interpretation of a
gesture’s shape is dependent on the meaning of its
accompanying speech. Only interpreted in
particular contexts are roundish gestures interpreted as
meaning round0 rather than angular0.
      </p>
      <p>First, gestures that share all relevant
morphological features (i.e., that are of the same type) can
be interpreted differently given different speech
contexts. If a helix-gesture accompanies an
utterance like ‘The window is round’ it is likely to
be taken as meaning circular0 or round0. If it
accompanies ‘The townhall features a staircase’ it is
likely to be interpreted as meaning spiral0.
Depending on the standard of precision at stake, a
roundish gesture might be interpreted as
conveying round0 when accompanied by ‘ball’, but as
conveying angular0 when accompanied by ‘box’.
Such an ambiguity is also found when the
sloppiness of the gesture is extreme. Take a look at
the examples given in Fig. 1. In Fig. 1a the
speaker is uttering ‘But not round spiral staircases,
but so eh. If the house is rectangular, can the
stairs outside be [truncation].’ (English
translation, gesture stroke underlined) The emphasis on
‘rectangular’ and the overlapping stroke together
with other parts of the dialogue suggests that the</p>
      <sec id="sec-2-1">
        <title>1Lascarides and Stone employ annotations featuring ge</title>
        <p>
          ometrical shapes, such as circles and cylinders, for their
underspecified gesture meanings (e.g.,
          <xref ref-type="bibr" rid="ref9">(Lascarides and Stone,
2009)</xref>
          : 402, 407, 430, 436).
(a) ‘rectangular house’
(b) ‘round base’
speaker employs the gesture to illustrate the shape
of the house. Of course, it is also plausible to
interpret her gesture as modeling the house, but that
seems dispreferred because of the stroke overlap
and the content of the overlapping speech.
Interestingly, the same speaker uses a similar
gesture also in the following speech context: ‘And it
stands on such a round base?’ (see Fig. 1b) Here,
it is again plausible that the gesture illustrates a
shape. But this time it seems to illustrate
roundness. So, we encounter very similar gestures with
quite different meanings due to different speech
contexts. Our corpus provides more of these
examples. The general observation is that one type
of gesture (individuated via a similar gesture
annotation) can have different gesture meanings when
accompanying different utterance segments:
(I) One type of gesture accompanying different utterance
segments has different meanings as value.
        </p>
        <p>Second, gestures with a significantly different
gesture morphology can represent the same
meaning. For instance, different gestures can convey
the meaning rectangular0 if they relate to the same
utterance segment, etc. Take as examples the ones
shown in Fig. 2. In Fig. 2a the speaker utters
‘It is just a rectangular building.’ Compare this
displaying of rectangular0 with Fig. 2b which is
identical to Fig. 1a. Although the gestures
display some similarity, they are clearly different.
Nonetheless, they both seem to mean rectangular0
or angular0. Here, the general observation is that
different types of gesture accompanying the same
or semantically similar utterance segments can
select the same gesture meaning as value:
(II) Different types of gestures accompanying the same
utterance segment have one and the same meaning.
(I) and (II) support the idea that the meaning of
an iconic gesture is determined to a significant
extent by the meaning of its accompanying speech.2</p>
      </sec>
      <sec id="sec-2-2">
        <title>2Our examples feature single words, but our account is</title>
        <p>(a) ‘rectangular building’ (b) ‘rectangular house’
This dependence of gesture meaning on speech
meaning has not been modeled. The gesture
theories mentioned above could only cope with it by
substantially underspecifying the gesture’s
meaning. This would allow the meaning of, say, a
spiral gesture to be compatible with utterance
segments with conflicting meanings, such as ‘round’
and ‘rectangular’. But this would render the
gesture’s meaning too weak. It would not allow for
recognizing the gesture’s contribution to the
communicated content and it would not fit the intuition
that iconic gestures have a rich meaning on their
own. There is also no prototypical solution to be
found in other formal semantics: Formal
semantics travels the inverse route, so to speak,
modeling the context dependence of speech, whereas we
model a dependence on speech as context.</p>
        <p>A new model of the meaning of iconic gestures
should meet at least the following desiderata: (a)
The meaning of a gesture is determined to a
significant extent by the meaning of the accompanying
speech. A similar gesture morphology is not
sufficient for a similar/identical meaning and a
different gesture morphology is not sufficient for a
different meaning. (b) Nonetheless, its
morphology is not irrelevant for determining a gesture’s
meaning. Not just any gesture can have the
meaning round0, for instance, a clearly articulated
angular gesture cannot. So, a gesture’s meaning is
not completely determined by speech. Moreover,
gesture content can contradict speech meaning.
Our corpus has one remarkable instance in which
a ‘cup-upwards-word’ is accompanied by a
‘cupdown-wards’ gesture.</p>
        <p>From a formal point of view, (II) does not
present new obstacles over and above those
encountered in the context of observation (I). A
roundish gesture accompanying, say, ‘clock’ or
‘window’ could either be drawn with one
indexnot, in principle, restricted to gesture-word relations.
finger or shaped or modeled with both hands.
According to our annotation practices, these would
be different gestures, in part due to the different
handshapes used. In addition, more subtle
differences in terms of gesture morphology could arise.
According to the account presented here, the
different gestures might all yield JroundK if combined
with JclockK or JwindowK.3 Arguments supporting
that would have to be given for (I), too.</p>
        <p>For (I) our account has to specify the
speechdependent meaning of the gesture. Here is an
outline of our approach: The gesture meaning
is a function of the gesture’s initial (topological)
meaning based on its morphology and the speech
context. The gesture’s morphology is described
by attribute-value pairs (AVMs) concerning hand
shape, movements, etc. One computes the initial
meaning of the gesture mapping the AVMs onto
a logical formula. The final gesture meaning is
a function of the initial meaning and the speech
context. Then, speech meaning and final gesture
meaning can be combined to gain a multi-modal
proposition (see Fig. 3).</p>
        <p>Multi-modal Proposition
Speech and Gesture Interface
via Compositional Semantics</p>
        <p>Final Gesture Meaning
Initial Gesture Meaning
Formal Meaning/
Partial model of speech context</p>
        <p>Syntax Analysis</p>
        <p>AVM-Representation
Speech Transcription</p>
        <p>Gesture Annotation</p>
      </sec>
      <sec id="sec-2-3">
        <title>Such an approach is best pursued using a dy</title>
        <p>
          namic semantics, because we need a device that
is able to model the evolution of the interpretation
of gesture processes and speech processes as well
as their interaction. The interaction handles
compositionality of non-speech and speech meanings.
No known static semantics can fulfill such
desiderata. We use the -calculus, a recent extension of
Milner’s -calculus (see,
          <xref ref-type="bibr" rid="ref13 ref17 ref5">(Milner, 1999;
Johansson, 2010; Rieser, 2015)</xref>
          ). has concurrent
chan3‘JAK’ denotes A’s extension; ‘A0’ the whole meaning.
nels to transmit and process information specified
as data structures. Channels are the
input-outputdevices known from concurrent programming. We
represent channels as -operators. They can
transport any logic information, such as expressions of
a typed -calculus and their partial models.
        </p>
      </sec>
      <sec id="sec-2-4">
        <title>This account is not an underspecification ac</title>
        <p>count of gesture meaning. We suggest a change
of the initial meaning gained from the described
morphology. It is triggered by the meaning of the
accompanying speech, given that restrictions like
the satisfaction of an approximation function hold.</p>
        <p>Implementing our approach roughly works
as follows: The initial semantics of the gesture
formulated in -terms is passed onto a channel
containing the gesture’s speech context. The
speech context may modify the gesture meaning
in various ways (see, e.g., (I)). Assume that the (a) Basic intuition: contact point of spiral gesture and word
gesture’s initial meaning is spiral0, its speech ‘ball’. The spiral gesture + ‘ball’ yields round0, according to
context ball0. Roughly, ball0 is sent to spiral0 (b).
which changes it to round0 and finally uses it as ch1 bae ch2 ro &lt; λz∃f ∃c∃r∃thrc (spiral0 ∧
a modifying information. So, transported and approximates(f (spiral0), c, x) = r ∧
modified meanings are treated in the end as fixed r ≥ thrc ∧ circle0(x) ∧ context(c) ∧ z ∈
iploluinsttrsa.tedI.n TFhieg.exa4mypoleu ucttaenrasnecee itshe‘Nbeabseicn dideema [J{rcJoucuipnr-cdbl0eo/Ktrt,ooJm]c[leKo,lcs.ke.-].f[}a⊥c)/e→rK,oJ]m&gt;ir(rboarKe,)JsignK, JballK,
Ball ist eine Kiste.’ (Engl.: ‘Next to the ball
there is a box.’) As shown in Fig. 4a, the idea is (obf,) sIaf-ye,lJsbearlulKleafsorroiunntder0preting a spiral gesture in the context
that a spiral gesture in the context of objects like
JballK and other roundish things designates round0 Figure 4: Modeling with the - -calculus.
(observe the use of meta-language and object
language expressions here which is vital) and ?
(undefined) else. So, the multi-modal meaning 4 Conclusion and further research
of ‘ball’ + spiral gesture is ball0(x) ^ round0(x). We argued that gestures have a speech-dependent
More specifically, if the partial model input ‘J: : :K’ meaning and proposed to model their meanings as
to (2), instantiating bae, yields z 2 fJcircleK; a function of the gesture’s initial meaning and the
Jclock-faceK; JmirrorK; JsignK; JballK; Jcup-bottomK; speech context employing the -calculus. On
ac: : : g and the projection of spiral0, f (spiral0), ap- count of this, gestures with the same morphology
proximates circle0 in context c to degree r can have even conflicting meanings if they appear
the threshold in c then round0 is substituted for in different speech contexts, e.g., we can assign
ro, [round0=ro], and output on ch2; else ? is sub- meanings like rectangular0 vs. circular0 to similar
stituted for ro, [?=ro], and is output on ch2. The gestures. For future research we aim at
integratz 2 clause and the threshold shall guarantee that ing the speech context’s influence on the gesture
not just any gesture can mean round0. Gestures classification and individuation as well as the role
accompanying a phrase whose extension is not of rhetorical relations, and at expanding our model
an element of the set (say, ‘square’), as well as for analyzing more complex gestures.
gestures that do not approximate a circle to the
context-sensitive threshold cannot mean round0. 5 Acknowledgements
The threshold can be determined algorithmically
through a simulation device as shown in Pfeiffer
et al. (2013) for two-dimensional cases. For
three-dimensional cases we still rely on intuition.</p>
        <p>
          We are grateful to three reviewers for their critical
comments. We tried to accommodate most, but
some suggestions, such as the generalization of
the model to discourse data (see, however,
          <xref ref-type="bibr" rid="ref18">(Rieser,
2017)</xref>
          ) or to the speaker’s perspective during the
production of co-speech gestures or discussing
whether speech disambiguates gesture meaning
rather than changing its initial meaning, have to
be tackled on another occasion.
        </p>
      </sec>
    </sec>
  </body>
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