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  <front>
    <journal-meta>
      <journal-title-group>
        <journal-title>Conference Proceeding. Tokyo:
JALT. Retrieved May</journal-title>
      </journal-title-group>
    </journal-meta>
    <article-meta>
      <title-group>
        <article-title>Quantitative Assessment of Bitmap Fonts</article-title>
      </title-group>
      <contrib-group>
        <aff id="aff0">
          <label>0</label>
          <institution>Ashat Sydikhov, Darya Korolkova, Dmitriy Tarasov, Alexander Sergeev Ural Federal University Yekaterinburg, Russia</institution>
          ,
          <addr-line>620004</addr-line>
        </aff>
      </contrib-group>
      <pub-date>
        <year>2012</year>
      </pub-date>
      <volume>21</volume>
      <issue>2012</issue>
      <fpage>26</fpage>
      <lpage>27</lpage>
      <abstract>
        <p>The scale invariant index (irregularity) has been previously proposed to describe the spatial features of vector fonts. The index is sensitive to the shape of font characters that affects text legibility. In this work, we propose the idea of quantitative assessment of rasterized fonts based on fractal geometry. Fractal dimensions for some fonts are found. The correlation between the fractal dimension and the speed of reading is confirmed.</p>
      </abstract>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>Introduction</title>
      <p>Many studies in the field of text legibility and readability have been conducted in the last century. They are particularly
important for the development of textual materials focused on the readers with evolving reading capacities. A major
focus of the research conducted is being placed on fonts. The clarity, legibility and readability of different fonts as well
as the influence of serifs, pattern and spatial characteristics in connection with content understanding and memorizing
have been investigated by many researchers.</p>
      <p>Artemov [1] proposed to divide the concepts of visibility and readability of the fonts. Readability is influenced by the
reader’s physiological characteristics, whereas visibility depends on the quality of font drawing and characteristics of a
person’s vision. Differences in type-face readability were investigated in studies [2, 3, 4]. Some fonts are marked as the
most readable. The superiority of some small book fonts connected with their shapes and drawings is demonstrated. It
was found that a thick font is read faster. At the same time, respondents preferred the other fonts.</p>
      <p>The similar results were obtained in [5]. The studies have identified the subjective preferences of readers, as well as
the objective differences in readability of fonts with various typeface designs. Various fonts features regarding their
readability were analyzed in the review [6]. It also contains a large number of different, often conflicting views on the
impact of serifs, size, and font style in the context of readability. Some common fonts readability measured by testing the
speed of reading Russian texts is compared and presented in the results of study [7]. A higher reading speed for serif
fonts is demonstrated. However, no explicit font characteristics affecting readability are identified. This work [8]
provides an overview of current typography of textbooks identifying various contradictions of its present state in the
connection with the font design and the rules of current technical regulations.</p>
      <p>Many researchers consider the serif fonts more legible as their serifs add more information to the eyes [9] and
enhance the legibility of text by helping the readers to distinguish the letters and words more easily [10]. Results in [11,
12] indicated serif fonts are believed to be read faster due to their invisible horizontal line made by the serifs. The results
of study [13] are against the prominence of serif fonts. The space between letters in serif fonts is slightly reduced due to
the ornaments that they have.</p>
      <p>Consequently, as mentioned in [14], serifs act as a visual noise when the readers’ eyes attempt to detect the letters and
words. The reduction of the space leads to other problems, one is a problem of crowding, which is hindering of letter
recognition when a letter is flanked by other letters (cited in [15]). Another problem is that the letter position coding may
be hindered, which decreases the ability of word recognition [13]. The results of studies [15, 16] showed equal legibility
and perception of both: serif and sans serif typefaces.</p>
      <p>Almost equal numbers of studies have showed as advantages as disadvantages of serifs, as well as the preference of
other text features. So far, there has been no consensus on the fonts features and their influence on the reading process.
The preferences of specific font feature and size are varied widely. It can be predicted that legibility is more sensitive to
some spatial font features combinations and user’s familiarity with the specified font. The best font to use has not been
defined yet. The only thing on which all the scientists agree is the application of reading speed as the predictor of
legibility and readability. The rest of the findings obtained are substantially contradictory. This is mainly due to the lack
of an objective index, which could describe the typeface and allow different fonts to be compared. The aim of this work
is to show how to assess spatial features of rasterized font using an objective scale invariant index based on the ideas of
fractal geometry.
2</p>
    </sec>
    <sec id="sec-2">
      <title>Suggested Approach</title>
      <p>First of all, it’s quite challenging to evaluate visual characteristics of fonts. It is connected with different approaches to
understanding what a set of visual characteristics is and what criteria to their assessment should be applied. Similarity of
some graphic elements of letters in font and the letters themselves, as well as the font as a whole, provides the possibility
of implementing the ideas of fractal geometry to conduct the assessment.</p>
      <p>In the previous work [17] we offered to use the irregularity Cn by formula (1) (which includes the perimeter P and the
area S) as the scale invariant index for the vector fonts. The fonts were represented by the set of 66 Russian uppercase
and lowercase letters as shown in Fig.1. Statistical analysis has revealed a strong negative correlation between the
reading speed (obtained as a result of previous experiments) and the index of irregularity (correlation coefficient is –0.69,
p&lt;0.05) for five selected fonts (see Table 1 and Fig. 2).</p>
      <p>=  2/(4
)
(1)</p>
      <p>However, the rasterized fonts can barely be assessed in this way because there are no methods for a quick calculation
of the perimeter and the area of irregularly distributed substance in the 2D Euclidean space. We assumed that the
irregularity can be estimated by the fractal dimension of the font’s border. A special case of the fractal dimension d
(Minkowski dimension or box-counting dimension) is expressed by a well-known expression (2) that combines the
number of objects N(ε) the measurement is taken, and the size of the “box” ε:
 =</p>
      <p>( )
 →0   −1
(2)</p>
      <p>While working with the printed fonts or rasterized onscreen fonts it is important to take into account the resolution of
the font being observed. The pixel size in various resolutions is equal to ε in Minkowski’s fractal dimension (the
geometric size of “box”). Thus, the Minkowski’s dimension can be calculated by seeing how the number of “boxes”
changes as the grid (resolution) is becoming finer.</p>
      <p>The same set of 24 points fonts (see Table 1) and the same representation of each selected font (66 Russian letters)
are used in the experiment. All fonts are converted into 2-colour (black and white) .BMP files with different resolutions:
75, 150, 300, 600, 1200, and 2400 dpi (see Fig. 3). The 1-pixel border of each font in the set and for each resolution is
marked in the CorelDraw package and then also saved as .BMP files (see Fig. 4). Calculation of pixels (“boxes”) is
performed in the MatLab package. The fractal dimension (2) is calculated for each font border.</p>
    </sec>
    <sec id="sec-3">
      <title>Results and Discussion</title>
      <p>The number of black pixels related to the border of font characters in each .BMP file is presented in Table 2. Actually,
the number of black pixels is equal to the area of the border calculated in units of ε. Dependence of the number of black
pixels on the value of ε-1 is shown in Fig. 3. Figure 4 shows the same dependence in the logarithmic coordinates.
Actually, the area of the fonts borders in the ε units is the area of the border, i.e. its fractal parameter. Tangent of slope of
the regression line in Fig. 4 shows the fractal dimension for each font. Figure 5 shows the dependence of reading speed
(based on the previous experiments) on the fractal dimension of font border. The statistical analysis has showed the
correlation between reading speed and fractal dimension of the font border (correlation coefficient is –0.53, p&lt;0.05).</p>
    </sec>
    <sec id="sec-4">
      <title>Conclusion</title>
      <p>Although there is a wealth of studies considering typography and font features, there is no agreement among the
researchers regarding legibility factors in printing and onscreen presentation of textual materials. One of the most
complicated issues is numerical accounting of how the font’s drawing influences on text legibility. This work develops
the previous results and offers a solution to this problem.</p>
      <p>It is suggested the fractal dimension of the font to be used in order to assess the spatial features of font in rasterized
form. The statistical analysis has showed the correlation between the reading speed and fractal dimension of font border.
The application of index in the research of reading might help to identify predictors of reading speed, as well as the
quality of assimilation not only for printed materials, but also for onscreen texts.</p>
    </sec>
  </body>
  <back>
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</article>