Keynotes & Capstone Stops in Motion { Animation as Meta-cinematographic Concept Franziska Bruckner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Collaborative Data Experiences: Novel designs for visualizing and exploring data together Hans-Christian Jetter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pervasive Technologies to Enrich People Experience in Visiting Cultural Heritage sites Andreas Jakl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
10 11 12 13 14 24 28 29 37 41 47 48 53 58 63 71 77 78 83 Session 5: HCI 125 A Variable Low-cost Platform for Conducting Work Design Experiments (S)
Hendrik Stern, Till Becker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126 Comic Experience: Narrative & Collaborative Drawing on a Multi-Touch Table in an Art Museum (F)
Christina Niederer, Stefanie Gro bacher, Wolfgang Aigner, Markus Seidl, Peter Judmaier . . . . 131 HoloKeys { An Augmented Reality Application for Learning the Piano (S)
Dominik Hackl, Christoph Anthes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 Browser Application for Virtual Audio Walkthrough (F)
Thomas Deppisch, Alois Sontacchi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145 All Around Audio Symposium 151 Ultrasonic Communication: Risks and Chances of a Novel Technology
Matthias Zeppelzauer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 Modular Synthesizer Ensemble
gammon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 On Models and Pragmatic Features in Digital Musical Instruments
Cornelius Popel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 3D Audio: Sculpting with Sound - Report on an Artistic Research Project
Sabine Breitsameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 Acoustic holograms: Artistic approach to 3D-Audio
Natascha Rehberg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154 Steps Toward an A/R/Tography of Sound
Hans Ulrich Werner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156 Situating Performance in the Performing of Situation:
The E ect of Situational Context on Performer Expressivity
Hans-Peter Gasselseder, Maria Kallionpaa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156 When More is More: How to Supersize Musical Expression
Maria Kallionpaa, Hans-Peter Gasselseder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157 Breaking The (Imaginary) Wall between Performers and their Audience in Live Music
Oliver Hodl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158 Line & Hemisphere { A Hybrid Studio Setup for Immersive Experiments in Spatial Audio and Music
Paul Modler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158 AudioAllAround: Immersive Audio { Evolution of Techniques and Tools
Martin Mayer, Diana Mayer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158 MED-EL Hearing Implants and the Science Center AUDIOVERSUM in Innsbruck
Eckhard Schulz, Ewald Thurner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 Heart Sound { how sound and radio can help to improve the relationship between people with dementia and their carers
Christine Schon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160 Philology of electronic music - New methods, strategies, falsi cations and historic cleansing: Stockhausen, Xenakis, KRAFTWERK
Reinhold Friedl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161 <<cresc>>Worte werden Raum
Eva Paulitsch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161 DaVinci Head project: The best price/performance binaural head
Vytenis Gadliauskas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161