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  <front>
    <journal-meta>
      <journal-title-group>
        <journal-title>Bari, Italy, November</journal-title>
      </journal-title-group>
    </journal-meta>
    <article-meta>
      <title-group>
        <article-title>AI*CH 2017 The 11th workshop on Artificial Intelligence for Cultural Heritage</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Preface</string-name>
        </contrib>
      </contrib-group>
      <pub-date>
        <year>2017</year>
      </pub-date>
      <volume>14</volume>
      <issue>2017</issue>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>-</title>
      <p>Copyright © 2017 for the individual papers by the papers’ authors. Copying
permitted for private and academic purposes. This volume is published and
copyrighted by its editors.</p>
      <p>Editors’ addresses:
CNR-ISASI National Research Council
Institute of Applied Sciences and Intelligent Systems
Semantic Multimedia and Cognitive Multimodal Systems Lab
Via Campi Flegrei, 34 - Comprensorio “A. Olivetti”, Ed. 70
80078 Pozzuoli (Naples) - Italy</p>
      <p>i
This volume contains the papers presented at AI*CH 20171, the 11th Workshop
on Artificial Intelligence for Cultural Heritage co-located with 16th International
Conference of the Italian Association for Artificial Intelligence (AI*IA 20172),
held in Bari, Italy, on November 14, 2017.</p>
      <p>The research paths of Cultural Heritage (CH) and Artificial Intelligence (AI)
have increasingly found shared interests, leading to a fruitful fusion of these
two disciplines. In fact, it requires sophisticated representation methods to
formalise the intricate knowledge present in this domain, for exploring all levels
of patrimonial knowledge, whether it is a work of art, an architectural artefact or
a complex system like an area of the city. In this context, AI is the key discipline
as it is an important promoter for the development of innovative technologies,
tools and applications in most of the humanities area. In this moment, AI is
providing into this domain a lot of new innovative services for documenting,
managing, and visiting cultural heritage.</p>
      <p>During the AI*CH workshop, academic and industrial results in the
application of AI methods and techniques in the domain of Cultural Heritage were
presented. In particular, the papers were related to the topics such as
valorization, conservation, promotion and gamification. Each proposal has been
reviewed by members of the Program Committee of the Workshop, and on the
basis of their recommendations 5 documents have been selected for publication
and presentation at AI*CH 2017. We would like to thank all the members of
the Program Committee, and all authors of accepted papers for making AI*CH
2017 possible.</p>
    </sec>
    <sec id="sec-2">
      <title>December 2017</title>
      <p>Francesco Mele, Antonio Origlia and Antonio Sorgente
1http://smcm.isasi.cnr.it/AIxCH2017/
2http://aiia2017.di.uniba.it/
ii
Workshop Organization</p>
      <sec id="sec-2-1">
        <title>Chairs</title>
        <p>Francesco Mele
Antonio Origlia
Antonio Sorgente</p>
      </sec>
      <sec id="sec-2-2">
        <title>Program</title>
      </sec>
      <sec id="sec-2-3">
        <title>Commitee</title>
        <p>Liliana Ardissono
Luciana Bordoni
Paolo Bravi
Antonio Calabrese
Francesco Cutugno
Cosimo Distante
Cristina Gena
Francesco Isgr`o
Tsvi Kuflik
Francesco Mele
Paul Mulholland
Cataldo Musto
Antonio Origlia
Giovanni Semeraro
Antonio Sorgente
Giuseppe Vettigli</p>
      </sec>
    </sec>
    <sec id="sec-3">
      <title>ISASI - CNR, Napoli, Italy</title>
      <p>University of Naples, Italy
ISASI - CNR, Napoli, Italy
Regular Papers</p>
    </sec>
  </body>
  <back>
    <ref-list>
      <ref id="ref1">
        <mixed-citation>
          <string-name>
            <surname>An E cient Visual</surname>
          </string-name>
          <article-title>Search Engine for Cultural Broadcast Archives Emanuele Caimotti, Maurizio Montagnuolo</article-title>
          and
          <string-name>
            <surname>Alberto Messina . . .</surname>
          </string-name>
          <article-title>1 In Codice Ratio: OCR of Handwritten Latin Documents using Deep Convolutional Networks Donatella Firmani, Paolo Merialdo, Elena Nieddu</article-title>
          and
          <string-name>
            <surname>Simone Scardapane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9</surname>
          </string-name>
          <article-title>A Step Toward AI Tools for Quality Control and Musicological Analysis of Digitized Analogue Recordings: Recognition of Audio Tape Equalizations Edoardo Micheloni</article-title>
          , Niccolo` Pretto and
          <string-name>
            <surname>Sergio Canazza . . . . . . . . 17</surname>
          </string-name>
          <article-title>Route of the E-ujrlea : a Design Exercise for Museum-Centric Entertainment Systems Antonio Origlia</article-title>
          and
          <string-name>
            <surname>Maria Laura Chiacchio . . . . . . . . . . . . . . 25</surname>
          </string-name>
          <article-title>A Framework for Creating Cultural Interactive Guides Antonio Sorgente</article-title>
          , Antonio Calabrese, Gianluca Coda, Paolo Vanacore and
          <string-name>
            <surname>Francesco Mele . . . . . . . . . . . . . . . . . . . . . . . . . . 33</surname>
          </string-name>
        </mixed-citation>
      </ref>
    </ref-list>
  </back>
</article>