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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>Building ontology-based dictionaries for Greek material culture terms</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Maria Papadopoulou</string-name>
          <email>maria.papadopoulou@univ-savoie.fr</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>LISTIC Lab Université Savoie-Mont Blanc - France Knowledge Engineering &amp; Terminology Research Centre University of Liaocheng -</institution>
          <country country="CN">China</country>
        </aff>
      </contrib-group>
      <fpage>61</fpage>
      <lpage>72</lpage>
      <abstract>
        <p>Define what the objects of the domain and the terms that designate them are, are constant ontological concerns in researching antiquity. As archaeological finds come down to us like a picture book without names, and as texts furnish names for objects without providing illustrations, deciding 'what was what' is not easy. Names for things are what the discipline of Terminology calls “terms”. In Terminology, the terms of a given domain are defined by means of concepts, which are, by default, extralinguistic, and like the objects they are abstracted from, can be formalized and standardized. Semantic web requirements for interoperability point in the direction of adding a computable layer to human-readable terminologies. The best digital artefacts to do that are ontologies. Our chosen field of application is the field of ancient Greek dress, in order to propose a solution to the terminology problem that greatly hinders communication among experts. The article will show that the complexity of the terms of this domain justifies the use of a tool-based method which provides useful automations to help scholars define the concepts and terms of this knowledge domain and publish them on the web as human readable ontology-based dictionaries and in ma-chine tractable semantic web compliant formats, i.e. OWL. The result is a W3C compliant ontology-based dictionary of the domain built with Tedi, a new tool, comprised of a set of editors, which implements the ISO-1087 definition of term and concept.</p>
      </abstract>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>Introduction</title>
      <p>
        in the modern language, or neologisms coined for the purpose of naming these objects. The terms of ancient provenance,
even those which are not evidenced by the ancient sources, have been stabilized though continual use and have high
currency among scholars [
        <xref ref-type="bibr" rid="ref2 ref3 ref4 ref5">2-5</xref>
        ], since what scholars deplore most is the terminological vacuum, as well as the lack of
systematicity and consistency of terminology.
      </p>
      <p>
        A need omnipresent in the study of material culture terminology is to agree on and share the terms of the domain,
whether the domain is ancient Greek dress (d, e, h), dress of medieval Scandinavia (cf. c), Greek material culture (a),
ancient Egyptian art (b), clay pottery from different cultures (cf. f, g). Scholars in classics and cognate disciplines express
the need for stable terms that correspond to the objects vividly and clearly:
i) Determine what term labels what object combining textual, iconographic, material sources:
a. “Only studies that combine archaeological and iconographic data with knowledge derived from texts give the
opportunity to correlate a word with an object [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ].
b. “What was what in ancient Egypt?” [
        <xref ref-type="bibr" rid="ref7">7</xref>
        ].
c. “Research into dress history, whether the approach is founded in history, art or archaeology, incorporates terminology,
one way or another.” [
        <xref ref-type="bibr" rid="ref8">8</xref>
        ].
ii) Adopt a standard common vocabulary of terms and definitions:
d. “Although the standard Greek and Latin terminology employed by scholars to describe ancient clothing may not be
that which was used in antiquity… it is a useful vocabulary of dress and will be used here.” [
        <xref ref-type="bibr" rid="ref9">9</xref>
        ].
e. “Studies of garment-terms in historical societies tend to be hampered by a lack of understanding of the specific
vocabulary of dress.” [
        <xref ref-type="bibr" rid="ref10">10</xref>
        ].
f. “it would help if we could work out a list of standard vessel shapes, clearly de-fined and illustrated, and a set of terms
for them.” [
        <xref ref-type="bibr" rid="ref11">11</xref>
        ].
g. “An intelligent discussion of pottery shapes is rendered more difficult by lack of definitive nomenclature.” [
        <xref ref-type="bibr" rid="ref12">12</xref>
        ].
h. “we need to adopt a common workable veil-vocabulary so that our investigation of the Greek veil can proceed without
further complication or impediment.” [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ].
3
3.1
      </p>
      <sec id="sec-1-1">
        <title>Why dress?</title>
      </sec>
    </sec>
    <sec id="sec-2">
      <title>On building an Ontology-based Dictionary of ancient Greek Dress</title>
      <p>Dress is the assemblage of things to wear, i.e., any object that humans wear clinging closest to the body from the cradle
to the grave, for protection against the elements, for adornment, or by social convention. It is a multifaceted
sociotechnical and aesthetic phenomenon and a visual method of marking difference, particularly of rank, status, race, region,
religion, age, gender and sexuality through. As such it has the ability to represent culture as it can be a powerful social
signifier.</p>
      <p>
        Knowledge about ancient Greek dress can help scholars understand the cultural construction of gender identity, age,
social rank, as well as different cultural practices of the people of ancient Greece. It can also be useful in giving insight
into their productive processes, materials, techniques and technological know-how. Ancient Greek dress has been studied
in its own right, i.e., in terms of its materiality, in different time-periods, geographical areas, or in artistic representations
on cultural objects and architectural monuments, selected texts, genres, authors, as a marker of special socio-cultural
meanings in regard to beliefs about gender and sexuality, rites of passage, representation of the foreigner, gift-giving and
receiving, production and consumption, tools and workforce, etc. The bibliography is vast. Indicatively see [
        <xref ref-type="bibr" rid="ref14 ref5">5, 14</xref>
        ]. Little
work has been done to engage with the untapped potential of the systematic study of the different types of ancient Greek
dress and the terms that denote them.
3.2
      </p>
      <sec id="sec-2-1">
        <title>Naming and representing things in the domain</title>
        <p>
          The citations in section 1 eloquently show that scholars acknowledge this problem and are very articulate in expressing
it. As [
          <xref ref-type="bibr" rid="ref11">11</xref>
          ] points out in a scholarly discussion about ceramic pottery terms, which interestingly brings up the domain of
clothes as well, it is necessary to be able to clearly define first the knowledge of the field (“standard vessel shapes, clearly
defined and illustrated”), then the terms that speak of it, distinguishing if necessary different language levels (“and a set
of terms for them that is perhaps entirely different from, and so cannot be confused with, the terms in common popular
use”).
        </p>
        <p>The complex problem (fig. 1) that confronts domain experts has an analogue and a digital side to it. The first type
of complexity centres upon how to define the objects in a given knowledge domain of material culture, in this case,
material culture pertaining to clothing in the cultural space of ancient Greece. The second centres upon how to name these
objects consistently in different languages, for the convenience of communicating this knowledge among experts and
non-experts. The digital side is how to make these names for objects tractable by machines.</p>
      </sec>
      <sec id="sec-2-2">
        <title>Classifying and defining objects by means of their characteristics</title>
        <p>
          Concept characteristics can be useful to defining concepts and classifying the objects of the domain. In our proposed
conceptualization, essential characteristics, i.e., those characteristics that, if removed, the object is no longer what it is,
are organised in terms of dependencies-differences. The notions genus, species, differentiae (properties that distinguish
different subspecies from each other) allow to express the rationale for a classification of the objects of the domain [
          <xref ref-type="bibr" rid="ref15">15</xref>
          ].
        </p>
        <p>
          We set out to capture and represent knowledge in the domain of ancient Greek dress. This meant not only providing
an efficient solution as to “how to represent knowledge about ancient Greek dress?”, but first and foremost answering the
question: “What constitutes knowledge about ancient Greek dress?” In our approach, the classical scholar is empowered
to build the formal domain ontology of ancient Greek dress starting with either terms or concepts. The building of the
ontology as a conceptual theory about these objects is based upon the notion of essential characteristics. Essential
characteristics are always discernible by domain experts. They are the types of knowledge about the objects of the domain
that is relevant for the purposes of a taxonomic organization of this domain. Experts may not agree on the set of
characteristics a concept is made up. They should, however, be able to have a stable basis in the form of a list of essential
knowledge type against which to compare this object and upon which to found their discussions on what goes in or out
when classifying an object (fig. 2).
The notion of essential characteristic is pivotal for understanding the objects of the domain, as shown by [
          <xref ref-type="bibr" rid="ref16">16</xref>
          ]: “Sometimes
the meaning is clear, as when chiton ("first layer of clothing" = underwear) is opposed to himation ("mantle", which
comes on top of the chiton)”. Other scholars may argue against the relevance of this distinction especially in cases when
the himation is worn without a chiton [
          <xref ref-type="bibr" rid="ref17">17</xref>
          ]. Giving to classical scholars the possibility to decide on the set of characteristics
that according to them form each concept, declare these characteristics and build their definitions of these concepts based
on these guarantees the degree of standardization, objectivity, and transparency upon which scholarly discussions can
take place. Ontologies built in this way make ontology alignment much more straightforward. An additional advantage
is that the meaning of concepts and terms does not depend on interpretation, but is governed by the concept theory
underlying the formal language.
4
4.1
        </p>
      </sec>
    </sec>
    <sec id="sec-3">
      <title>Representing the knowledge domain of ancient Greek dress</title>
      <sec id="sec-3-1">
        <title>Concepts for describing objects</title>
        <p>
          Our approach aims at representing both the hierarchy of concepts and the network of terms in the domain of Greek dress.
We consider important that the representation of both the concept and term layer be linked in terms of the concept theory
adopted, so that the definition of each term is based on the explicit representation of the concept denoted by this term.
This gave rise to the notion of ontoterminology, a set of terms in a knowledge domain whose conceptual system is a
formal ontology of the domain [
          <xref ref-type="bibr" rid="ref18">18</xref>
          ]. This approach makes it possible not only to take into account the linguistic and
conceptual dimensions that make up any terminology, but also to distinguish between meanings and concepts, while
reconciling the definitions of natural language terms and the formal specifications of concepts. The result is a
terminological dictionary structured according to the ontology of the domain. The ontologization of terminologies aims
at their operationalization for information processing purposes by means of multilingual semantic search engines.
        </p>
        <p>
          The theoretical background of the present approach comes from the discipline of terminology, especially the
conceptual approach to terminology attributed to E. Wüster [
          <xref ref-type="bibr" rid="ref19 ref20">19-20</xref>
          ], which emphasizes that the definition of terms is
based on a modelling of domain knowledge. Terminology is a field that studies the terms of a domain [
          <xref ref-type="bibr" rid="ref21 ref22 ref23 ref24 ref25 ref26 ref27 ref28 ref29 ref30 ref31 ref32">21-32</xref>
          ]. It is a
field cognate to Linguistics, but also to Ontology and Artificial Intelligence. The link between terminology and ontology
is intrinsic to ontology, as shown in its definition by [
          <xref ref-type="bibr" rid="ref33">33</xref>
          ] “as a catalog of the types of things that are assumed to exist in
a domain of interest D from the perspective of a person who uses a language L for the purposes of talking about D”. [
          <xref ref-type="bibr" rid="ref33">33</xref>
          ]
also notes that “subsets of the terminology can be used as starting points for formalization”.
        </p>
        <p>
          Our approach to naming, classifying, and standardizing the concepts of the domain of ancient Greek dress combines
Terminology (in adopting a definition for the slippery notions of concept and term) [
          <xref ref-type="bibr" rid="ref34 ref35">34-35</xref>
          ], Ontology [
          <xref ref-type="bibr" rid="ref36">36</xref>
          ] and
Knowledge Representation. The concept theory we adopt complies with the definitions for term and concept of the
international ISO standard on terminology work [
          <xref ref-type="bibr" rid="ref37">37</xref>
          ], according to which: a term is verbal designation of a concept; a
concept is a unit of knowledge created by a unique combination of characteristics; a characteristic is an abstraction of a
property of an object or of a set of objects. A double dimension is adopted, both concept-oriented and term-oriented.
Concepts are defined in a formal language, they are also defined in natural language(s) through their corresponding
term(s). The former ensures machine tractability, the latter enables ontology localization in more than one languages /
cultures.
4.2
        </p>
      </sec>
      <sec id="sec-3-2">
        <title>Resources</title>
        <p>
          Our resources include the collections of objects, sculptures, bas-reliefs, paintings, vases, coins, representing clothing from
ancient Greece, accessible through sites such as Europeana [
          <xref ref-type="bibr" rid="ref38">38</xref>
          ], the largest open multimedia portal that exists in the
digital public space giving access to the data of European cultural institutions. We also consulted thesauri, as well as
collections of ancient Greek texts accessible online mainly from the open source Perseus digital library [
          <xref ref-type="bibr" rid="ref39">39</xref>
          ]. Bilingual
dictionaries were also consulted: the Greek-English dictionary Lexicon by Liddell, Scott, and Jones (LSJ) accessible
online via Perseus [
          <xref ref-type="bibr" rid="ref40">40</xref>
          ], the Dictionary of Greek and Roman Antiquities (DAGR) by Daremberg and Saglio also available
online [
          <xref ref-type="bibr" rid="ref41">41</xref>
          ], and the glossary dedicated to Greek and Roman clothing by [
          <xref ref-type="bibr" rid="ref42">42</xref>
          ].
5
5.1
        </p>
      </sec>
    </sec>
    <sec id="sec-4">
      <title>Implementation</title>
      <sec id="sec-4-1">
        <title>Modelling with Protégé</title>
        <p>
          Protégé [
          <xref ref-type="bibr" rid="ref43">43</xref>
          ] is an open source ontology editor developed in Java, supporting a number of plugins. The version we used
is Protégé 5, which allows the construction and management of OWL2 ontologies, the export of ontologies in a number
of formats including RDF/XML, OWL/XML, JSON-LD, and the import of Linked Open Vocabularies [
          <xref ref-type="bibr" rid="ref44">44</xref>
          ]. Protégé
relies on Description Logics [
          <xref ref-type="bibr" rid="ref45">45</xref>
          ] and OWL, the W3C language dedicated to ontology, “a Semantic Web language
designed to represent rich and complex knowledge about things, groups of things, and relations between things” [
          <xref ref-type="bibr" rid="ref46">46</xref>
          ].
        </p>
        <p>
          Protégé represents knowledge in terms of individuals belonging to classes (sets of individuals) and linked by binary
relations (roles). However, the notion of essential characteristic does not exist in Protégé and must be translated. For
example, essential characteristics (with sewing, without sewing, attached, wrapped, etc.) can be represented as classes:
Garment_with_sewing, Garment_without_sleeves, Attached_garment, etc. The concept &lt;Chiton&gt; is then translated as a
Protégé class called Chiton defined as a subclass of the classes corresponding to the essential characteristics of the concept
&lt;Chiton&gt;. A chiton is viewed as an individual belonging to the intersection of these classes (see fig. 3).
Tedi [
          <xref ref-type="bibr" rid="ref46">46</xref>
          ] is a new software platform developed by C. Roche (version 1.1 - 2019) in a proprietary language (Smalltalk).
The targeted community is domain experts who need to publish their terminologies on the web in both human and machine
tractable formats. Tedi offers the following editors dedicated to the conceptual dimension: editor of concepts, objects,
axes of analysis (or differences), i.e., sets of essential characteristics exclusive to each other, descriptive characteristics
(or attributes), and relationships.
        </p>
        <p>In the term editor (fig. 4), the user can:
• enter the terms in the languages needed;
• declare the term status (choosing from: preferred, alternative, tolerated, not recommended, obsolete) and part-of-speech
(choosing from: noun, verb, adjective, none);
• add contexts and notes;
• manually reformulate the proposed definition of the term that the system generates based on the formal definition of the
denoted concept.
In the concept editor (fig. 5), the user can:
• define essential characteristics, attributes and relations using the axes of analysis editor (the essential
characteristics on the same axis of analysis are mutually exclusive), the attribute editor and the relation editor.
• define concepts as combinations of characteristics, attributes, and their relations.
• update the ontology by inserting newly created concepts into the concept system. In order to help structure the
system, Tedi automatically infers only those generic concepts that are possible for a given concept based on the
selected characteristics.
The system’s in-built reasoner checks the compatibility of the declared characteristics in order to propose only those that
are possible at a given moment. It also infers those that can be logically inferred and generates the formal definition of
the concept, helping the expert to manage the combinatorial explosion (n axes of analysis made up of two exclusive
essential characteristics potentially define 2n concepts). If there is no concept corresponding to the set of essential
characteristics denoted by a term, Tedi proposes to create a new concept based on the selected essential characteristics.
Tedi exports in JSON, RDF/OWL, CSV, HTML, SKOS.</p>
        <p>The Fast Editor links terms and concepts proposing to the expert only the possible characteristics, taking into account
the compatibility and dependency relationships. If there is no corresponding concept, Tedi proposes to create a new
concept whose name is constructed from the essential characteristics and whose definition is the set of characteristics
selected by the expert. E.g., the term "chiton" in English denotes the following essential characteristics: /attached/,
/multiple attachments/, /with sewing/, /around body/, /without sleeves/, /more than one part/. This set of characteristics
constitutes the formal definition of the concept denoted by this term. As shown in fig. 6 the dynamic HTML export for
this term is no different from an e-dictionary entry, except for the visualization of the concept, and the terminological
equivalents in additional languages.</p>
      </sec>
    </sec>
    <sec id="sec-5">
      <title>Conclusion</title>
      <p>This paper presents the first ontology-based dictionary in the domain of ancient Greek dress proposing a tool-assisted
method on how to organize and represent this important domain. To achieve this we combine insights from terminology
work as defined by the ISO 1087-1 standard and A.I. models of representing descriptive knowledge concerning the objects
of the world. Our approach is driven by the need to respond to the experts’ needs for an easy-to-use tool-assisted method
to represent both domain concepts and terms. Our contention is that this novel approach has a lot to offer to diverse
communities of scholars and practitioners in Digital Humanities and Cultural Heritage, especially those in need of a
userfriendly method and tool to publish their terminologies as human-readable ontology-based dictionaries and
machinetractable Semantic web compliant ontologies (vocabularies).
* For a fragment of the onto-dictionary of ancient Greek dress see http://ontoterminology.com/e-dictionaries.</p>
    </sec>
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