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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>Towards Evaluating User Profiling Methods Based on Explicit Ratings on Item Features</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Luca Luciano Costanzo</string-name>
          <email>lucaluciano.costanzo@mail.polimi.it</email>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Yashar Deldjoo</string-name>
          <email>deldjooy@acm.org</email>
          <xref ref-type="aff" rid="aff2">2</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Maurizio Ferrari Dacrema</string-name>
          <email>maurizio.ferrari@polimi.it</email>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Markus Schedl</string-name>
          <email>markus.schedl@jku.at</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Paolo Cremonesi</string-name>
          <email>paolo.cremonesi@polimi.it</email>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Johannes Kepler University Linz</institution>
          ,
          <country country="AT">Austria</country>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>Politecnico di Milano</institution>
          ,
          <country country="IT">Italy</country>
        </aff>
        <aff id="aff2">
          <label>2</label>
          <institution>Polytechnic University of Bari</institution>
          ,
          <country country="IT">Italy</country>
        </aff>
      </contrib-group>
      <pub-date>
        <year>2019</year>
      </pub-date>
      <fpage>16</fpage>
      <lpage>20</lpage>
      <abstract>
        <p>In order to improve the accuracy of recommendations, many recommender systems nowadays use side information beyond the user rating matrix, such as item content. These systems build user profiles as estimates of users' interest on content (e.g., movie genre, director or cast) and then evaluate the performance of the recommender system as a whole e.g., by their ability to recommend relevant and novel items to the target user. The user profile modelling stage, which is a key stage in content-driven RS is barely properly evaluated due to the lack of publicly available datasets that contain user preferences on content features of items. To raise awareness of this fact, we investigate diferences between explicit user preferences and implicit user profiles. We create a dataset of explicit preferences towards content features of movies, which we release publicly. We then compare the collected explicit user feature preferences and implicit user profiles built via state-ofthe-art user profiling models. Our results show a maximum average pairwise cosine similarity of 58.07% between the explicit feature preferences and the implicit user profiles modelled by the best investigated profiling method and considering movies' genres only. For actors and directors, this maximum similarity is only 9.13% and 17.24%, respectively. This low similarity between explicit and implicit preference models encourages a more in-depth study to investigate and improve this important user profile modelling step, which will eventually translate into better recommendations.</p>
      </abstract>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>INTRODUCTION</title>
      <p>
        The performance of collaborative filtering (CF) recommendation
models have reached a remarkable level of maturity. These models
are now widely adopted in real-world recommendation engines
because of their state-of-the-art recommendation quality. In recent
years, a number of recommendation scenarios have emerged, which
have encouraged the research community to consider using various
additional information sources (aka side information) beyond the
user rating matrix [
        <xref ref-type="bibr" rid="ref25">25</xref>
        ]. A prominent example—and the one we focus
on—is item content. In the movie domain, for instance, a variety of
content features have been considered, such as metadata or features
extracted directly from the core audio-visual signals.
Metadatabased movie recommender systems typically use genre [
        <xref ref-type="bibr" rid="ref10 ref13 ref26">10, 13, 26</xref>
        ]
or user-generated tags [
        <xref ref-type="bibr" rid="ref18 ref31 ref34">18, 31, 34</xref>
        ] over which user profiles are
built, assuming that these aspects represent the semantic content
of movies. In contrast, audio-visual signals represent the low-level
content (e.g., color, lighting, spoken dialogues, music, etc.) [
        <xref ref-type="bibr" rid="ref10 ref4 ref6 ref7 ref9">4, 6,
7, 9, 10</xref>
        ]. Some approaches try to infer semantic concepts from
low-level representations, e.g., via word2vec embeddings [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ], deep
neural networks [
        <xref ref-type="bibr" rid="ref30 ref33">30, 33</xref>
        ], fuzzy logic [
        <xref ref-type="bibr" rid="ref28">28</xref>
        ], or genetic algorithms [
        <xref ref-type="bibr" rid="ref20">20</xref>
        ].
For these reasons, it is evident that item content plays a key role
in building hybrid or content-based filtering (CBF) models and,
furthermore, it is important to correctly distinguish and weight
the item features by their estimated relevance for a target user, to
better model his or her tastes.
      </p>
      <p>In Figure 1, we illustrate a simplified diagram that shows our
research contributions. Standard recommendation based on content
(CBF or hybrid) is structured in three main steps: (i) extraction of
item content, consisting of building a feature vector that describes
each item i; (ii) building the profile of the target user pu , i.e., a
structured representation of the user’s preference over item content
features; (iii) matching the user profile pu against the feature vector
of each item fi to produce the list of recommended items most
similar to the target user’s tastes.</p>
      <p>A shortcoming of typical RS evaluation is that the user profiling
stage, which is a key part of the RS, is barely evaluated. Usually,
only the performance of the entire RS, which is composed of several
components, is assessed and how efectively the user prolfiing step
functions remains an open question. We argue that it is important
to investigate the user profiling stage and compare performance of
diferent profile modelling methods (see upper part of Figure 1).</p>
      <p>The goal of this work is therefore to investigate the diference
between explicit user ratings on individual movie content features
(e.g., genre, actors, or directors) and implicit models inferred via
state-of-the-art user modelling techniques from explicit ratings of
the whole movies. To this end, we (i) create (and make publicly
available) a varied dataset of explicit ratings both on movies and
content features and (ii) evaluate diferent user profiling methods
and compare their resulting implicit models against the true feature
ratings provided in the collected dataset.</p>
      <p>OUR FOCUS:
USER PROFILING EVALUATION
Rated
Items
All Items</p>
      <p>Item
contents</p>
      <p>Item
contents</p>
      <p>Rated
features
USER PROFILE
MODELLING
ITEM CONTENT
EXTRACTION</p>
      <p>Expl. user
profile p'u</p>
      <p>Impl. user
profile pu
Feature
vector fi</p>
      <p>COSINE/JACCARD</p>
      <p>SIMILARITY
sim(pu , p'u )</p>
      <p>
        User profiling
evaluation
With respect to previous research, to the best of our knowledge, the
only work that evaluates implicit user profiles against true ratings
on content features is [
        <xref ref-type="bibr" rid="ref21">21</xref>
        ]. Nasery et al. compare actually rated
features with the ones implicitly derived from rated movies, but
no concrete user profiling methods are investigated. Instead, the
number of times each feature is explicitly rated and the number
of times it appears in the content of all rated movies is counted,
and these counts are compared. The authors create a dataset of
movies’ feature ratings (genres, actors/cast, and directors), dubbed
PoliMovie,1 through a survey web application they built. Their
approach, using limited survey questions and a fixed reduced dataset
of top popular movies and features, extracted from IMDb,2 tends
to push users to limited and convergent preferences. In contrast,
we systematically investigate 4 methods to model implicit user
profiles and we compare them with explicit user profiles obtained
by feature ratings. Another contribution of the work at hand is
the creation of a dataset that includes ratings on movie content
features. Other datasets commonly used in movie recommender
systems research, but which do not contain such feature ratings,
include MovieLens 20M (ML-20M) [
        <xref ref-type="bibr" rid="ref11">11</xref>
        ], IMDB Movies Dataset [
        <xref ref-type="bibr" rid="ref16">16</xref>
        ],
The Movies Dataset [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ], MMTF-14K and MVCD-7K [
        <xref ref-type="bibr" rid="ref5 ref8">5, 8</xref>
        ] and the
Netflix Prize dataset [
        <xref ref-type="bibr" rid="ref22">22</xref>
        ].
3
      </p>
    </sec>
    <sec id="sec-2">
      <title>USER PROFILE MODELLING TECHNIQUES</title>
      <p>
        To create a user profile , we adopt the vector profile representation,
consisting of weighted attributes measuring the user’s taste on each
feature [
        <xref ref-type="bibr" rid="ref14 ref6">6, 14</xref>
        ], because it is best suited for our evaluation in terms
of similarity functions. Formally, the user profiling methods we
investigate build the user profile pu as a vector whose attributes
are the relevance weight of each feature f for the target user u,
denoted as hu,f .
      </p>
      <p>
        We analyze 3 state-of-the-art methods from literature to model
user profiles and we refer to them according to the first author of
the corresponding publication, for simplicity and a 4th method that
applies the TF-IDF (term frequency–inverse document frequency)
term weighting idea, which is widely used in CBF and, in general,
in information retrieval [
        <xref ref-type="bibr" rid="ref19 ref23 ref29">19, 23, 29</xref>
        ].
      </p>
      <sec id="sec-2-1">
        <title>1PoliMovie: http://bit.ly/polimovie 2Internet Movie Database (IMDB): www.imdb.com</title>
        <p>
          Zhang method. Zhang et al. [
          <xref ref-type="bibr" rid="ref32">32</xref>
          ] build the user profile based
on item ratings or explicit feature ratings. Let U and I denote the
set of users and items, respectively, and F the set of all features of
the items. In case of binary ratings (like in our dataset), this method
assigns relevance weight hu,f equal to 1 for each feature f in F
that applies to items with which the target user u interacted with,
0 otherwise. The obvious limitation of this method is that it assigns
only weights 0 or 1 to the features, without distinguishing their
relevance for the user.
        </p>
        <p>
          Li method. Li et al. [
          <xref ref-type="bibr" rid="ref17">17</xref>
          ], unlike Zhang et al., diferentiate the
relevance of features contained in an item by assigning scalar weights.
Their method furthermore ignores items with low ratings by using
a threshold value. In case of binary ratings, the threshold rating
rτ is 0 and the relevance weight hu,f of each feature f in F for
the target user u becomes the percentage of occurrences of f in
the items u interacted with: hu,f = Nu,f /Mu , where Nu,f is the
number of items rated by user u containing feature f and Mu is
the total number of items rated by user u.
        </p>
        <p>
          Symeonidis method. Symeonidis et al. [
          <xref ref-type="bibr" rid="ref27">27</xref>
          ] adopt an approach
similar to TF-IDF to compute feature relevance weights, but define
them in the vector space of user profiles. The rationale of using
TF-IDF is to increase the relevance of rare features contained in
less user profiles. Symeonidis et al. also use a fixed rating threshold
to consider only the most relevant items. In case of binary ratings,
the threshold rating rτ is set to 0 and the relevance weight hu,f
of each feature f in F for the target user u is computed as: hu,i =
F F (u, f ) · IUF (f ) , where F F (u, f ) is the feature frequency, i.e., the
number of times feature f occurs in movies rated by u, and IUF (f )
is the inverse user frequency of feature f . IUF (f ) = log |U | ,
UF (f )
where UF (f ) is the user frequency of f, i.e., the number of users
whose rated movies contain feature f at least once.
        </p>
        <p>TF-IDF method. After having reviewed the 3 state-of-art
methods described above, we decided to investigate another variant of
TF-IDF as a user profiling method. The Symeonidis method above is
similar to TF-IDF, but it is user-centric because it considers the
vector space of user profiles. Instead, our proposed TF-IDF method is
item-centric as it considers the vector space of items (movies). First,
we compute the IDF of each feature f as: I DF (f ) = log |nIf | , where
nf denotes the number of items in I in which feature f occurs at
least once. Then, for each user u, we compute the relevance weight
hu,f of a feature f as: hu,f = T F (u, f ) · I DF (f ) , where T F (u, f ) is
equivalent to F F (u, f ) of the Symeonidis method (i.e., number of
times feature f occurs in items rated by user u). In contrast to the
method by Symeonidis et al., I DF (f ) is computed in relation to all
the existing items in which feature f appears, not related to user
profiles. As will be shown in Section 5.2, our TF-IDF method yields
better results than Symeonidis et al.’s.
4</p>
      </sec>
    </sec>
    <sec id="sec-3">
      <title>DATA ACQUISITION</title>
      <p>The dataset we use to evaluate user profiling methods has been
collected through a web application we implemented, which can be
navigated on a variety of stationary and mobile devices. It provides
access to a large catalogue of more than 450K movies and any related
content feature. This vast breadth of choice is possible thanks to
the fact that we retrieve up-to-date information on-the-fly from
TMDb3 via APIs. We developed the application with the idea of a
completely free user experience, instead of making it like a survey
application, so that users are not forced in any way during their
selections.</p>
      <p>To acquire the needed data, we asked users to select a set of
“favourites”, which included at least 5 movies, 2 genres, 3 actors,
and 1 director. Users were, nevertheless, free to select more than
these numbers of elements. We also asked users to provide some
demographics information: age range, gender, and country of
residence. The collection of data was divided into two phases, the first
one involved the volunteer users, which are the ones invited to
freely contribute (friends, family, acquaintances, and colleagues of
the authors), while the second phase involved users recruited by
the crowdsourcing platform MTurk,4 which have been paid between
20 and 50 US cents for their contribution. To assess the participants’
reliability, we also asked them to complete a final consistency test
which required to select again all (and only) the favourites they
remember to have added (from a list of movies, genres, and actors
of random popular elements). A user’s reliability is then estimated
by means of the precision score computed on the re-selection of
correct favourites.</p>
      <p>
        Finally, in order to explore a catalogue of existing features needed
for user profiling evaluation, we retrieved The Movies Dataset [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ]
containing the content of 45,3K movies scraped from TMDb. Then,
we extended this dataset by scraping the content of missing movies
that were added as favorites by users on our web application.
      </p>
      <p>Dataset characteristics. We have collected the preferences of
194 users, 180 (93%) of whom have added the minimum number
of required favourites. Among all users, 81 (42%) are volunteers
and 113 (58%) are paid ones. We consider users reliable if they are
either volunteers that have completed the required favourites or
crowdsourced users who scored at least 50% of precision during
the consistency test (see above). The reliable volunteers are 67 (83%
of all volunteers), while the crowdsourcing ones are 88 (78% of all
crowdsourcing), hence a total of 155 reliable users (80% of all users).</p>
      <p>Regarding users’ gender, 115 users (59%) are male, 66 are female
(34%), and 13 (7%) did not specify gender. 53% of the users are
between 24 and 30 years old. We received registrations from users
coming from 10 diferent countries, mainly from Italy (40%), India
(31%), and United States (19%).</p>
      <sec id="sec-3-1">
        <title>3The Movie Database (TMDb): www.themoviedb.org 4Amazon Mechanical Turk (MTurk): www.mturk.com</title>
        <p>We collected a total 4,109 favourites (movies and content
features) selected by participants, including 1,212 unique elements,
i.e., favourites selected by at least one user. In the following
experiments, we include only favourites of reliable users, that are 3,341
(81%), including 1,737 favourite movies, 461 genres, 698 actors, 198
directors, 74 production companies, 92 production countries, 39
producers, 17 screenwriters, 21 release years, and 4 sound crew
members. The dataset is available on Kaggle5.</p>
      </sec>
    </sec>
    <sec id="sec-4">
      <title>RESULTS AND DISCUSSION</title>
    </sec>
    <sec id="sec-5">
      <title>Initial statistical analysis</title>
      <p>
        An initial statistical analysis highlights main diferences between
the set of all explicitly rated features and the set of all implicit
features extracted from rated movies. In Tables 1 and 2, we present
a comparison between the explicit and implicit sets of features, in
percentage of common attributes (features), focusing on the k most
frequently selected attributes, respectively, for genre, actor, and
director. These tables generally highlight a low overlap between the
explicitly preferred features and the implicitly estimated ones
(derived from favourite movies), in particular for actors and directors.
The only exception is the genre attribute, which reveals a maximum
overlap of 94.74% when considering all 19 genres. These results
generally confirm the previous findings in [
        <xref ref-type="bibr" rid="ref21">21</xref>
        ] regarding existing
gaps between explicitly selected features and implicitly estimated
ones, with a diferent dataset containing more up-to-date movies
and not limited to the most popular movies as used in [
        <xref ref-type="bibr" rid="ref21">21</xref>
        ].
      </p>
      <p>We further provide a finer-grained analysis of the gap between
explicit and implicit preferences of users according to their gender.
In Tables 3 and 4, we compare the 5 most frequently selected genres,
actors, and directors, by male and female users, respectively. We
notice a substantial diference between between male and female
users with the exception of genre.</p>
      <p>Investigating the results, it is surprising that in both Tables 3 and 4
Stan Lee is among the top implicitly preferred actors even if he
barely acted as a main character in any movie. The most probable
reason is that even though he has not been selected explicitly as
favourite actor by study participants, he appeared in all Marvel
movies (in small “cameo roles”), so he is included in the implicit
profiles. Furthermore, it is surprising that the genre “action” is
highly ranked by female users. This could be due to the fact that
the genre tastes of young women might be changing nowadays,
especially because many popular action movies, like the Marvel
ones, are liked by many people (especially under 30, i.e., the largest
age group in our dataset), irrespective of gender. Nonetheless, the
other diferences between male and female users suggest to embed
gender information in a recommender system.
5https://www.kaggle.com/lucacostanzo/mints-dataset-for-recommender-systems</p>
    </sec>
    <sec id="sec-6">
      <title>5.2 Evaluation of user profiling methods</title>
      <p>We study the user profiling step in-depth by investigating the 4
user profiling methods described in Section 3. Our aim is to analyze
the similarity (i.e., the overlap) between the implicitly modelled
user profiles and the real explicit tastes of users. For each target
user u, we built his or her explicit profile pu′ as vector composed
of relevance weights equal to 1, for all the features explicitly rated
by u, and weight 0 for the ones not rated. Then we computed the
pairwise similarity between the explicit user profiles and implicit
profiles pu produced by each method, using cosine similarity and
Jaccard similarity. The highest is this similarity, the most accurate
is the implicit user profile modelled.</p>
      <p>The average pairwise similarity sim(pu , pu′ ) between implicit
user profile pu and explicit one pu′ is shown in Table 5. As revealed
in the table and already anticipated in Section 3, the TF-IDF method
yields better results than Symeonidis even if they are intrinsically
similar, hence the item-centric TF-IDF approach outperforms the
user profle-based one. In general, the average pairwise similarities
are remarkably low, even for the best investigated method, i.e., Li.
The overlap between explicit and implicit profiles increases if we
consider only genres; the reason is that the catalogue of all possible
genres in the dataset is rather limited (19) compared to actors (567K)
and directors (58K). The Jaccard measure yields lower similarities
because it can be applied only to vectors composed of binary
attributes while our tested profiling methods compute scalar weights
(except for Zhang); hence we had to cut-of some feature weights
by considering only the k most relevant features in the implicit
profile of each user considered, in which k is the number of explicit
features rated by that user.</p>
      <p>The presented results underline the low efectiveness of the
investigated user profiling methods to model real user tastes. This
ifnding gives rise to the need of further research on this important
user profiling step when devising recommender systems. If user
profiles are not properly modelled before applying any RS technique,
the accuracy of the final recommendations will likely be afected
and lowered by an inaccurate representation of the user’s tastes.</p>
    </sec>
    <sec id="sec-7">
      <title>6 CONCLUSION AND FUTURE WORKS</title>
      <p>In this paper, we analyzed the user profiling modelling by studying
the diferences between explicit user preferences and implicit user
profiles. We evaluated diferent user profiling methods and showed
that even the best profiling method that we tested provided low
pairwise similarities between explicit and implicit profiles. This
ifnding can be explained by the fact that when a user rates a movie,
he is implicitly rating only some characteristics of the item that
impacted on her (but not all). Also, it could happen that a user may
select a movie but she only loved some part of it (e.g., very good
director but bad actors), and this can result in the introduction of
some noise in the learning process. Overall, our study encourages a
more in-depth on ways we can obtain reliable feedbacks on features
and study the optimization of the user profile modelling step in
RS, which will eventually allow to produce more accurate
recommendations. Furthermore, we publicly provide the dataset that we
collected and used for evaluation, which includes ratings on movies
and on corresponding content features.</p>
      <p>
        In the future, we plan to investigate the generalizability of
findings in this work on other domains where the exist a wide variety
of item content features and personalization on these features is
paramount, in domains including but not limited to fashion [
        <xref ref-type="bibr" rid="ref12">12</xref>
        ],
music domain [
        <xref ref-type="bibr" rid="ref24">24</xref>
        ], tourism [
        <xref ref-type="bibr" rid="ref1 ref15">1, 15</xref>
        ] and so forth.
      </p>
    </sec>
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