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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>A Model for Evaluating Popularity and Semantic Information Variations in Radio Listening Sessions</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Lorenzo Porcaro</string-name>
          <email>lorenzo.porcaro@upf.edu</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Emilia Gómez</string-name>
          <email>emilia.gomez@upf.edu</email>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Music Technology Group, Universitat Pompeu Fabra</institution>
          ,
          <addr-line>Barcelona</addr-line>
          ,
          <country country="ES">Spain</country>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>Music Technology Group, Universitat Pompeu Fabra</institution>
          ,
          <addr-line>Barcelona</addr-line>
          ,
          <country country="ES">Spain</country>
          ,
          <institution>Joint Research Centre, European Commission</institution>
          ,
          <addr-line>Seville</addr-line>
          ,
          <country country="ES">Spain</country>
        </aff>
      </contrib-group>
      <pub-date>
        <year>2019</year>
      </pub-date>
      <abstract>
        <p>Listening to music radios is an activity that since the 20th century is part of the cultural habits for people all over the world. While in the case of analog radios DJs are in charge of selecting the music to be broadcasted, nowadays recommender systems analyzing users' behaviours can automatically generate radios tailored to users' musical taste. Nonetheless, in both cases listening sessions do not depend on the listener choices, but on a set of external recommendations received. In this preliminary study, we propose a model for estimating features' variation during listening sessions, comparing diferent scenarios, namely analog radios, personalized and not-personalized streaming radios. In particular, we focus on the analysis of track popularity and semantic information, features well-established in the Music Information Retrieval literature. The presented model aims to quantify the possible impact of the sessions' variation on the user listening experience.</p>
      </abstract>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>CCS CONCEPTS</title>
      <p>• General and reference → Evaluation; • Information
systems → Recommender systems.</p>
    </sec>
    <sec id="sec-2">
      <title>INTRODUCTION</title>
      <p>
        Since the first part of the 20th century, the radio has been one of the
main media thanks to which listeners can enjoy music. Its influence
on music consumption has been enormous, due to its capacity to
determine content difusion and diversity [
        <xref ref-type="bibr" rid="ref11">11</xref>
        ]. Nowadays, streaming
services have become the digital platforms where most music
enthusiasts listen to music [
        <xref ref-type="bibr" rid="ref23">23</xref>
        ]. Within these services, recommender
systems play a key role in helping users to explore and exploit the
large music catalogue available, accordingly to their interests. For
that goal, the inclusion of personalization techniques is considered
fundamental for improving the quality of the recommendation
provided [
        <xref ref-type="bibr" rid="ref21">21</xref>
        ]. Among the products available on streaming services,
personalized radio stations can create a coherent sequence of songs
to be played, starting from a specific track, artist or music genre.
      </p>
      <p>
        However, the use of personalized services in online spaces is
at the center of the scientific and public debate, due to its proven
tendency in fostering polarization in society [
        <xref ref-type="bibr" rid="ref5 ref7">5, 7</xref>
        ] and in creating
the so-called "echo chambers", virtual spaces where users are
intensively exposed to content tailored to their profiles [
        <xref ref-type="bibr" rid="ref10">10</xref>
        ]. In particular,
negative impacts of the use of recommender systems have already
been proven, such as of homogenization of users’ behaviour, i.e.
similar users interacting with the same set of recommendations
[
        <xref ref-type="bibr" rid="ref8">8</xref>
        ], or the objectification of personal tastes [
        <xref ref-type="bibr" rid="ref14">14</xref>
        ]. Recent
discussions within the Music Information Retrieval (MIR) community are
concerned about the impact of the developed technologies [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ].
      </p>
      <p>
        In this work, we aim at characterizing the listening session
variations. We focus on two diferent aspects: popularity, feature
historically related to the "long tail" problem [
        <xref ref-type="bibr" rid="ref4">4</xref>
        ], and semantic information,
largely investigated in the MIR literature [
        <xref ref-type="bibr" rid="ref15">15</xref>
        ]. It is important to
notice that we are not interested in understanding how the system
provides recommendations, or in comparing the performance of
different systems. By defining two indicators of variations of song
sequences, our goal is to understand what can be the impact of
listening to music radios on users’ experiences in the long-term.
Furthermore, we are interested in comparing personalized and
non-personalized systems, analyzing the diferences between these
scenarios.
      </p>
      <p>The paper is structured as follows. Section 2 provides an overview
of previous work related to the research lines of this study. We then
propose a methodology in Section 3, which includes a description
of the model. Section 4 describes the case study examined, together
with the results obtained. Finally, conclusions and future work are
discussed in Section 5.
2</p>
    </sec>
    <sec id="sec-3">
      <title>RELATED WORK</title>
      <p>
        The limits of considering accuracy metrics as the yardstick for
evaluating recommender systems have been discussed in the last two
decades, since the problem of formulating user-centric measures
has been approached and new metrics beyond-accuracy have started
to be proposed [
        <xref ref-type="bibr" rid="ref17">17</xref>
        ]. Through the years, the strategy of
"diversification" in recommender systems gained in visibility [
        <xref ref-type="bibr" rid="ref24">24</xref>
        ], especially
for facing the problem of recommending only items highly similar
to each other, known as "portfolio efect" [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ]. Consequently, new
methods began to be proposed, where next to accuracy metrics,
diversity, serendipity, novelty and coverage metrics started to be
not been yet observed in previous tracks. Analytically, this process
considered [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ].
      </p>
      <p>
        In the field of MIR, the concept of diversity has been often
associated with aspects of musical tastes and listening habits [
        <xref ref-type="bibr" rid="ref12">12</xref>
        ]. Starting
from the users’ listening histories, attempts have been made to
understand how diferent degrees of diversity in musical tastes can
afect recommendation models, but also the reverse process, hence
how diferent levels of diversification in recommender systems can
embrace diferent populations of users [
        <xref ref-type="bibr" rid="ref16">16</xref>
        ]. The relevance of
musical taste as a proxy for determining other social factors has been
also investigated, where measurements of diversity have been used
to study diferent facets related to personal interests [
        <xref ref-type="bibr" rid="ref19">19</xref>
        ].
      </p>
      <p>
        Alongside, from diferent points of view, temporal dimensions of
the listening experience have been the object of study. For instance,
a dynamic model of the listening experience has been proven to
be efective for measuring the evolution of musical taste over time
[
        <xref ref-type="bibr" rid="ref18">18</xref>
        ]. Furthermore, it has been shown how including tag information
with temporal dynamics of user interaction is useful for
generating personalized music recommendations [
        <xref ref-type="bibr" rid="ref25">25</xref>
        ]. However, it is also
important to note that, from a user perspective, the temporal
dimension may not always be perceived as relevant, as observed in
[
        <xref ref-type="bibr" rid="ref22">22</xref>
        ].
      </p>
      <p>
        In conclusion, the study of the relationships between
sequentially ordered objects is part of the sequence-aware recommender
system framework [
        <xref ref-type="bibr" rid="ref20">20</xref>
        ], which is gaining attention thanks to
recent advancements in deep learning and reinforcement learning
techniques. The applications of this framework are particularly
relevant in the music field, considering the sequential nature of
music consumption (e.g. playlist) [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ].
3
      </p>
    </sec>
    <sec id="sec-4">
      <title>METHODOLOGY</title>
      <p>The main goal of our model is to characterize indicators of
variations for a recommendation list. Specifically, we focus on music
recommendations, creating two metrics, one for the track
popularity, and another one for the semantic content represented by a set
of tags describing the track music genre.
3.1</p>
    </sec>
    <sec id="sec-5">
      <title>Model</title>
      <p>We define a recommendation list R as an ordered set of n tracks
R = {r1, r2, ..., rn }, where each track ri has two diferent attributes:
1) a set of semantic tags si , where si = {taд1, taд2, ..., taдn }; 2) a
popularity index pi , computed as the sum of the track and artist
popularity values pi = popri + popar t ist (ri ). To compare lists
generated in diferent contexts, we study how track attributes vary. In
detail, we adopt two temporal strategies for a sequential analysis of
the tracks: we first consider single tracks and we then form groups
according to their temporal location.
3.1.1</p>
      <p>Single Track Level. A music recommendation list can be
considered as a set of songs potentially listened in sequence. Our first
goal is to model the deviation of each track with respect to previous
ones in terms of semantic information and popularity. Therefore,
we define two recursive functions, which at each step return an
indicator i containing information about these variations.</p>
      <p>Let’s consider Sn as the union of all the tags observed until the
track rn and in as the number of tags of the n-th track which have
can be described with the following formula:



S0 = s0  Sn = Ð s
i=1</p>
      <p>i
i0(s) = 0 in(s) = |sn \Sn−1 |
|sn |
n
where |S | represents the cardinality of a set S, and the \ operation
between sets represents the relative complement i.e. objects that
belong to the first set and not to the second. Considering that multiple
tags can be associated with the same track, the relative complement
is divided by the cardinality of sn , giving the same weight to every
tag. As the space of tags is finite, when n → ∞
relationship can be imagined as a hypothetical session, where a
user listens to a radio without ever stopping, and where eventually
the variations in terms of semantic tags will become null at some
s
⇒ in( ) → 0. This
point.</p>
      <p>
        In the case of popularity, at each track is associated a value p such
sum of powers of two with the previous track popularities:
that p ∈ [
        <xref ref-type="bibr" rid="ref1">0, 1</xref>
        ]. At step n, we estimate the variation as a weighted



P0 = p0  Pn = pn +2Pn−1
i0(p) = 0 in(p) = |pn −Pn |
2
n → ∞
      </p>
      <p>⇒ in(p) → 0.</p>
      <p>We observe that by the nature of this iteration, the n-th variation
will be influenced by all the previous tracks popularity in the list,
but giving more relevance to the closest tracks. In this case, the
convergence to zero is not guaranteed when n tends to infinite. The
only case when variations decrease until reaching zero is when the
popularity attribute tends to a constant value, hence if pn → c for</p>
      <p>Finally, for deriving a central tendency of the variations for each
list R we compute the median of the obtained values:</p>
      <p>I (s) = median(i(js=)1:n ), I (p) = median(i(jp=)1:n ),</p>
      <p>R R</p>
      <p>However, the proposed modelization represents a situation far
from being real. Indeed, it is hard to imagine a person who turns
on the radio and listens to the same station without stopping or
changing a song. If we consider temporal relationships between
tracks played in very distant time spans of a listening session, we
may include information which is not relevant. In order to avoid
that, we present in the next section an approach to estimate how
a recommendation list can embed diferent degrees of variations,
considering group of tracks instead of single ones.
define sдi for the group as:
3.1.2</p>
      <p>Group Track Level. Starting from a recommendation list R,
we divide it into uniform groups of M tracks. As a first step, we have
to define how the track attributes, semantic tags and popularity,
are aggregated to create a group-level representation.</p>
      <p>With respect to semantic information, we combine all the tags
related to the tracks in the group. If дi = {ri∗M , ..., r(i+1)∗M −1}, we
sдi =
(i+1)∗M −1
Ø
j=i∗M
s
j , ∀i = 0, 1, ...</p>
      <p>(4)
(1)
(2)
(3)
track ID
sions with diferent variation characteristics.
(5)
(6)
(7)
(8)
According to the model described in Section 3.1, we compute
indicators of variations using as input the recommendation lists presented
in Section 4.1, and the results are presented in Figure 1 and 2. For
both features, values are normalized between 0 and 1. Given the
small sample size and the nature of the experiment, these results
can only be considered as descriptive.</p>
      <p>Figure 1 shows the variations i computed using the formulas
(1), (2), (6), and (7). We only display the variations of personalized
recommended lists generated starting from five seed tracks (B, D,
F, H, J). In the case of semantic information, we notice how single
level variations describe a decreasing trajectory, converging to zero,
in line with the hypothesis discussed in Section 3.1.1. For the
popularity feature, the variations tend to remain constant. In addition,
we do not observe any diference between lists created from
diferent seed tracks. Analyzing the variations at a group level, we see
how removing the long-term dependencies the variations behave
independently not following a specific tendency, but depending
more consistently from the conformation of the groups. In this case,
we observe similar behaviours for both features.</p>
      <p>Figure 2 shows the obtained indicators described in formulas
(3) and (8). In terms of semantic information, we observe that the
indicators produced by the single level model describe sessions
more homogeneous than in the case of the group level. Indeed,
the values of the indicators are lower for individual tracks than
the correspondent values obtained at a group level, showing how
the long-term dependencies impact the variations, leading to a
median value equal to zero in several cases. In particular, for the
non-personalized lists, the median of the variations is zero in half
of the cases. It can be seen as a consequence of extensive use of
semantic relationships while building the recommendations, being
not tailored to specific users. In terms of popularity, we observe that,
when comparing tracks from the same decade (A-B, C-D, E-F, etc.),
the lists created starting from the tracks with lower popularity (A,
C, E, etc.) present more variations than the ones with greater
popularity, both in personalized and non-personalized settings. These
results partially reflect the impact of the well-known popularity
bias in recommender systems, describing a situation where starting
from a popular track, other popular tracks tend to be recommended,
and variations are limited.</p>
      <p>From the group level perspective, computing the Pearson
correlation coeficient r we notice that there is a higher correlation
between non-personalized and personalized lists than in the case
of the single level model. Indeed, for single level indicators we
have r=0.15 for the semantic information feature and r=0.44 for the
popularity, while for the group level we have r=0.55 for semantic
information while r=0.79 for popularity. Even if these results are
sensitive to the group size, we imagine that joining diferent tracks’
features in a single group attribute, as defined in Section 3.1.2, can
lead to a mitigation of variations, hence to obtain results more
correlated between personalized and non-personalized systems.
Furthermore, the removal of long-term dependencies in the group
level model impacts the degree of variations observable, leading to
higher median values for both features. In this case, no particular
efects have been noticed according to the seed tracks considered.</p>
      <p>In conclusion, apart from the case of group level semantic
information, we observe that the overall indicators of analog radios result
to have higher values on average than the personalized and
nonpersonalized recommendation lists. However, the baseline build is
weak, given the few numbers of analog radio considered, hence to
make a proper comparison it is needed to increase the amount of
data analyzed, as discussed in the following section.
5</p>
    </sec>
    <sec id="sec-6">
      <title>CONCLUSIONS AND FUTURE WORK</title>
      <p>We have presented a model for analysing the variations of two
items’ features in a recommendation list: popularity and semantic
information. In our experiment, we have compared several music
recommendation lists generated in diferent contexts: personalized
and non-personalized streaming radios, and analog radios.</p>
      <p>Several limitations of the obtained results are related to the
scarcity of data. Indeed, the lists taken into account cannot be
considered as representative, and a larger amount of data is needed
for validating empirically our model. In this preliminary stage, we
do not have evidence about the advantages or disadvantages of
using personalized or non-personalized systems for generating
diverse listening sessions, but comparing against radio playlists
generated by humans, we believe that diferences with
algorithmicdriven listening experiences can emerge.</p>
      <p>Moreover, being the details of the recommender systems’
architecture used in this study unknown, it is dificult to make
comparisons between personalized and non-personalized lists, and also to
link observed efects to a specific cause. For instance, the
popularity bias may potentially be reinforced more in non-personalized
popularity-based recommender systems than in personalized
settings.</p>
      <p>Finally, for properly evaluating the impact of personalization in
music recommender systems, we need to include in the model
additional information about the users’ tastes and listening behaviours.
In the presented work, personalization has been analyzed as a de
facto phenomena, but further work needs to be done for evaluating
its relationship to the recommendation provided. As an alternative
line of research, users’ perceptions of listening sessions’ variation
can be considered, comparing them with the indicators designed in
this work.
6</p>
    </sec>
    <sec id="sec-7">
      <title>ACKNOWLEDGMENTS</title>
      <p>This work is partially supported by the European Commission
under the TROMPA project (H2020 770376). The authors would like
to thank Jacopo Temperini, Elena Congeduti, and the anonymous
reviewers for their comments and feedback.</p>
    </sec>
  </body>
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