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    <article-meta>
      <title-group>
        <article-title>#andràtuttobene: Images, Texts, Emojis and Geodata in a Sentiment Analysis Pipeline Pierluigi Vitale, Serena Pelosi, Mariacristina Falco</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Pierluigi Vitale</string-name>
          <email>pvitale@unisa.it</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Serena Pelosi</string-name>
          <email>spelosi@unisa.it</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Mariacristina Falco</string-name>
          <email>mfalco@unisa.it</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Department of Political and Communication Sciences University of Salerno</institution>
        </aff>
      </contrib-group>
      <abstract>
        <p>This research investigates Instagram users' sentiment narrated during the lockdown period in Italy, caused by the COVID-19 pandemic. The study is based on the analysis of all the posts published on Instagram under the hashtag #andràtuttobene on May 4, May 18 and June 3, 2020. Our research carried out a view on a national, regional and provincial scale. We analyzed all the different languages and forms (i.e. captions, hashtags, emojis and images) that constitute the posts. The aim of this research is to provide a set of procedures revealing the different polarity trends for each kind of expression and to propose a single comprehensive measure.</p>
      </abstract>
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  <body>
    <sec id="sec-1">
      <title>Introduction</title>
      <p>This paper investigates the case of the Italian
most used hashtag about the lockdown period for
the COVID-19 pandemic on Instagram:
#andràtuttobene1.</p>
      <p>The research team collected 7,482 posts, the
entire amount published in three specific dates:
May 4, May 18 and June 3, corresponding with
three different steps of the reopening phase of the
country, led by the government.</p>
      <p>Instagram posts are composed by several kind
of languages: captions (texts), hashtags, emojis
and images. The aim of this work is to design a set
of procedures revealing the different polarity
trends for each one and to propose a unique
measure. This measure can show the sentiment
expressed by the texts, in their semiotic broad
meaning.</p>
      <p>Copyright ©️ 2020 for this paper by its authors. Use
permitted under Creative Commons License Attribution
4.0 International (CC BY 4.0).
1 The choice of Instagram is due to its success. It is in
fact one of the most popular social networks, with 1
The methodology proposed is based on a fully
automatic natural language processing pipeline,
including the images’ analysis phase. Its output is
an interactive dashboard (Figure 1) that is able to
explore the sentiment analysis values about every
single kind of text, and the synthesis of all of
them. Thanks to a system of interactions and
filters, the observation is leaded by the images’
features, such as different kind of spaces (indoor or
outdoor) and different kind of the photos’ subject
(human or not human).</p>
      <p>The collected geographical data enabled the
analysis of several dimensions, with an overview
observation based on the regional scale. Hence, it
gave us an opportunity to focus on the deeper
level of the Italian provinces. This choice is
motivated by the Italian DPCM (Decreto Presidenza
del Consiglio dei Ministri) published on 24 March
20202, in which it is stated the partial autonomy of
the regions.
1.</p>
    </sec>
    <sec id="sec-2">
      <title>State of the Art</title>
      <p>In Natural Language Processing (NLP) studies,
the automatic treatment of opinionated
expressions and documents is known as Sentiment
Analysis.</p>
      <p>
        Lexical resources for sentiment analysis
created for the Italian Language are Sentix (Basile,
Nissim 2013); SentIta
        <xref ref-type="bibr" rid="ref21 ref22 ref32">(Pelosi 2015a)</xref>
        ; the lexicon
of the FICLIT+CS@UniBO System
        <xref ref-type="bibr" rid="ref7">(Di Gennaro
2014)</xref>
        ; the CELI Sentiment Lexicon (Bolioli
2013); the Distributional Polarity Lexicons
        <xref ref-type="bibr" rid="ref3">(Castellucci 2016)</xref>
        .
      </p>
      <p>
        For the Italian language, significant
contributions on sentiment analysis of social media come
from
        <xref ref-type="bibr" rid="ref1">Bosco et al. (2013</xref>
        , 2014), Castellucci (2014,
2016) and Stranisci (2016), among others.
Hahstag processing in Sentiment Analysis is
particularly challenging in terms of word
segmentation. Obviously, the absence of white spaces
between words poses several problems that concerns
ambiguity. Among the most relevant contribution
in this area, we cite Zangerle (2018),
        <xref ref-type="bibr" rid="ref24">Reuter
(2016)</xref>
        ,
        <xref ref-type="bibr" rid="ref26">Simeon (2016)</xref>
        ; Bansal 2015,
        <xref ref-type="bibr" rid="ref29">Srinivasan
(2012)</xref>
        and
        <xref ref-type="bibr" rid="ref5">Celebi (2018)</xref>
        . The solution proposed
in literature concerns mostly the use of n-grams,
syntactic complexity, pattern length, or
pos-tagging.
      </p>
      <p>In the last years, the way to communicate
online involves many kinds of languages,
connected to verbal and non-verbal features. This
complexity makes classical textual analysis less
adequate to have a real and representative
perspective on people’s interests and opinions.
In particular way, the conventional approach
seems to be not suitable for visual social media,
such as Instagram, where all the languages are
involved and the images seem to be dominant.</p>
      <p>
        The analysis of these social media tends to
underline the issues of textocentricity
        <xref ref-type="bibr" rid="ref28">(Singhal &amp;
Rattine-Flaherty, 2006)</xref>
        and textocentrism
(Balomenu &amp; Garrod, 2019), making necessary a
different way to approach the participant generated
images (PGI) or user generated contents (UGC) in
general.
      </p>
      <p>Opinions, emotions, and contents are expressed
in a mixed way, that is the combination of several
languages, visual and textual, and the related
metadata, such as: geographical position and
hashtag which they are labeled with.</p>
      <p>
        The automatic treatment of emojis is faced
through two main approaches: the processing of
the textual descriptions of emojis3
        <xref ref-type="bibr" rid="ref27">(FernándezGavilanes 2018, Singh 2019)</xref>
        and the analysis of
the emojis (co-)occurrences
        <xref ref-type="bibr" rid="ref14 ref19 ref25">(Guibon 2018,
Rakhmetullina 2018, Barbieri 2016, Novak et al.,
2015)</xref>
        4.
      </p>
      <p>
        The function of emojis is not limited to a
predictable labeling of the emotional content (Felbo
3 Among the emoji resources, we mention; Emojipedia
(emojipedia.org), iEmoji (www.iemoji.com); the
annotated resources, such as The Emoji Dictionary
(emojidictionary.emojifoundation.com); EmojiNet
(emojinet.knoesis.org); the ones which are specific for
Sentiment Analysis and Emotion Detection purposes, such
as Emoji Sentiment Ranking
(kt.ijs.si/data/Emoji_sentiment_ranking), EmoTag
(abushoeb.github.io/emotag) and The SentiStrength emoticon sentiment lexicon
(sentistrength.wlv.ac.uk); and the corpora, such as
ITAMoji (Ronazano 2018) and the Emojiworldbot
corpus
        <xref ref-type="bibr" rid="ref18">(Monti 2016)</xref>
        .
2017,
        <xref ref-type="bibr" rid="ref31">Tian 2017</xref>
        ), but, it is possible to improve the
score of sentiment analysis tools by knowing the
meaning of emojis
        <xref ref-type="bibr" rid="ref10 ref17 ref19">(LeCompte 2017, Felbo 2017,
Guibon 2016, Novak 2015)</xref>
        .
      </p>
      <p>The content analysis of the images has been
addressed from several perspectives and techniques.</p>
      <p>
        Several studies are moving from a fully
qualitative and manual approach
        <xref ref-type="bibr" rid="ref32 ref33 ref34 ref9">(Tifentale &amp;
Manovich, 2015, Vitale et al., 2019, Palazzo et al.,
2020, Esposito et al., 2020)</xref>
        to mixed methods
involving algorithms and computer vision
techniques combined with qualitative observations
        <xref ref-type="bibr" rid="ref15 ref16 ref32">(Hochman 2015, Indaco &amp; Manovich, 2016)</xref>
        .
      </p>
      <p>
        This work, starting from a well experimented
innovative approach on previous studies
        <xref ref-type="bibr" rid="ref12 ref34">(Vitale et
al., 2020, Giordano et al, 2020)</xref>
        , makes the choice
to analyze the images in their textual translation,
with a fully automatic analytical pipeline,
designed in a semiotic point of view. Besides the
semiotic interest to digital media date back to the
early 2000s and continues to the present days,
considering digital media a specific semiotic field
        <xref ref-type="bibr" rid="ref6">(Cosenza 2014, Bianchi e Cosenza 2020)</xref>
        .
      </p>
      <p>Lastly, considering design, the visual
representation of the social media data is increasing
widespread as vehicle for knowledge of several fields
(Ciuccarelli et al., 2014).</p>
      <p>The research team doesn’t provide an algorithm
to analyze the images but adopt the automatic
translation from the social media algorithm,
designed to the visual impaired users by parsing the
html code of the Instagram web interface. The
metadata involved is the “accessibility_caption”.</p>
      <p>
        These are lists of words, hierarchically
distributed, that let us to define and observe subject and
attributes of the images, in addition to allowing
the analysis of the entities.
4 Actually, the original meaning of emojis, specified in
their descriptions, could be very different with the ones
attributed by people into specific text occurrences
        <xref ref-type="bibr" rid="ref11">(Fernández-Gavilanes 2018, Wood &amp; Ruder 2016)</xref>
        .
Therefore, the manual annotation of emoji dictionaries could
ignore important details that concerns usage dynamics
over time
        <xref ref-type="bibr" rid="ref10">(Ahanin 2020, Felbo 2017)</xref>
        .
      </p>
      <p>Nevertheless, the representation of an emoji can vary
widely across different communication platforms
(Wagner, 2020) and their semantics can present culture
or language specific usage patterns (Barbieri 2016).
Thus, the results produced by the analyses of the emoji
in large corpora could present some drawbacks as well.</p>
      <p>In this work, we propose the automatic
treatment of the sentiment expressed into 7,482
Instagram posts.</p>
      <p>All the information composing the dataset (i.e.
captions, hashtags, emojis and images) are
automatically put into relation with one another and
visualized into an interactive dashboard. The
phenomenon, can be observed through a system of
filters, zooms and interdependent interactions. The
result captures the topography of feelings, moods
and needs expressed on the Instagram platform
during the lockdown.</p>
      <p>The NLP activities are performed in this
research through the software NooJ5, which allows
both the formalization of linguistic resources and
the parsing of corpora. The dictionaries and
grammars, which have been built ad hoc for this work,
complement the open-source resources of the
basic Italian and English modules of NooJ (Vietri
2014).</p>
      <p>All the pictures published on May 4, May 18
and June 3, 2020 with the hashtag
#andratuttobene have been collected with a custom python
script that simulate the human navigation. For
each picture, we collected the entire source code
of the web page in a JSON (JavaScript Object
Notation) format.</p>
      <p>This one has been parsed to a tabular one, in
order to plan a format suitable for the adopted
tools. The files have been refined selecting the
endpoint useful for the analysis: captions
(including hashtags); images hyperlink; accessibility
captions; geographical coordinates and
timestamp.</p>
      <p>Some data required a data refinement phase.
For the captions, it has been necessary to do a
cleaning phase in which all the texts that were not
5 http://www.nooj-association.org/
6 For instance, in the “human” cluster we have grouped
all the accessibility caption containing words such as
“people, man, woman, person” etc.</p>
      <p>At the same time, in the “outdoor” cluster we have
grouped all the pictures with words such as “sea,
skyline, lawn, beach” and so on.
7 This phase has been possible in an automatic way
adopting the python library reverse-geocoder
(https://github.com/thampiman/reverse-geocoder)
8 The performances of our method produced
satisfactory results in the sentence-level analysis of the textual
part of the corpus: 0,85 Recall; 0,96 Precision and 0,9
F-score.
written Italian have been detected automatically
by adopting the google translate API (Application
Programming Interface) and removed. Moreover,
from this field all the hashtags have been
extracted, to allow their standalone analysis.</p>
      <p>Accessibility captions have been clustered on
two dimensions: “human or not human” and
“indoor or outdoor”, previously defined thanks to a
list of coherent words, subsequently matched by a
pattern matching phase6. Geographical
coordinates set the images on a specific point on the
map, so it has been necessary to make a reverse
geocoding procedure to find out region and
province levels.7</p>
      <p>Furthermore, Timestamp have been converted
in a conventional date and time format.</p>
      <p>After these steps, images and texts became
ready to be analyzed through NLP procedures and
mapped with geographical visualization
techniques, observing them on the desired timeframe.</p>
      <p>
        For the analysis of verbal features, we used
SentIta, a semi-automatically built lexicon task
        <xref ref-type="bibr" rid="ref21 ref22 ref32">(Pelosi 2015a)</xref>
        , containing more than 15,000
lemmas, simple words and multiword units. Each
entry is annotated with polarity and intensity scores,
into a scale that ranges from -3 to +3. It must be
applied to texts in conjunction with a network of
almost 130 embedded local grammars, formalized
in the shape of Finite State Automata
        <xref ref-type="bibr" rid="ref21 ref22">(Pelosi
2015b)</xref>
        , which systematically modulate the prior
polarity of words according to their syntactic local
context8. These resources can be directly applied
to the Instagram captions, while hashtags need to
be initially segmented. In this phase, they are
analytically decomposed into their constituents
through 10 morpho-syntactic grammars applied
simultaneously, but with different priorities. In
this way, the selection of the most probable
sequences is decided for the upstream9.
9 Basically, if the system produces more than one
interpretation, the preferred one is the one in which the
constituents have a longer length and the smallest number
of constituents. In other words, the system firstly
compares the whole normalized string with the word forms
from SentIta, then continues the comparison with
English and Italian word forms from the basic module.
Hence, the dictionaries receive the higher priority and
are applied before morphological grammars.
If the system does not match any word in the lexicon,
it starts the structural analysis of the string, which
consist of a systematic comparison of substrings with the
all the words contained in the dictionaries, according
to part of speech specific syntactic structures. Such
structure, ordered here by priority assignments, can be
      </p>
      <p>For the analysis of the non-verbal features,
emojis are treated by using an electronic
dictionary, which has been semi-automatically annotated
with the same information used to analyze verbal
features. We created this database with
recognizable decimal codes in UTF-8 encoding from
Emojipedia, then we carried out the automatic analysis
of the textual descriptions of each emoji.</p>
      <p>This dictionary has been used to locate and
interpret the emojis occurring in the posts10.</p>
      <p>After the clustering phase (human and not
human; indoor and outdoor), all the findings of the
sentiment on all the languages can be associated
to the pictures’ features, combined or not.11</p>
    </sec>
    <sec id="sec-3">
      <title>Visualization and Results</title>
      <p>For a complete observation of the analysis’
process and of its results, we developed a data
visualization dashboard. In the following dashboard it
is possible to observe the sentiment analysis on
each language processed, with the chance of
investigating the different trends during the days
and the single hours day by day.</p>
      <p>Adopting the clusters detected in the images, a
system of filters let to focus the results basing on
the subjects depicted.</p>
      <p>On the left side of the dashboard, a map shows
the geographical situation, merging the 4
sentiment values in a single one (weighted average)
and coloring the regional shape on chromatic
scale from the minimum value (-3) in orange, to
the maximum value (+3) in blue. The same scale
is applied to the line chart on the right, in which
each line is related to the vertical axes and colored
as described before.
(

∗  
+ 
 
 ℎ ∗   ℎ + 
+   ℎ +  

∗   )</p>
      <p>Each score reached by the three languages are
taken into account, namely texts, hashtags and
emojis, are weighted according to the assumption
that the euphoric level of emojis’ sentiment is
higher than hashtags’ one, and both are higher
than written texts’ one in general. According to
these results, we propose this weighted average
formula, in which emojis, hashtags and texts have
different weights (P), respectively 33, 50, and
100.
multiword expressions; free nominal, prepositional,
adjectival and adverbial phrases; elementary
sentences; and verbless sentences.
10 While the oriented words located into captions and
hashtags respectively cover the 6% and the 9% of the</p>
      <p>
        As a matter of fact,
        <xref ref-type="bibr" rid="ref19">Novak (2015)</xref>
        underlined
that it is more common the use of positive emojis
with respect to the negative ones. Moreover,
        <xref ref-type="bibr" rid="ref2">Boia
et al. (2013)</xref>
        observed a poor correlation between
the perceived emotional polarity of emojis and the
accompanying linguistic text alone. Although it is
actually challenging to predict the interaction
between emoji and texts, there are cases in which the
emojis express or reinforce the sentiment of the
text with which they occur and cases in which
they modify it or even express an opposite
emotional state
        <xref ref-type="bibr" rid="ref14">(Guibon 2018, Shoeb 2019)</xref>
        .
      </p>
      <p>Hashtags are conventionally used in two ways:
on one hand, to describe the contents in a list of
words, and on the other hand for strategic
purposes, in order to place the images in useful
thematic spaces. This is also the reason why we have
removed from the analysis of all the
Instagramfull words contained in the posts, the sentiment labelled
emojis cover the 19% of the total number of emojis in
the corpus.
specific hashtags, such as: #likeforlike,
#followoforfollow etc., that are not suitable or even
could be misleading or biased for our
investigation. At the same time, the hashtags are also used
as part of the messages, in substitution of words,
so they deserve to be included in the final
measure, but not with the same relevance of the
captions.</p>
      <p>The performances of emoji, hashtag and texts
as indicators for sentiment analysis purposes,
alone and combined with one another, have been
tested on our corpus. We verified a significant
improvement in terms of document-level precision
when the indicators are considered together
(0.98), if compared with the precision of texts
(0.91), hashtag (0.81) and emoji (0.65) considered
alone. The different precisions reached by the
three languages considered alone empirically
confirm the diversification of weights we proposed in
our formula. This weighted measure has, then,
been compared by three different judges12 with
the arithmetic mean on a sample of 100 Instagram
posts from our corpus and performed better in the
92% of the cases.</p>
      <p>Nevertheless, the geographical dimension is
very important to observe the different kind of
languages in the online community (Arnaboldi et
al., 2017). Through an overlay function, moving
the cursor on the map (figure 2), we show the
geographical data in the deeper level of the single
province, focusing on each region. The result
represents the possible different polarity value
between different provinces. For instance, on May 4
in the provinces of Oristano (Sardegna), Genova
(Liguria) and Viterbo (Lazio), the sentiment value
is negative, despite the positive average value of
the region. However, the average sentiment value
over the three days analyzed is found always
positive, with different evidences on regional and
provincial scale. Lastly, users can explore the
results focusing on one or more region though a
filter function (by clicking or selecting). All the
filters are interdependent, so it is possible to select
all the functions available investigating the
phenomenon from all the possible perspectives.</p>
    </sec>
    <sec id="sec-4">
      <title>Conclusion</title>
      <p>Throughout the quantitative and qualitative
analysis of the different expressive forms used on
Instagram, this work proposes a general view of
COVID-19 in Italy.
The research brought together linguistic analysis
and design into a more general semiotic
framework. The aim was, in fact, to put in shape the
pandemic phenomenon through a selection of
linguistic relevance.</p>
      <p>
        The virus caused a series of unpredictable changes
narrated on Instagram through the hashtag
#andràtuttobene. A mantra for the Igers and an
isotopy for the analysts
        <xref ref-type="bibr" rid="ref13">(Greimas &amp; Courtès 1979)</xref>
        .
Working on multiple levels, the research has
offered a general and a local view of the emotions
told during the lockdown period. Starting from a
lexical base, made up by a list of words, and using
electronic dictionaries also for the images, the
analysis organized a large amount of data,
developing a real map of emotions and needs expressed
during the first wave of pandemic. The map can
be visualized trough a dashboard letting users
observe general and local reactions, down to the
single province. The emotional effects of sense have
been evaluated thanks to a polar and unique
measure.
12 For the evaluation of the three judges, we have
calculated the intercoder reliability adopting the
Krippendorff’s Alpha formula (kalpha). The three coders
selected have a kalpha of 0.9.
      </p>
      <p>In the end, did everything really go well for
Instagram's Italy? In general, it seems so. The
average sentiment value over the three days analyzed
is always positive, with variations on regional and
provincial scale. Going down the single province,
we can find differences, as the Sardinia, Lazio and
Liguria cases.</p>
    </sec>
    <sec id="sec-5">
      <title>References</title>
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