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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>Emotion Annotation: Rethinking Emotion Categorization</article-title>
      </title-group>
      <contrib-group>
        <aff id="aff0">
          <label>0</label>
          <institution>University of Helsinki, Finland Tampere University</institution>
          ,
          <country country="FI">Finland</country>
        </aff>
      </contrib-group>
      <fpage>134</fpage>
      <lpage>144</lpage>
      <abstract>
        <p>One of the biggest hurdles for the utilization of machine learning in interdisciplinary projects is the need for annotated training data which is costly to create. Emotion annotation is a notoriously di cult task, and the current annotation schemes which are based on psychological theories of human interaction are not always the most conducive for the creation of reliable emotion annotations, nor are they optimal for annotating emotions in the modality of text. This paper discusses the theory, history, and challenges of emotion annotation, and proposes improvements for emotion annotation tasks based on both theory and case studies. These improvements focus on rethinking the categorization of emotions and the overlap and disjointedness of emotion categories.</p>
      </abstract>
      <kwd-group>
        <kwd>Emotion Annotation</kwd>
        <kwd>Textual Expressions of Emotions</kwd>
        <kwd>Theories of Emotion</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>-</title>
      <p>
        Sentiment analysis has progressed along with general developments in Natural
Language Processing (NLP) and machine learning in the past two decades [
        <xref ref-type="bibr" rid="ref35">35</xref>
        ],
with more and more advanced models and algorithms aiding in the detection
of sentiments and emotions in text. Most of these machine learning models are
supervised, which means that they require large manually annotated datasets.
Annotation tasks range in di culty based on the data being annotated, the
annotation scheme, and the training received by the annotators. Emotion
annotation is notoriously di cult, a notion shared by many emotion researchers
particularly in the eld of NLP (see e.g. [
        <xref ref-type="bibr" rid="ref29 ref34 ref4 ref48 ref50 ref7">4, 7, 29, 34, 48, 50</xref>
        ]).
      </p>
      <p>
        To the best of my knowledge, most emotion detection papers use some
variation of Ekman's [19{21] six core emotions (anger, disgust, fear, happiness,
sadness, surprise), or Plutchik's [
        <xref ref-type="bibr" rid="ref43">43</xref>
        ] eight core emotions (anger, anticipation,
disgust, fear, joy, sadness, surprise, trust ). These are based on well-known
psychological theories that have been researched extensively for decades and were
therefore natural starting points for computational emotion detection. However,
whether these categories are the best at describing human emotions is a question
still debated in the emotion community [
        <xref ref-type="bibr" rid="ref45">45</xref>
        ] and recently whether these emotions
Copyright © 2021 for this paper by its authors. Use permitted under
Creative Commons License Attribution 4.0 International (CC BY 4.0).
correspond to human emotions as expressed in text has been asked in several
sentiment analysis and NLP papers (see e.g. [
        <xref ref-type="bibr" rid="ref16 ref40">16, 40</xref>
        ]).
      </p>
      <p>
        One of the reasons that make emotion annotation di cult is the modality,
i.e. text versus speech versus video and so forth. In typical human interactions,
emotions are expressed through multiple modalities simultaneously [
        <xref ref-type="bibr" rid="ref15">15</xref>
        ], but in
annotation tasks, the focus is usually on one single modality, most commonly
text. Emotions are expressed in text through various means that are limited
by linguistic, cultural, and social constraints. In contrast, the most commonly
used emotion annotation schemes are based on psychological theories that are
in turn based on human interactions, not text. Therefore annotating outside the
originally intended modality or environment makes the emotion annotation task
harder.
      </p>
      <p>In the next section the theory of emotions are discussed from a cultural,
linguistic, and computational aspect. Previous work related to emotion annotation
and annotation theory is presented in section 3. Finally, the future of emotion
annotation is discussed in terms of alternative annotation schemes and other
steps to be taken in order to improve the annotation process.
2</p>
    </sec>
    <sec id="sec-2">
      <title>Emotion Theories in NLP</title>
      <p>
        The one thing all emotion analysis studies, both quantitative and qualitative,
have in common, is that they try to analyze human feelings. These feelings can be
de ned di erently, using di erent psychological, or even physiological, theories
of emotion and labeled as a ect, feeling, emotion, sentiment, or opinion ([
        <xref ref-type="bibr" rid="ref40 ref5">5, 40</xref>
        ]).
What exactly these terms mean is interpreted di erently in di erent elds and
sometimes even between researchers in the same eld. As there is no consensus
on what human emotions are [
        <xref ref-type="bibr" rid="ref45">45</xref>
        ], the rst step in any sentiment analysis or
emotion annotation task is to de ne the terms and the theory that is being
relied on in that speci c study.
      </p>
      <p>
        As recent survey studies show, most modern research on emotions,
particularly in NLP, is at least to some extent based on the work of Ekman [
        <xref ref-type="bibr" rid="ref19">19</xref>
        ]. This
includes the work of Robert Plutchik, especially his Wheel of Emotions [
        <xref ref-type="bibr" rid="ref43">43</xref>
        ], as
well as SenticNet [
        <xref ref-type="bibr" rid="ref11">11</xref>
        ] (see e.g. [
        <xref ref-type="bibr" rid="ref10 ref27 ref30 ref32 ref42">10, 27, 30, 32, 42</xref>
        ]).
      </p>
      <p>
        For SenticNet [
        <xref ref-type="bibr" rid="ref10 ref12 ref9">9, 10, 12</xref>
        ] Plutchik's wheel was reworked to show the change
in emotional intensity on a Gaussian curve. The idea is that this would t
better with human-computer interaction and studies in a ective computing. The
emotions are further categorized into pleasantness, attention, sensitivity, and
aptitude. Although SenticNet is a well-known model in the eld of NLP (based
on citation counts and sources), it has not become as prevalent as one would
assume.
      </p>
      <p>
        Most recently, the work of Keltner and Cowen [
        <xref ref-type="bibr" rid="ref14 ref15 ref25 ref26">14, 15, 25, 26</xref>
        ] have tried to
tackle the categorization of emotions in a number of studies and have come up
with an emotion categorization consisting of 27 distinct emotions by studying
emotion responses to a number of di erent stimuli such as videos, music, facial
expressions, speech prosody and even nonverbal vocalization [
        <xref ref-type="bibr" rid="ref15 ref16">15, 16</xref>
        ]. This is the
emotion annotation scheme partly relied on in GoEmotions [
        <xref ref-type="bibr" rid="ref16">16</xref>
        ]. But although
this categorization has its bene ts, it too su ers from some of the same issues
other categorization schemes su er from, namely that it is not designed for
emotion detection in text.
      </p>
      <p>There are some signi cant di erences in the surface realization of emotion
in di erent languages. These di erences do not mean that certain emotions are
not present in that language, but the fact that the emotion words available in
di erent languages are so di erent makes exploring emotions in text particularly
di cult. The concept of a certain emotion might only exist in one language or
some emotions might be separate categories in one language and not be di
erentiated at all in another.</p>
      <p>
        The same is true for text type. Narrative texts in particular, such as
novels or movie scripts and subtitles, have been shown to have lower annotator
agreement scores than other text types [
        <xref ref-type="bibr" rid="ref3 ref46 ref47">3, 46, 47</xref>
        ]. In traditional literary analysis
mood is often studied [
        <xref ref-type="bibr" rid="ref37 ref44">37, 44</xref>
        ]. This might be another alternative for other types
of narrative texts.
      </p>
      <p>
        The joint modeling of emotion classi cation and semantic role labeling has
also been shown to be bene cial to emotion detection tasks [
        <xref ref-type="bibr" rid="ref38">38</xref>
        ]. Similarly,
assigning appraisal dimensions to event descriptions improves the classi cation
accuracies of discrete emotion categories [
        <xref ref-type="bibr" rid="ref23">23</xref>
        ].
3
      </p>
    </sec>
    <sec id="sec-3">
      <title>Emotion Annotation and Classi cation</title>
      <p>
        Supervised machine learning tasks rely on annotated data, but the annotation
of datasets can be very costly and time consuming [
        <xref ref-type="bibr" rid="ref17 ref4">4, 17</xref>
        ]. Crowd-sourcing can
often be a cheaper alternative to hiring expert annotators, and has been used
successfully in several projects to create di erent types of annotated datasets,
including sentiment and emotion annotated ones [
        <xref ref-type="bibr" rid="ref22 ref31 ref32 ref39 ref49">49, 22, 31, 32, 39</xref>
        ]. One issue
with using non-experts to solicit annotations is that there is a risk of the quality
su ering. This risk can be mitigated by carefully controlling selection criteria
[
        <xref ref-type="bibr" rid="ref24">24</xref>
        ], and being aware of typically di cult instances to annotate such as requests,
the speaker's emotional state, neutral reporting of positive or negative facts and
so forth [
        <xref ref-type="bibr" rid="ref29">29</xref>
        ].
      </p>
      <p>
        Due to the subjectivity of most annotation tasks, however, humans do not
always agree with each other on how to annotate. Whether a tweet, for example,
expresses surprise or fear can be ambiguous, and heavily depends on the reader's
interpretation. There is rarely one single reading that can be judged as being
correct [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ] as the annotation task is generally highly subjective even with careful
annotator guidelines [
        <xref ref-type="bibr" rid="ref29">29</xref>
        ]. It should also be noted that emotions do not have
distinct and clear boundaries that separate them and they often occur together
with other emotions [
        <xref ref-type="bibr" rid="ref32">32</xref>
        ].
      </p>
      <p>
        Table 1 shows the distribution of emotion combinations in the multilabel
XED [
        <xref ref-type="bibr" rid="ref41">41</xref>
        ] dataset. The most common annotation is single-label, however, after
that the combination of emotions becomes more intriguing. Anger and disgust
are the most common pair, followed closely by all the possible pairs consisting of
anticipation, joy and trust. Statistically speaking it is not surprising to see anger
and anticipation co-occur to such a high degree, but intuitively speaking this is
something that warrants a closer look. It might be linked to the source data which
is movie subtitles and therefore a true re ection of the emotions expressed by
the subtitles and suggestive of an emotion akin to suspense or nervousness. The
fact that anticipation co-occurs with all emotions makes training an algorithm
to detect anticipation speci cally, a di cult task.
Number of unique label combinations: 147
Total # of combinations
      </p>
      <p>anger antic. disg. fear joy sad. surpr. trust
2393
2028
1721
1617
1529
1527
1429
1413
407
354
316
200
196
177
139
127
114
113
110
109
106
105
When a part of the XED dataset was re-annotated into positive, negative,
neutral, and other by expert annotators at the University of Turku, the results
for anticipation were by far the worst (see gure 1). Here the corresponding
sentiment for what was originally annotated as anticipation seems to for the
majority of cases be neutral, with positive a close second and negative and other
only marginally present. This not only highlights the di culty of emotion
annotation, but also how particular emotions are much harder to categorize as well
as generalize. When a category such as suspense is missing from the annotation
scheme, there seems to be signi cant over ow into adjacent categories regardless
of the typically perceived congruence or polarity of that category.</p>
      <p>
        Annotation reliability is usually measured by calculating inter-annotator
agreement, sometimes referred to as inter-rater correlation. These scores have not been
that good for emotional labeling. For a sentence-level sentiment polarity
annotation task (positive/negative), inter-annotator agreements stayed at around 57%
with Krippendorf's scores of = 0.4219, well below even tentative reliability
( = 0.666...) [
        <xref ref-type="bibr" rid="ref7">7</xref>
        ]. In a word sense disambiguation task, values were around
0.3, indicating very low agreement [
        <xref ref-type="bibr" rid="ref36">36</xref>
        ].
      </p>
      <p>
        Previous annotation tasks have shown that even with binary or ternary
classi cation schemes, human annotators agree only about 70-80% of the time and
the more categories there are, the harder it becomes for annotators to agree
[
        <xref ref-type="bibr" rid="ref33 ref6 ref8">6, 8, 33</xref>
        ]. For example, when creating the DENS dataset [
        <xref ref-type="bibr" rid="ref28">28</xref>
        ], only 21% of the
annotations had consensus between all annotators with 73.5% having to resort
to majority agreement, and a further 5.5% could not be agreed upon and were
left to expert annotators to be resolved. In [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ] all annotators agreed upon only
8.36% of sentences, and for DENS, for the nal dataset only 21% of the
annotations had consensus between all annotators [
        <xref ref-type="bibr" rid="ref28">28</xref>
        ] | and this was after noisy
annotations had already been removed.
      </p>
      <p>
        Among the things that have been shown to in uence inter-annotator
agreement are: the domain of the data being annotated, the number of labels and
categories in the annotation scheme, the training and guidelines of the
annotators as well as the intensity of that training, how many annotators there are in
total, for what purpose the annotations are, and of course the method used to
calculate the inter-annotator agreement [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ]. Some of these considerations relate
to the mathematical aspect of calculating agreement, including the point about
the number of annotators. Interestingly, Bayerl et al. [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ] found that increasing
training improved agreement scores, when Mohammad [
        <xref ref-type="bibr" rid="ref29 ref32">29, 32</xref>
        ] found that
minimal guidelines improved agreement scores because over-training annotators led
to confusion and apprehension in judgment tasks.
      </p>
      <p>
        Some emotions are also harder to detect and recognize. [
        <xref ref-type="bibr" rid="ref16">16</xref>
        ] show that the
emotions of admiration, approval, annoyance and gratitude had the highest
interrater correlations at around 0.6, and grief, relief, pride, nervousness,
embarrassment had the lowest interrater correlations between 0-0.2, with a vast majority
of emotions falling in the range of 0.3-0.5. Liu et al. [
        <xref ref-type="bibr" rid="ref28">28</xref>
        ] too note that they
had di culties with the categories of disgust and surprise. In their case, disgust
was such a small category that it was discarded, and surprise was such a noisy
category, that it too was discarded. Alm [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ], who had the same observations
regarding both disgust and surprise, speculates that this is because surprise is
characterized in text by `direct speech' and `unexpected observations' that only
indicate surprise1 in the context of those surrounding sentences. On the other
hand, she found that fear 2 was often marked by words directly associated with
fear. Sentences that contained outright a ect words were more likely to have
high inter-annotator agreement [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ].
      </p>
      <p>
        Similarly, Demszky et al. [
        <xref ref-type="bibr" rid="ref16">16</xref>
        ] found that lexical items that are signi cantly
associated with a particular emotion had also signi cantly higher interrater
correlation, and that the reverse is also true. Their results supports the notion that
some emotions are more verbally explicit (gratitude, admiration, approval ) and
other more contextual (grief, surprise, relief, pride ).
      </p>
      <p>If human annotators nd it this hard to agree, it seems unreasonable to
expect computers to perform much better. Especially since if computers are trained
on human annotated data, these disagreements can easily confuse a computer in
the learning process reducing the accuracy of predictions further, and even more
so since the performance of the classi er is measured again on human annotated
data. Although computers are getting better and better at natural language
understanding and machine learning is progressing fast, human annotators are
unlikely to ever achieve better agreement rates, and therefore the key to
improving machine learning results does not lie solely with improving algorithms, but
on improving the reliability of datasets.</p>
      <p>
        Some researchers have adopted di erent annotation schemes beyond the
typical 6-8 categories based on Ekman and Plutchik [
        <xref ref-type="bibr" rid="ref19 ref43">19, 43</xref>
        ]. As mentioned,
GoEmotions is one such dataset [
        <xref ref-type="bibr" rid="ref16">16</xref>
        ]. In GoEmotions posts were pre-tagged based
on a small annotated dataset that were used to train a classi er that then
preassigned emotion labels. This approach was also used to balance the sentiments
and emotions in the dataset and of course to guide the annotators. As mentioned
in the previous section, despite the carefully curated dataset and meticulous
annotation task, the nal emotion labels were far from balanced. The accuracies
achieved by their BERT [
        <xref ref-type="bibr" rid="ref18">18</xref>
        ] model can still be considered good for such a large
number of categories (27) at an f1 averaged macro score of 0.46 for all categories,
1 surprised in her annotation scheme
2 fearful in her annotation scheme.
but ranging from 0.00 (grief) to 0.86 (gratitude) for speci c emotions. Both the
GoEmotions [
        <xref ref-type="bibr" rid="ref16">16</xref>
        ] and the XED [
        <xref ref-type="bibr" rid="ref41">41</xref>
        ] datasets are also multilabel, meaning that
one data point can have multiple labels. This models the real world better than
single-label categorization, but introduces additional hurdles for the machine
learning algorithm.
      </p>
      <p>
        Abdul et al. [
        <xref ref-type="bibr" rid="ref1">1</xref>
        ] achieved some truly remarkable accuracy scores (f1 of 95.68%)
by distilling 665 Twitter hashtags into the full 24 categories of Plutchik [
        <xref ref-type="bibr" rid="ref43">43</xref>
        ] (the
core emotions and their 3 levels of intensities where e.g. anger is the core emotion,
annoyance its less intense category, and rage its more intense category). It is
not entirely clear how they have managed such a high classi er performance.
The authors emphasize the size of their dataset (1.3M tweets), but it seems
more likely that they managed to create some truly disjoint categories in their
distantly supervised pre-processing stage.
      </p>
      <p>
        O hman et al. [
        <xref ref-type="bibr" rid="ref41">41</xref>
        ] tried combining some categories that co-occurred and were
confused the most by their model, such as anger and disgust. This resulted in
signi cant increases in accuracy. The exclusion of the categories of neutral and
surprise also improved the results, as did replacing names and locations with
generic tags using NER (Named Entity Recognition).
4
      </p>
    </sec>
    <sec id="sec-4">
      <title>The Future of Emotion Detection in NLP</title>
      <p>
        There are no claims in this paper as to what the \correct" theory of emotions
should be, but the theories of emotion that much of the NLP work { and
subsequent downstream tasks in digital humanities and computational social sciences
{ today is based upon, is heavily reliant on emotion theories created for a very
di erent modality than text. I believe the key to improving emotion detection
is rst and foremost a re-thinking of emotion categorization. There are a few
di erent options here: Ideally, new theories speci cally developed for the
modality of text could be developed or explored. However, this would require vast
interdisciplinary collaboration. A second, less resource-heavy option, could be
something akin to the approach taken in [
        <xref ref-type="bibr" rid="ref16">16</xref>
        ] where sentences were pre-tagged
with emotions based on the classi cations results from a classi er trained on a
small dataset. Another, similar approach would be to use existing emotion
lexicons to pre-tag data. However, this would likely work best for the data points
where lexical items are highly correlated with the overall emotion expressed.
This has already been shown to be the easiest data for annotators to annotate,
so the e ects might be marginal.
      </p>
      <p>A larger issue has to do with the overlap of emotion categories. Many
categories are by de nition closer to each other than others and it is quite impossible
to create truly disjoint categories, unless some very relevant categories are
excluded. With very few categories, such as simply positive and negative, the range
of emotions expressed is not suitable for most downstream tasks. The more
categories that are in the annotation scheme, the better the categorization represents
true human emotions, but this usually means more overlap between categories
possibly leading to more confusion for the learning algorithm in machine
learning.</p>
      <p>
        In [
        <xref ref-type="bibr" rid="ref39">39</xref>
        ] I describe annotator experiences from an emotion annotation task.
Based on the comments from the annotators, the rst step in making the
annotation task less repetitive and thus easier for annotators would be to add context
to the sentence being annotated. However, although annotating with context is
much easier for the annotator, it also renders the annotation heavily
contextdependent. Overall, more context is a desirable feature, however, having the same
sentence in two di erent contexts, with that context unavailable to a machine
learning model, could lead to a confusing training process. More research into
the pros and cons of context-dependent annotations versus context-free
annotations is required. In addition to comparing these two approaches, one possible
solution would be to expand the sequence to go beyond sentence-level.
      </p>
      <p>There is some evidence that the optimal granularity lies between sentence and
document level - social media posts or paragraphs are likely close to optimal here.
Tweets in particular are somewhat self-contained and due to platform constraints
also quite short and therefore lend themselves well to emotion annotation. Since
not all downstream tasks are based on Twitter, unfortunately, Tweets as source
data are likely to be quite domain-dependent.</p>
      <p>All in all, the process of emotion annotation and detection is very di cult
with many hurdles still to be resolved. With this paper, we would like to
contribute to solving some of these issues.</p>
    </sec>
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