<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Archiving and Interchange DTD v1.0 20120330//EN" "JATS-archivearticle1.dtd">
<article xmlns:xlink="http://www.w3.org/1999/xlink">
  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>Recom mendation: From Describing Sound to Asking W hat Is Fair</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Peter Knees</string-name>
          <email>peter.knees@tuwien.ac.at</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Vienna University of Technology</institution>
          ,
          <addr-line>1040 Vienna</addr-line>
          ,
          <country country="AT">Austria</country>
        </aff>
      </contrib-group>
      <abstract>
        <p>In this talk I will describe the developments in music discovery technologies over the last 20 years. This journey will depart from the question of how music can be algorithmically modeled for content-based search and recommendation. Then I will detail how additional data sources representing diferent types of user interactions have gained importance for these tasks. Ultimately, we will arrive at a discussion of what the objectives of recommender systems are and-most importantly-could and should be in a world where music is virtually freely available everywhere and at all times. This will bring us to the</p>
      </abstract>
      <kwd-group>
        <kwd>Describing</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>-</title>
      <p>W
open question of fairness in music recommendation and how future technology could contribute to this.</p>
    </sec>
  </body>
  <back>
    <ref-list />
  </back>
</article>