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  <front>
    <journal-meta>
      <journal-title-group>
        <journal-title>J. Schneider);</journal-title>
      </journal-title-group>
    </journal-meta>
    <article-meta>
      <title-group>
        <article-title>Novices make more noise! But how can we listen to it?</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Jan Schneider</string-name>
          <email>j.schneider@dipf.de</email>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Khaleel Asyraaf Mat Sanusi</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Bibeg Limbu</string-name>
          <email>bibeg.limbu@uni-due.de</email>
          <xref ref-type="aff" rid="aff3">3</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Nghia Duong-Trung</string-name>
          <email>nghia_trung.duong@dfki.de</email>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Cologne Game Lab, TH Köln</institution>
          ,
          <addr-line>Cologne</addr-line>
          ,
          <country country="DE">Germany</country>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>German Research Center for Artificial Intelligence (DFKI)</institution>
          ,
          <addr-line>Berlin</addr-line>
          ,
          <country country="DE">Germany</country>
        </aff>
        <aff id="aff2">
          <label>2</label>
          <institution>Leibniz Institute for Research and Information in Education</institution>
          ,
          <addr-line>Frankfurt</addr-line>
          ,
          <country country="DE">Germany</country>
        </aff>
        <aff id="aff3">
          <label>3</label>
          <institution>University of Duisburg-Essen</institution>
          ,
          <addr-line>Duisburg</addr-line>
          ,
          <country country="DE">Germany</country>
        </aff>
      </contrib-group>
      <pub-date>
        <year>2023</year>
      </pub-date>
      <volume>000</volume>
      <fpage>0</fpage>
      <lpage>0001</lpage>
      <abstract>
        <p>This paper presents an extension to the approach described in [13] which was designed to help distinguish expert and novice performance easily by observing the sensor data without having to understand nor apply models to the sensor signal. The method consisted of plotting the sensor data and identifying irregularities in novice data and regularities in expert data. In this paper, we solidify the thesis that, with the help of sensors, expert performances are smoother, contain fewer irregularities, and have consistently uniform patterns than novice performances. We do so using the extended methodology on the same data set from the previous five cases in [13], namely running, bachata dance, salsa dance, tennis swings, and football penalty kicks, pointing out this assertion.</p>
      </abstract>
      <kwd-group>
        <kwd>eol&gt;Multimodal Learning Analytics</kwd>
        <kwd>Sensors</kwd>
        <kwd>Equity</kwd>
        <kwd>Signal Interpretation</kwd>
        <kwd>Diversity</kwd>
        <kwd>and Inclusion 1</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>1. Introduction</title>
      <p>
        As smart devices with a plethora of built-in sensors have become ubiquitous, they are
becoming more prevalent in “Human Learning”. Such smart devices, along with their sensing
technologies, aid in the collection of important data and the provision of feedback to learners in
the cognitive, affective, and psychomotor domains of learning [
        <xref ref-type="bibr" rid="ref1 ref2 ref3">1,2,3</xref>
        ]. Furthermore, sensing
technologies can also be used to study, record/model expert performance, and use it to develop
expertise [
        <xref ref-type="bibr" rid="ref4 ref5">4,5</xref>
        ].
      </p>
      <p>
        However, in most learning scenarios, the stream of data captured by one sensor is insufficient to
meaningfully comprehend learning. For example, in public speaking, the voice, words, gestures,
and posture of the presenter should be congruent. Therefore, to train public speaking effectively,
multiple modalities, and therefore multiple sensors, need to be used to capture the learning
performance. This compounds the complexity of interpreting sensor data which is already
complicated for a single sensor. Di Mitri et al., [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ] propose a model to make sense of the
multimodal data through machine learning and use the machine learning predictions to provide
feedback to learners. This model has already been used to predict different Table Tennis strokes
[
        <xref ref-type="bibr" rid="ref3">3</xref>
        ], identify task-switching performance based on physiological markers [
        <xref ref-type="bibr" rid="ref7">7</xref>
        ], develop learning
applications to train cardiopulmonary resuscitation [
        <xref ref-type="bibr" rid="ref8">8</xref>
        ], etc.
      </p>
      <p>
        However, there are recurrent challenges associated with developing a multimodal learning
solution using the model [
        <xref ref-type="bibr" rid="ref9">9</xref>
        ]. For example, the model does not provide an out-of-the-box solution
that is easy to implement. Developing a multimodal learning solution continues to be
timeconsuming, tedious, and difficult to get enough accurate annotated recordings to train machine
learning models capable of making useful predictions using multimodal data, despite following
pragmatic approaches [
        <xref ref-type="bibr" rid="ref10">10</xref>
        ], using customizable tools to collect [
        <xref ref-type="bibr" rid="ref11">11</xref>
        ] and annotate multimodal data
[
        <xref ref-type="bibr" rid="ref12">12</xref>
        ].
      </p>
      <p>
        In this paper, we present an extension of the preliminary study [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ] where we tested a completely
different approach that might help to quickly and simply distinguish expertise levels based on
sensor data. In [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ], we hypothesized that experts display consistent and uniform differences
from novices in their performance as a consequence of their repeated practice and extended
experience. To test this hypothesis we plotted the sensor recordings of expert performance and
the novice performance in various psycho-motor domains. The plots displayed recognizable
regularities/patterns, compared to the chaos in the novice plots, which is in line with the findings
of [14]. While the study in [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ] showed visible differences, automatically
      </p>
    </sec>
    <sec id="sec-2">
      <title>2. Method</title>
      <p>
        To test our hypothesis in [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ], we recorded expert and novice performances in different tasks
using accelerometers in smartphones. The tasks that we recorded were the basic Bachata steps,
basic Salsa steps, tennis swings, football penalty kicks, and running.
      </p>
      <p>For the running case, we recorded the expert performance of a competitive amateur runner
with more than two decades of regular running experience. The novice performance was
captured from a participant who runs occasionally and has participated in a few races. To
maintain consistency in recording, both participants held the smartphone in their left hand while
running on a treadmill at a speed of 12 km/h for one minute.</p>
      <p>In the case of Bachata steps, an expert teacher performed the fundamental steps, while a
novice, who had no prior experience in Bachata, learned the basic steps shortly before the
recording. During the recording, both participants placed smartphones in their back left pockets
and danced to a slow Bachata song. This procedure was replicated for the basic Salsa steps, with
the exception that the novice struggled to follow the music, resulting in separate recordings for
the novice and expert steps without musical accompaniment.</p>
      <p>To record the expert performance of tennis swings, we attached a smartphone to the upper
arm of an amateur tennis player's dominant hand. This player had been practicing the sport for
over two decades. The expert then executed ten forehand swings, ten backhand swings, and ten
tennis serves. For the novice performance, we recorded the same player executing the swings
using their non-dominant hand, with the smartphone attached to the upper arm of the
nondominant hand.</p>
      <p>To capture the expert football performance, we affixed a smartphone to the lower leg of an
amateur player with over two decades of experience in the sport. In contrast, for the novice
performance, the same player used their non-dominant lower leg for the recordings. Four penalty
kicks were executed for both scenarios. To ensure precise technique execution, a visual
representation of a goal post was marked on a wall, serving as a target during the recordings.</p>
      <p>
        The recorded data was saved on .csv files, which stored the X, Y, and Z accelerometer values
obtained from the smartphone. In [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ], we analyzed the level of noise in the recordings through
the following procedure. Initially, we trimmed the .csv files, utilizing data plotting to identify the
activity's start and end points and extracting only the relevant data points. For activities like
dancing steps, running, and badminton drills, we further trimmed the files to 1000 frames to
facilitate an objective comparison of the plots. However, for tennis swings and football kicks, we
opted to trim the recordings to 1500 frames, tailored to the specific requirements of these
activities. After to trimming the .csv files, we generated plots for each accelerometer axis in [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ].
Time was represented on the x-axis, while the accelerometer values were plotted on the y-axis.
By observing the irregularities (noise) in the plotted data points, we found it straightforward for
a human to discern whether the recordings belonged to a novice or an expert. For visual
references, please refer to Figures 1, 2, and 3.
      </p>
      <p>
        However, formalizing the level of noise of a signal without knowing the expected function is a
hard problem. Thus, we explored different options for the analysis. First, we compressed the
plotted data using a . PNG algorithm to see whether the algorithm could automatically recognize
regularities and hence have a higher rate of compression, as shown in [15]. Second, by looking at
the plotted data in [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ] we hypothesized that the standard deviation of the novices' plots would
be greater than the one of the experts. Finally, by looking at the plots we saw that especially for
rhythmic movements (e.g. running) the graph was smoother, therefore we examined the
aggregated values of the first derivative of the recordings expecting the aggregated values from
novice performances to be greater than the ones of experts.
      </p>
      <p>By examining the size of the files, we found that there is no distinguishing trend differentiating
the expert and novice performance. Similarly, when looking at the standard deviation we observe
no trend. This can further be explained by looking at the distribution of the recorded values (See
Figures 4 to 15).</p>
      <p>Finally, by looking at the aggregated value of the first derivative we see that all values from the
expert recordings are smaller than the corresponding values for novices. We conducted a T-test
to look for the significance of the values. The results from the T-test are T(14)=-1.11: p=0.29,
showing a non-significant trend.</p>
    </sec>
    <sec id="sec-3">
      <title>4. Discussion and Conclusion</title>
      <p>In this paper, we explored how we can, potentially, automatically compare the performance of
experts against novices from accelerometer data. We tried three different techniques that seemed
intuitive. From these three techniques, only the comparison of aggregated values of the first
derivative seems promising for rhythmic tasks (e.g. dancing, running, playing drums, etc.),
however, we need more data to confirm this hypothesis. In the context of rhythmic tasks, these
results may hint at smoother movements/regularities in the expert's performance. For the
nonrhythmic movements, by looking at the plot data it is possible to see that the expert performance
is more uniform. Therefore, it might be possible to distinguish between expert and novice
performance by analyzing the variability of the main amplitude of the signal, which can be done
by carefully segmenting the recordings and using a Fast Fourier Transformation (FFT) to obtain
this amplitude.</p>
      <p>In contrast to [14], the .png conversion method showed no trends in hinting at the noise levels
and hence distinguishing between the experts' and the novices' performances. Similarly, our
hypothesis that the standard deviation of expert data would be lower in comparison to the
novices was proven wrong.</p>
      <p>For future work, we plan to investigate whether the variance of the amplitude obtained with
the FFT can provide some information to distinguish between novice and expert performance for
non-rhythmic tasks, and collect more data for rhythmic and non-rhythmic tasks to get statistically
significant results. Moreover, we can apply the same methodology but with multiple/sensors
other than accelerometers.
[14] Bryan, W. L., &amp; Harter, N. (1897). Studies in the physiology and psychology of the telegraphic
language. Psychological Review, 4(1), 27.
[15] Zbili, M., &amp; Rama, S. (2021). A quick and easy way to estimate entropy and mutual
information for neuroscience. Frontiers in Neuroinformatics, 15, 596443.</p>
    </sec>
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