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  <front>
    <journal-meta>
      <journal-title-group>
        <journal-title>Dec</journal-title>
      </journal-title-group>
    </journal-meta>
    <article-meta>
      <title-group>
        <article-title>Annotating Homeric Emotions by a Domain-Specific Language</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Federico Boschetti</string-name>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Laura Chilla</string-name>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Maria Konstantinidou</string-name>
          <xref ref-type="aff" rid="aff2">2</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>John Pavlopoulos</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Athens University of Economics and Business</institution>
          ,
          <country country="GR">Greece</country>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>Ca' Foscari University of Venice</institution>
          ,
          <country country="IT">Italy</country>
        </aff>
        <aff id="aff2">
          <label>2</label>
          <institution>Laboratory of Papyrology and Palaeography, Department of Greek Philology, Democritus University of Thrace</institution>
          ,
          <country country="GR">Greece</country>
        </aff>
      </contrib-group>
      <pub-date>
        <year>2023</year>
      </pub-date>
      <volume>02</volume>
      <issue>2023</issue>
      <fpage>0000</fpage>
      <lpage>0002</lpage>
      <abstract>
        <p>In this study, we introduce a novel approach to understanding the emotive content present in ancient literature, specifically focusing on the first Book of Homer's Iliad. Recognizing the challenges inherent in interpreting emotions from ancient texts, we developed a Domain-Specific Language (DSL) tailored for this purpose. This DSL not only allows for the annotation of basic sentiments such as positive, negative, neutral, or mixed but also facilitates the identification and categorization of specific emotions. To ensure the relevance and applicability of our annotations, we mapped the extracted emotions to some authoritative domain ontologies. This mapping process aids in bridging the gap between ancient emotional expressions and contemporary understanding. Our preliminary results, which we discuss in detail, highlight the potential of our approach in ofering deeper insights into the emotional landscape of ancient texts. We believe that our methodology can serve as a foundation for future studies aiming to decode emotions in historical literature.</p>
      </abstract>
      <kwd-group>
        <kwd>eol&gt;sentiment analysis</kwd>
        <kwd>digital philology</kwd>
        <kwd>collaborative annotation</kwd>
        <kwd>domain-specific languages</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>1. Introduction</title>
    </sec>
    <sec id="sec-2">
      <title>2. Related work</title>
    </sec>
    <sec id="sec-3">
      <title>3. Method</title>
      <p>A group of 15 volunteers (students and scholars) are asked
to annotate the first book of the Iliad on the Euporia [ 12]
web platform developed by CoPhiLab.1 and they are
provided with detailed guidelines, based on the syntax and
semantics of the Domain-Specific Language (DSL)
created for this task. A DSL is a formal language, usually
defined by a Context-Free Grammar, which is compact
and familiar to the user because it is optimized for limited
purposes. Each participant annotates the same portion of
the text, resulting in the first book being annotated in its
entirety 15 times. As shown in Fig. 3, an annotation is
constituted by a reference to the Homeric text and a sequence
of one or more structured sentences, ending with a
punctuation mark. If we consider the first line of the bottom
box, 1.11e¯tímasen (which means: [he, i.e. Agamemnon]
dishonored, disdained [Chryses]) is the reference to the
text, followed by two sentences: a lexical observation and
a situational observation. The structure of a sentence
extends the syntax of the scripting language turtle: it is
constituted by subject(s), predicate(s) and object(s), each
of which can be preceded by hashtags to categorise them;
the object(s) can be followed by a recipient (or cause) of
the emotion. In our example, the first sentence is the
lexical observation: #lex this expresses #quite_neg
shame, humiliation. In this case the annotator
asserts that e¯tímasen expresses two quite negative emotions:
shame and humiliation. The second sentence is the
situational observation: #character Chryses feels
#neg humiliation. As pointed out by Luraghi and
Sausa [6], an emotion is a complex experience that
involves an experiencer (the subject), an expertum (the
emotion) and a stimulus (the cause of the emotion, that
can be mentioned or not). The classifiers for
experiencers are: #character (an Iliadic hero), #narrator
(that can be the_poet, or an internal narrator),
#recipient (that can be the_ancient_audience
or the_contemporary_audience), and #annotator
(that is always expressed by “I”). In this way, multiple
perspectives can be captured: e.g. diferent characters
may experience diferent emotions in the same scene.</p>
      <p>The polarity of the emotions are graded on a scale of
seven degrees from #very_neg to #very_pos.</p>
      <p>The annotations are parsed with a compiler compiler2
and converted in XML or json to facilitate data analysis.</p>
      <p>1https://cophilab.ilc.cnr.it/ A prototype of the platform, which is
an app for eXist-db, is available at https://github.com/CoPhi/euporia
2We use the compiler compiler ANTLR: https://www.antlr.org/
x‘ Because the annotators are free to add new emotion
terms to their list, we structure these terms a posteriori by
mapping them to the following ontologies: the Emotion
Ontology (MFOEM), the Semanticscience Integrated
Ontology (SIO), Visualized Emotion Ontology (VEO), and the
National Cancer Institute Thesaurus ontology (NCIT ).</p>
      <p>MFOEM [13] applies a cognitive perspective and builds
upon MF (Mental Functioning) and BFO (Basic Format
Ontology) and considers afective phenomena, e. g.
emotions, moods, appraisals as well as subjective feelings.</p>
      <p>SIO [14] uses a simpler approach but assigns positive and
negative polarities to the emotions.</p>
      <p>VEO [15] builds on MFOEM, but aims at the visual
representation of emotions.</p>
      <p>NCIT [16] applies a clinical perspective and distinguishes
between emotions and feelings.</p>
      <p>We take into account also the Time Event Ontology,
TEO, [17] to shape temporal aspects of the annotations,
such as the phases of a complex event that involves
multiple emotions.</p>
      <p>To better clarify the diferences between the diferent
ontologies, we shall now describe how Anger is classified
in each:
• MFOEM, anger &lt; emotion &lt; afective process
&lt; mental process &lt; bodily process &lt; process &lt;
occurrent &lt; entity;
• SIO, anger &lt; disgust &lt; hostility &lt; negative
emo</p>
      <p>tion &lt; emotion &lt; behaviour &lt; process &lt; entity;
• VEO, anger &lt; emotion &lt; afective process &lt;
mental process &lt; behaviour &lt; action &lt; bodily
process &lt; process &lt; occurrent &lt; continuant &lt;
entity &lt; consequence &lt; aspect;
• NCIT, anger &lt; emotion &lt; mental process &lt;
neurologic process &lt; organismal process &lt;
biological process.</p>
      <p>We decided to use MFOEM as the main reference
ontology, because it is more suitable for our purposes.In
fact, both MFOEM and our ontologies have a cognitive
perspective. We then proceeded to map the list of
emotions extracted from the annotations to MFOEM, SIO,
VEO and NCIT.</p>
      <p>
        Only 7 of these emotions - anger, fear, hope, joy,
sadness, satisfaction - were included in all the ontologies of
emotions, but other 32 terms can be mapped to one or
another of them. Besides 7 unfound terms, all the
remaining terms were classifiable through MultiWordNet 3, but
as hyponyms of the following synsets: feeling (
        <xref ref-type="bibr" rid="ref4">6</xref>
        ), speech
act (3), cognitive state, state of mind (3), trait (
        <xref ref-type="bibr" rid="ref8">2</xref>
        ), emotion
(
        <xref ref-type="bibr" rid="ref8">2</xref>
        ), human action (
        <xref ref-type="bibr" rid="ref8">2</xref>
        ), feeling, cognitive state, state of mind
(
        <xref ref-type="bibr" rid="ref7">1</xref>
        ), sentiment (
        <xref ref-type="bibr" rid="ref7">1</xref>
        ), emotion, feeling (
        <xref ref-type="bibr" rid="ref7">1</xref>
        ), communication (
        <xref ref-type="bibr" rid="ref7">1</xref>
        ),
state (
        <xref ref-type="bibr" rid="ref7">1</xref>
        ), human action, feeling (
        <xref ref-type="bibr" rid="ref7">1</xref>
        ). Furthermore, for each
emotion the following attributes have been instantiated:
• time, indicating when the emotion is perceived,
      </p>
      <p>with values present, future;
• agent, meaning who perceives the emotion, with
the values oneself, external. There is also one
instance - submission - of oneself toward external;
• valence, with the values, positive, negative,
am</p>
      <p>biguous;
• consequence, i.e. when the result of the emotion
will take place and what type of result will be,
with the values unpleasant, pleasant, expected,
unexpected, actual, future. In one instance - suspense
- it was not possible to determine the efect of the
emotion.
For example, empathy is classified as somebody’s reaction
for an actual consequence to an event happened toward
another agent Therefore, it is perceived in the present by
oneself with a negative and it has an actual, unpleasant
consequence. Figure 2: Frequency of annotated emotions</p>
      <p>By comparing the list of emotions in Pavlopoulos et
al. [1] and the list extracted from the current annotations,
2 terms are missing: guilt, loneliness and 10 are new en- regarded encouragement, gratitude, and shock. In 62% of
tries: scorn, threat, acknowledgement, warlike, sadness, the annotations of anger, the most frequently annotated
betrayal, contempt, disrespect, emotion, rage. emotion, the polarity was negative (very negative in 5,
quite negative in one) while in the rest it was neutral. As
4. Current results can be seen in Figure 4, the number of polarity-carrying
emotions per verse varies. One of the highest peak was
The most frequently annotated emotion was anger (Fig- observed in verse 474, where Apollo is satisfied by the
ure 4), with 97 occurrences. The emotions of respect, ag- song sang to him by the Achaeans. All annotations were
gression, and fear followed with less than 50 occurrences positive.
each. On the other hand, the most infrequent annotations Currently only 4 annotators out of 15 have completed
their tasks.</p>
      <p>anger
aggrreesspseiocnt</p>
      <p>fear
request
sorrow</p>
      <p>fury
empathy</p>
      <p>threat
admiration
awe
worry
piety
disdain
hurmepiliraotaiocnh
cominpjaussstiiocne</p>
      <p>grudge
comshpalaminet
joy
love
bravery
sadness
affection
justice
expectation</p>
      <p>rage
anxiety</p>
      <p>plea
sarcasm
acknowledgement
disrespect
hope
pride
subrmemisosriosne
rejection
desire
pity
relief
revenge
intimidation
appdeiaspseamsseionnt
impiety
hostility</p>
      <p>pain
willingness
distress</p>
      <p>guilt
suspicion
confidence
satisfaction
lust
hate
aanwnaoryeannecses</p>
      <p>irony
repulsion
approval
question
cowraertdreicaet</p>
      <p>honour
being_moved
exasperation</p>
      <p>range
self_pity
ambcoivnatleemncpet
blame
courage
dishonour</p>
      <p>discord
homesickness
plead
hostile
regret
aggrevation</p>
      <p>jealousy
disdaisgarepepmroevnatl</p>
      <p>doubt
threatening
self_denial
irritation
kindness
solidarity
patience
mockery
bemupsleeamseunret
agreement
passive_aggresiveness</p>
      <p>misery
unemotional
provocation
insecurity
indignation
contentment</p>
      <p>shock
gratitude
encouragement
occurrences1
50 00</p>
      <p>The DSL context-free grammar, the reference text
of the first book of the Iliad encoded in XML-TEI,
the updated annotations and the script to convert the
DSL in XML are available at https://github.com/CoPhi/
emohomer.</p>
    </sec>
    <sec id="sec-4">
      <title>5. Conclusions</title>
    </sec>
    <sec id="sec-5">
      <title>Acknowledgments</title>
      <p>We are grateful to Giota Nikolopoulou and to the students
and scholars that are annotating the emotional aspects
related to the first book of the Iliad.
This study developed a domain-specific language for
the annotation of emotive content of the first Book of
Homer’s Iliad. We mapped the list of emotions we
extracted from the annotations and we discussed the results.
Next steps comprise the study of polarity for more
emotions, an exploration of verses with contradicting polarity,
and sentiment analysis based on the subject’s role
(annotator, character, or narrator). Also, we plan to employ
more annotators, in order to measure inter-annotator
agreement, and study verses which provoke consistent
and diverse emotions to the diferent annotators.</p>
    </sec>
  </body>
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