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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>Emotion Recognition in Noisy Environments: Performance Analysis using Convolutional Neural Networks</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Maria Grazia Borzì</string-name>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Ludovica Beritelli</string-name>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Valerio Francesco Puglisi</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Roberta Avanzato</string-name>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Francesco Beritelli</string-name>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Department of Computer Science, University of Catania</institution>
          ,
          <addr-line>Catania</addr-line>
          ,
          <country country="IT">Italy</country>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>Department of Electrical, Electronic and Computer Engineering University of Catania</institution>
          ,
          <addr-line>Catania</addr-line>
          ,
          <country country="IT">Italy</country>
        </aff>
      </contrib-group>
      <fpage>46</fpage>
      <lpage>50</lpage>
      <abstract>
        <p>Recognition of emotional state through the sound of the voice is a crucial element in human interactions. This process, known as emotional prosody, allows an individual's emotions to be interpreted without the need to see his or her face or body language. The ability to identify emotions through voice is critical in areas such as psychology, health care, marketing and human-computer interaction technology. Moreover, in artificial intelligence systems and voice interfaces, the analysis of emotional prosody can improve the user experience and make interactions more personalized and intuitive. This study explores the robustness of a neural network in recognizing emotions within speech signals, considering the presence of environmental noise at diferent SNR levels. The study involves using public datasets containing diferent classes of emotions, training a CNN network to classify these emotional states, and then testing to evaluate the obtained performance. The results show that emotion recognition in speech is more accurate when the recording is clean and free of other noises. However, misclassification depends on the type of noise present and the type of emotion: indeed, it turns out that some emotions are more frequently misclassified than others. In fact, it is observed that accuracy is higher when using RAW data rather than MFCCs, with an accuracy of 75% compared to 60%. In addition, adding noise to the recordings results in a decrease in model performance.</p>
      </abstract>
      <kwd-group>
        <kwd>eol&gt;Speech Emotion Recognition (SER)</kwd>
        <kwd>Emotion classification</kwd>
        <kwd>Audio signal analysis</kwd>
        <kwd>Model robustness to environmental noise</kwd>
        <kwd>Convolutional neural networks (CNN)</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>1. Introduction</title>
      <p>
        Speech signal is the fastest and most natural method of
communication among humans, prompting researchers to focus
on making this mode of communication equally eficient
in human-machine communication [
        <xref ref-type="bibr" rid="ref1">1</xref>
        ]. In addition to the
challenges in speech recognition of words, it is essential to
attribute context and nuance of meaning to words, including
recognition of carried emotions.
      </p>
      <p>
        Emotion Recognition (ER) is the process of identifying
human emotions, and the use of technology for this process
represents a relatively young area of research. So far, much
of the research in this field has involved recognition of facial
expressions through video and images, vocal expressions
through audio, expressions written in text, and physiology
measured by wearable devices. Emotion recognition can
be used in various ways depending on the context, such as
in speech or face recognition, referred to as “Speech
Emotion Recognition" (SER) [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ] and “Face Emotion Recognition"
(FER), respectively.
      </p>
      <p>Despite significant attention to this field, the task of SER
systems remains challenging to implement for several
reasons. First, it is not always clear which linguistic features
are most relevant in distinguishing an emotion. In addition,
there is considerable acoustic variability introduced by
factors such as speed, accent, and voice volume, which can
afect the waveform of audio files but still express the same
emotion, making it complex for machines to understand the
emotion and locate useful information.</p>
      <p>
        In [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ], a study is presented in which decision trees and
Convolutional Neural Network (CNN) are used as emotion
classifiers from English and Canadian audio data. In [
        <xref ref-type="bibr" rid="ref4">4</xref>
        ], a
model using a CNN and combined input data from audio
and text data is proposed. The study [
        <xref ref-type="bibr" rid="ref5">5</xref>
        ] proposes a
semisupervised learning (SSL) method for translingual emotion
recognition when only a few labeled examples are available
in the target domain.
      </p>
      <p>
        The potential applications of this technology are
numerous: in [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ] the use of SER for detecting dangerous situations
in public transportation to improve public safety is proposed.
While [
        <xref ref-type="bibr" rid="ref7">7</xref>
        ] proposes a system for recognizing the emotional
state of children while playing video games.
      </p>
      <p>
        In this paper, the authors propose a study that aims to
explore the robustness of a neural network in recognizing
emotions within speech signals, considering the presence
of environmental noise at diferent levels of signal-to-noise
ratio (SNR). Using public datasets containing a wide range
of emotion classes, such as the RAVDESS [
        <xref ref-type="bibr" rid="ref8">8</xref>
        ] and the
USCIEMOCAP [
        <xref ref-type="bibr" rid="ref9">9</xref>
        ], the goal is to evaluate the performance of
the neural network under realistic conditions.
      </p>
      <p>The comparison of using raw audio data (RAW) and
Mel’s frequency cepstral coeficients (MFCC) as inputs to
the model aims to determine which type of input is more
robust than noise and produces better results in emotion
recognition. In addition, the study includes analysis of
emotion misclassification trends to identify any patterns in the
confounds between emotion classes. By adding noise of
diferent types to voice recordings and evaluating the
performance of the model under these conditions, the study
seeks to understand how noise afects the emotion
recognition process and what challenges may arise in realistic
contexts. The ultimate goal is to contribute to the creation of
more robust and reliable models for voice emotion analysis,
with potential applications in areas such as automotive and
telephone services.</p>
      <p>The paper is organized as follows: In the 2 section, the
methodology used in this paper for emotional recognition
using speech signals is reviewed. In fact, this section
discusses the dataset used for training and testing the network,
the pre-processing phase of audio signals, and the addition
of noise to validate the robustness of the model. In the 3
section, the results obtained in the case of audio sequences
without and with added ambient noise are discussed.</p>
    </sec>
    <sec id="sec-2">
      <title>2. Proposed Work</title>
      <p>The proposed method is to use neural networks to recognize
emotions from audio signals. A public dataset is employed
to train the models and evaluate them realistically. Next,
audio data are preprocessed and two input approaches are
explored: raw audio data and MFCC parameters. The
robustness of the model to the addition of environmental noise is
also evaluated. Finally, the neural network is trained on both
inputs to classify the emotional state through the speech
signal. The above is described in detail in the subsections
to follow.</p>
      <sec id="sec-2-1">
        <title>2.1. Datasets</title>
        <p>
          The use of public datasets is a crucial element in the
development of neural network-based emotion recognition models.
The availability of well-annotated and diverse datasets
allows researchers to train and evaluate their models under
realistic conditions, ensuring greater generalization and
reliability of the results obtained [
          <xref ref-type="bibr" rid="ref10 ref11 ref12 ref13 ref14 ref15 ref16 ref17 ref18">10, 11, 12, 13, 14, 15, 16, 17, 18</xref>
          ].
        </p>
        <p>Prominent among the many datasets in the literature are
RAVDESS (Ryerson Audio Database for Emotional Speech
and Song) and USC-IEMOCAP (University of Southern
California-Emotional Motion Capture). These datasets ofer
a wide range of voice recordings of individuals expressing
a variety of emotions, allowing scholars to explore and
analyze in detail the acoustic features associated with each
emotion.</p>
        <p>There are also other datasets available in diferent
languages, such as German, Chinese, Mandarin, and others,
which are useful for the development of SER systems in
those languages.</p>
        <p>The RAVDESS dataset, which is a large set of audiovisual
ifles commonly used in Speech Emotion Recognition (SER)
systems, was selected for this study. The dataset includes
recordings of 24 actors from North America, including 12
female and 12 male actors. The recordings include both
speech and singing and are categorized by loudness
(normal or loud) and by emotion type, with 8 emotions labeled:
calm, neutral, happiness, surprise, sadness, fear, anger, and
disgust.</p>
        <p>The choice of this dataset is also due to the fact that it
avoids false positives regarding gender and volume
classiifcation. In addition, for this study, only simple audio data
related to recordings were analyzed, excluding video and
sung recordings.</p>
      </sec>
      <sec id="sec-2-2">
        <title>2.2. Pre-processing Phase</title>
        <p>Before providing the input data to the neural network, a
pre-processing and feature extraction phase was performed
on the audio data.</p>
        <p>The first operation was to equalize the length of the
recordings to 4 seconds.</p>
        <p>Then, two parallel studies were conducted: the first study
is related to using the RAW data of the audios as input to
the neural network; the second study is related to extracting
MFCC parameters from the audio signal.
46–50</p>
        <p>In both cases, a moving window with an ofset of 200
milliseconds was applied in the input generation process,
which starting from the four-second audio file generated
about ten files of two seconds each.</p>
        <p>Finally, the dataset was divided into learning (70%) and
testing (30%) sets.</p>
      </sec>
      <sec id="sec-2-3">
        <title>2.3. Robustness to Environmental Noise</title>
        <p>
          On the data belonging exclusively to the test set, further
manipulations were carried out: first, noise was added to
the recordings. The types of noise used in the study include:
• Babble-type noise [
          <xref ref-type="bibr" rid="ref19">19</xref>
          ]: typical noise of a group of
people talking in the background (cocktail efect)
• Ofice-type noise [
          <xref ref-type="bibr" rid="ref20">20</xref>
          ]: typical background noise
found in workplace settings.
        </p>
        <p>Then, the powers were normalized in order to obtain a
determined signal-to-noise ratio (SNR) with respect to the
useful signal. The SNR values used in the study were 10 dB,
15 dB and 20 dB.</p>
      </sec>
      <sec id="sec-2-4">
        <title>2.4. Neural network training</title>
        <p>
          The neural network used in this study is of the 1D type
and has also been used in [
          <xref ref-type="bibr" rid="ref21 ref22">21, 22</xref>
          ]. This network consists
of 5 layers, of which the first four are convolutions (1D
convolution layers, Batch normalization layers, ReLU layers
and Pooling layers) and the last layer is the output (Softmax).
        </p>
        <p>In addition, two diferent neural network trainings were
conducted: one using the raw 2-second data of the audio
signal as input, and the other using a vector of 50 MFCC
parameters extracted from voice recordings of the same
duration. Both trainings aimed to evaluate the model’s
ability in classifying emotional state through the speech
signal.</p>
      </sec>
    </sec>
    <sec id="sec-3">
      <title>3. Experimental Results</title>
      <p>Analysis of the experimental data provides insight into the
performance of the emotion recognition model under
varying input conditions. Through the examination of both
clean and noise-added data, relevant observations emerge
regarding the overall performance of the system. This study
focuses on three main scenarios: clean datasets, datasets
with babble-type noise, and datasets with ofice-type noise.
In each of these scenarios, a performance comparison is
conducted between the use of MFCC parameters and RAW
raw data.</p>
      <sec id="sec-3-1">
        <title>3.1. Dataset clean</title>
        <p>Analyzing the results obtained from the 2-second-length
noise-free data, it can be seen that the accuracy is higher
when RAW data (63%) is used compared to MFCC data (55%).</p>
        <p>By applying a recurrence filter with observation window
equal to 2 seconds and ofset of 200 milliseconds to these
data, the accuracy increases to 75% in the case of RAW
data and 60% in the case of MFCC data. These results are
displayed in Figure 1.</p>
        <p>Next, looking at the confusion matrix in Figure 2, we see
that using MFCC data there is a misclassification rate of
16% between Neutral and Happy, 19% between Fearful and
Happy, and 16% between Fearful and Sad.</p>
      </sec>
      <sec id="sec-3-2">
        <title>3.2. Dataset with babble-type noise</title>
        <p>Testing data to which babble-type noise has been added, a
decrease in model performance is observed. In addition, for
the same SNR, the test detects better results using RAW files
rather than MFCCs, as shown in Figure 4. Also, as expected,
as SNR increases, accuracy decreases.</p>
        <p>In tests with RAW recordings to which babble-type noise
was added with a signal-to-noise ratio of 10 dB, it can be
seen that the “Neutral" and “Sad" emotions are the most
misclassified. In particular, it is observed that Neutral is often
interchanged with Calm, Happy and Surprise, while Sad is
strongly misclassified with Fearful, as shown in Figure 5.</p>
        <p>By raising the SNR value to 20 dB, a general increase in
network performance is evident in Figure 6, with the Sad
emotion no longer being strongly misclassified. However,
Neutral is still mistaken for Calm and Sad, while Surprise
(which goes from an accuracy of 68% to 59%) is mistaken
for Fearful.</p>
      </sec>
      <sec id="sec-3-3">
        <title>3.3. Dataset with ofice-type noise</title>
        <p>Similarly to the noisy babble-type recordings, the ofice-type
recordings also showed lower accuracy results than the test
with clean data, as could be expected. Also, as in the case
of babble noise, for the same SNR, a decrease in accuracy is
observed if MFCC instead of RAW data is tested. It is also
noted that as the signal-to-noise ratio (SNR) increases, the
accuracy decreases, as evidenced in Figure 7.</p>
        <p>By analyzing the confusion matrices related to RAW files
with ofice-type noise and signal-to-noise ratio of 10 dB, it is
possible to observe the results of the model in emotion class
recognition. Under these test conditions, it is observed that
the network strongly misclassifies the Sad emotion as
Fearful 46% of the time, while Disgust is frequently misclassified
as Angry and Fearful. Such a confusion matrix is shown in
Figure 8.</p>
        <p>By increasing the SNR value to 20 dB, a general increase
in network performance is observed, with Sad and Disgust
emotions no longer being strongly misclassified. Fearful
goes from an accuracy of 77% to 69%, while Neutral goes
from 49% to 44% accuracy. The confusion matrix of RAW
ifles with ofice-type noise and SNR 20 dB is shown in
Figure 9.</p>
      </sec>
    </sec>
    <sec id="sec-4">
      <title>4. Conclusion</title>
      <p>In this study, the robustness of a neural network in the face
of noise variation in audio data in the context of Speech
Emotion Recognition was examined.</p>
      <p>From the tests conducted and related results, it appears
that emotion recognition in speech is more accurate using
RAW data (75%) than using MFCCs as input (60%).</p>
      <p>In addition, worse performance was observed in the
presence of noise in recordings. In particular, in crowded
contexts where the acoustic cocktail party phenomenon occurs,
SER-type systems experience dificulties in performing their
task (accuracy decreases up to 30% in the worst case, with
an SNR of 10 dB), while in contexts where noise difers
significantly from human speech, better results are obtained
(accuracy decreases up to 10% in the worst case, with an
SNR of 10 dB).</p>
      <p>In general, the most frequently misclassified classes turn
out to be “neutral" and “sad."</p>
      <p>These results outline interesting prospects for future
developments, especially in real-world and potentially
realtime applications. For example, in automotive or telephone
services, where the recorded and analyzed voice usually
belongs only to the involved interlocutors.</p>
    </sec>
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