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    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>AI Writers and Critics: An Exploratory Study on Creative Content Generation and Evaluation by Large Language Models</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Shraddha Vijay Pawar</string-name>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Savita Bhat</string-name>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Ganesh Prasath</string-name>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Shirish Karande</string-name>
        </contrib>
      </contrib-group>
      <abstract>
        <p>Recently, large language models (LLMs) have demonstrated promising potential in creative writing tasks, including stories and poems. However, existing studies have often focused on limited tasks and have not fully explored the comprehensive capabilities of these models across a diverse range of creative writing forms. This paper presents a comprehensive analysis of the performance of 11 LLMs across various creative writing tasks, including poem writing, blog creation, ad copy generation, short movie scriptwriting, and news article production. Our research aims to evaluate whether larger models consistently produce superior content or if smaller models can achieve comparable results. We examine diferent prompting styles and multi-agent frameworks to understand their impact on output quality. Using a detailed rubric based on a defined set of criteria such as innovation, adherence, coherence, expressiveness, conformity, and diversity, we systematically assess the generated content. The study highlights the efectiveness of using multiple LLMs as evaluators to enhance the reliability of content evaluation. Our findings provide insights into the capabilities and limitations of LLMs in creative tasks, suggesting avenues for future research to improve their creative potential and evaluation methodologies.</p>
      </abstract>
      <kwd-group>
        <kwd>eol&gt;Large Language Models</kwd>
        <kwd>Machine Creativity</kwd>
        <kwd>Generative Artificial Intelligence</kwd>
        <kwd>Creative Writing Tasks</kwd>
        <kwd>AI-Generated Content</kwd>
        <kwd>LLM-Based Evaluations</kwd>
        <kwd>Content Quality Assessment</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>1. Introduction</title>
      <p>
        Content creation spans various textual forms, each demanding a unique approach and skill set,
from news articles and academic papers to blogs, songs, poetry, and storytelling [
        <xref ref-type="bibr" rid="ref1">1</xref>
        ] [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ]. Poetry
uses aesthetic and rhythmic language to convey deeper meanings, while story writing focuses
on plot and character development. Songwriting blends lyrics with music for an auditory
experience, and ad copy aims to persuade using rhetorical devices. Blogs serve personal
expression or information sharing, scriptwriting crafts visual storytelling, dialogue writing
hones conversational skills, and news writing informs with factual reporting [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ] [
        <xref ref-type="bibr" rid="ref4">4</xref>
        ]. These
diverse forms enrich our cultural landscape and support various professions, requiring a nuanced
understanding of language, audience, and purpose. The evolution of AI and NLP technologies,
particularly advancements in LLMs like GPT-3 and GPT-4, has significantly impacted content
writing, enabling these models to generate coherent and contextually relevant text, making
them powerful tools for diverse applications.
      </p>
      <p>To understand the writing quality produced by LLMs, our research considers various writing
tasks, each requiring specific skills. We develop criteria common to these tasks and use them
to design comprehensive rubrics for each problem statement, to assess the generated content.
By evaluating 11 diferent diverse models of various sizes, we explore both large and small
models’ capabilities. Our objective is to determine if larger models consistently produce superior
quality content or if smaller models can achieve comparable results. Additionally, we examine
diferent prompting styles and multi-agent frameworks to understand how prompt engineering
afects the LLMs’ output quality. This methodology systematically determines which models
excel in particular tasks and how various prompting approaches influence content generation
efectiveness.</p>
    </sec>
    <sec id="sec-2">
      <title>2. Related work</title>
      <p>
        LLMs have been increasingly utilized in creative writing tasks, with notable studies
demonstrating their potential and limitations. For instance, [
        <xref ref-type="bibr" rid="ref5">5</xref>
        ] showcased the beneficial role of AI in
translation and reviewing to enhance writing. However, their focus was limited to generating
drafts based on user-provided plots in short fiction and non-fiction writing tasks using Chat
GPT-3.5. This narrow scope underscores the need for broader exploration across various creative
writing tasks, a gap that our research addresses. Similarly, [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ] conducted a comparative study
of GPT-3 with other state-of-the-art models like KGGPT2, HINT, PROGEN, and MTCL. Their
ifndings highlighted GPT-3’s superiority in story generation, particularly the text-davinci-001
variant. However, they acknowledged the advancements in newer models like GPT-4 and
LLAMA 3, which their study did not cover. Our research builds on this by assessing these newer
models to evaluate their enhanced content generation capabilities.
      </p>
      <p>
        We considered the comprehensive evaluation by [
        <xref ref-type="bibr" rid="ref7">7</xref>
        ] of LLMs for English content writing,
focusing on both open-source and closed-source models. Their study was confined to a single
problem statement for narrative writing using zero-shot prompting. In our study, we use their
human evaluation results as a benchmark and explore more complex prompting styles like
chain of thought (CoT)[
        <xref ref-type="bibr" rid="ref8">8</xref>
        ] and Reason and Act (ReAct) [
        <xref ref-type="bibr" rid="ref9">9</xref>
        ] to enhance content generation. The
examination of creativity in LLMs by[
        <xref ref-type="bibr" rid="ref10">10</xref>
        ] is relevant for its consideration of value, novelty, and
surprise through Margaret Boden’s creativity theories. They argued that truly creative processes
in LLMs require attributes like motivation, thinking, and perception, which are currently lacking.
This insight motivated us to explore advanced prompting styles to better evaluate LLMs’ creative
capabilities.
      </p>
      <p>
        The study by [
        <xref ref-type="bibr" rid="ref11">11</xref>
        ] highlights the challenge of non-expert judges in assessing creativity,
often favoring novice work over professional outputs. They examined metrics like Ritchie’s
model[
        <xref ref-type="bibr" rid="ref12">12</xref>
        ], Pease et al.’s criteria, Colton’s creative tripod,[
        <xref ref-type="bibr" rid="ref13">13</xref>
        ] and the IDEA model[
        <xref ref-type="bibr" rid="ref14">14</xref>
        ]. We
integrated these with Boden’s criteria[15] to design efective rubrics for evaluating creativity
in LLMs. The framework introduced by [16] for evaluating LLM creativity through verbal
question-and-answer formats, using a modified Torrance Tests of Creative Thinking, ofers a
comprehensive approach. However, it emphasizes the need to assess creativity beyond verbal
formats. Our study addresses this by exploring a broader range of writing tasks, including poem
writing, ad copy creation, blog writing, short movie scriptwriting, and news articles. Finally,
[17] introduced the TTCW framework to evaluate creativity in short fiction writing by both
human authors and LLMs. Their findings showed that LLM-generated stories passed fewer
TTCW tests compared to human-authored ones, highlighting a gap in creative proficiency. This
insight led us to extend our experimentation with LLMs to assess creativity in various other
writing tasks beyond story writing.
      </p>
    </sec>
    <sec id="sec-3">
      <title>3. Approach and Methodology</title>
      <p>Our methodology evaluates LLM writing quality across various tasks using common criteria.
We assess 11 models of diferent sizes and explore diferent prompting styles and techniques
This process is done to identify the best models for specific tasks and the impact of prompt
engineering on content quality. Refer to the figure 1 for the details of the process.</p>
      <sec id="sec-3-1">
        <title>3.1. Selection of Writing Tasks</title>
        <p>We selected tasks that highlight the unique capabilities of LLMs in content generation, each
designed to assess specific aspects of the model’s creative and analytical skills. Poem Writing
involves problem statements that require the model to evoke particular emotions such as
melancholy, resilience, and playfulness, using tones like reflective, whimsical, or serious. Ad Copy
Creation challenges the model to craft persuasive and concise messages, demanding a precise
balance of action-oriented language and emotional appeal. Blog Writing requires the model
to sustain reader engagement over varied lengths, blending informative and narrative styles,
while maintaining a consistent tone that can range from analytical to conversational. Short
Movie Scriptwriting emphasizes the model’s ability to create compelling narratives, requiring
efective representation of character development, dialogue authenticity, and thematic depth.
Lastly, News Article Writing focuses on the model’s capacity to present factual information
with clarity and neutrality, analyzing its ability to convey events accurately while maintaining
an objective and accessible tone.</p>
      </sec>
      <sec id="sec-3-2">
        <title>3.2. Criteria for Content Assessment</title>
        <p>
          To comprehensively assess creativity in language models across diverse writing tasks, we utilize
several established theoretical models, including Ritchie’s Model [
          <xref ref-type="bibr" rid="ref12">12</xref>
          ], Pease et al.’s criteria,
Boden’s criteria [15], the IDEA Model by Isaksen and Dorval, and Colton’s Creative Tripod [
          <xref ref-type="bibr" rid="ref13">13</xref>
          ].
By studying these models, we developed a customized set of criteria given below, applicable
across the writing skills chosen.
        </p>
        <p>• Innovation: Evaluates the introduction of new, creative ideas and their unique
implementation within the content. Derived from Ritchie’s Model, Pease et al.’s Novelty,
and Boden’s Novelty, emphasizing the novelty, uniqueness, and unexpected insights in
content.
• Adherence: Assesses the depth and significance of the content, ensuring it ofers
meaningful and imaginative insights. Inspired by Boden’s Value and Colton’s Imagination,
focusing on the usefulness, depth, and imaginative quality of the content.
• Coherence: Examines the logical flow and clarity of the content, ensuring it is
wellstructured and understandable. Based on the IDEA Model’s Evaluation and Colton’s Skill,
integrating refinement of ideas and technical proficiency.
• Expressiveness: Measures the emotional and aesthetic impact of the content, evaluating
its ability to evoke feelings and surprise. Rooted in Colton’s Appreciation and Boden’s
Surprise, focusing on emotional connection and unexpected elements.
• Conformity: Assesses how well the content adheres to structural, stylistic, and
genrespecific requirements. Derived from the IDEA Model’s Intention and Action, ensuring
alignment with genre-specific conventions and efective implementation of ideas.
• Diversity: Evaluates the range and variation in outputs for the same problem statement,
ensuring distinct and novel solutions. Inspired by Boden’s Novelty and Surprise and
Ritchie’s Originality, focusing on generating varied and original content.</p>
        <p>We use these criteria as a high-level foundation to establish a hierarchical structure for
content evaluation, meticulously developing task-specific sub-criteria based on this foundation.
Each set of task-specific sub-criteria then guides the creation of well-detailed rubrics with
specific questions tailored to each user prompt or problem statement, ensuring a nuanced
approach to content evaluation. For example, in the task of poem writing, sub-criteria such as
’Sound and Rhythm’, ’Structure and Form’ etc reflect the unique aspects of poetic expression.
Similarly, for blogs, sub-criteria like ’Clarity and Structure’, ’Engagement’ etc are designed
to capture the analytical depth and reader involvement essential for efective blog writing.
Each task-specific sub-criterion is operationalized through specific questions within the rubrics
designed for individual problem statements. For instance, a problem statement about writing a
reflective poem on a farmer’s struggle includes a question under the sub-criterion ’Adherence
to Theme’: ’Did the poem efectively address the theme of a farmer’s dedication during tough
times?’ This question is assessed using a rating scale that evaluates the depth of perseverance
and hope portrayed. Similarly, there are specific questions designed for each problem statement
corresponding to the task-specific sub-criteria, ensuring that every aspect of the content is
meticulously evaluated. This structured approach is done to ensure a comprehensive and
consistent evaluation of content, enabling detailed comparison across models and tasks.</p>
      </sec>
      <sec id="sec-3-3">
        <title>3.3. Large Language Models</title>
        <p>We consider a diverse array of LLMs to evaluate their performance across various content
generation tasks, involving both proprietary and open-source models. Our study evaluates 11 LLMs,
including proprietary models such as OpenAI’s GPT-3.5, GPT-4 [18] , Anthropic’s Claude 2[19] ,
and Google’s Gemini-Pro [20]. It also includes open-source models like
meta-llama/Llama-3-70bchat-hf [21], google/gemma-7b[22], mistralai/Mixtral-8x7B-Instruct-v0.1[23],
Qwen/Qwen1.572B-Chat [24], Qwen/Qwen1.5-7B-Chat, meta-llama/Llama-2-7b-chat-hf[25], and
lmsys/vicuna13b-v1.5.By analyzing these models, we aim to determine if proprietary models are superior or
if open-source models of various sizes are also competent enough to perform well on diferent
writing tasks.</p>
      </sec>
      <sec id="sec-3-4">
        <title>3.4. Prompting Techniques</title>
        <p>We investigate the impact of diferent prompting techniques on the output quality of Language
Models (LLMs) for various writing tasks, employing both "User prompts" and "System prompts."
"User prompts" are direct problem statements specifying the content the model needs to generate,
such as creating a poem or writing a blog. In contrast, "System prompts" are guiding instructions
or contexts that direct the model’s approach, like adopting a specific persona or style. We explore
three primary prompting techniques: Zero-Shot Prompting, where only the user prompt is
provided, allowing us to assess the LLM’s intrinsic ability to interpret and respond without
additional guidance and evaluate its baseline capability to produce coherent and contextually
appropriate content. Contextual Role-Induced Prompting, which enhances the zero-shot method
by adding a system message that defines a specific role or context for the LLM, such as a
"creative poet," to guide the model’s creative process, ensuring adherence to thematic and
stylistic demands, thus enhancing the depth and quality of the generated content, and Chain
of Thought (CoT) Prompting, a structured approach that makes the LLM engage in a
twophase process of planning and execution, where a system message first encourages the model
to methodically plan its response before generating the content, fostering a disciplined and
systematic content generation process and promoting clarity, inspired by the "Tree of Thought"
[26] paper, to evaluate the model’s ability to plan and execute tasks efectively.</p>
      </sec>
      <sec id="sec-3-5">
        <title>3.5. Multi-Agent and Retrieval-Augmented Generation (RAG) Approaches</title>
        <p>We explore the multi-agent framework and Retrieval-Augmented Generation (RAG) [27] to
understand the enhancement in content generation. In campaign or ad video scriptwriting,
specialized agents focus on specific elements such as plot writing, character development,
taglines, scene description, and dialogue. We analyze if the collaboration of specialists improves
the content. For news generation, we use a RAG approach combined with a multi-agent
framework to produce accurate and up-to-date articles. A News Collector agent gathers the
latest information, while an Article Writer agent synthesizes it into a coherent piece. This
method is applied specifically to closed-source LLMs, as open-source models do not support
function calling, which is essential for integrating real-time data. This setup assesses whether
models accurately use the obtained data for facts or introduce inaccuracies.</p>
      </sec>
      <sec id="sec-3-6">
        <title>3.6. Evaluation Methodology</title>
        <p>
          We plan to use LLMs to evaluate the content because we want to understand their efectiveness
in assessing creative writing tasks. Two studies used GPT-4 for evaluating generated content
and stories but did not justify why they chose GPT-4 over other models like Claude 3, Gemini
1.5 Pro, and Llama 3 70B. Additionally, no benchmarks exist for evaluating LLMs’ performance
in content writing tasks such as poems, blogs, and stories.
3.6.1. Selection of evaluator LLM:
We referred to the recent work in [
          <xref ref-type="bibr" rid="ref7">7</xref>
          ] which evaluated the quality of stories generated by 12
LLMs and 5 human writers. Ten honors and postgraduate Creative Writing students rated these
stories using a detailed rubric. We used this corpus and expert ratings as a benchmark to select
the best content evaluator LLM. We considered 4 LLMs—GPT-4, Claude 3, Gemini 1.5 Pro, and
Llama 3-70B to rate all 65 stories from the corpus using the same rubric used by the human
experts, ensuring unbiased evaluation by not disclosing the generator LLM of each story. Their
study demonstrated a variance of up to 30% in scores assigned by diferent human evaluators,
while consistently distinguishing between low-quality and high-quality content. We managed
a similar setup, considering two temperatures for each evaluator LLM: t=0 and t=1. For each
evaluator LLM, we calculated the average rating and standard deviation for the 13 candidate
story writers across the 5 sets and compared these metrics to human expert ratings using the
Euclidean distance formula given below.
        </p>
        <p>distance = √︀(LLM − human)2 + (LLM − human)2
where LLM and LLM represent the average score and standard deviation of the LLM’s ratings,
and human and human represent the average score and standard deviation of the human expert
ratings. This determined each evaluator LLM’s proximity to the human benchmark.</p>
        <p>The results, visualized in a graph 2, show average story ratings and standard deviations
for each model. The Euclidean distance calculations, presented in the table 1, indicate that
Llama 3-70B and Gemini 1.5 Pro have the closest alignment with human ratings. These results
highlight that Gemini 1.5 Pro and Llama 3-70B are the most similar to human evaluators, making
them strong candidates for content evaluation tasks.</p>
        <p>We utilized Gemini 1.5 Pro, Llama 3-70B, and GPT-4 for evaluating poems, blogs, and ad copies,
ensuring a comprehensive assessment of how these LLMs understand and rate high-quality and
low-quality content. Each piece was evaluated at temperature settings of 0 and 1 to capture
scoring variability. For news article evaluation, we exclusively used GPT-4 due to its real-time
internet access and superior fact-checking capabilities, ensuring accuracy and relevance. For
short movie script generation, Gemini 1.5 Pro and Llama 3-70B served as evaluators.</p>
        <p>Due to a lack of expert evaluators, formal human evaluations were not conducted. However,
to understand human preferences for AI-generated versus human-generated content, we
conducted a survey using Google Forms with 50 participants. This survey aimed to gauge human
preferences rather than serve as a formal evaluation. Without disclosing whether the content
was human or AI-generated, all participants were presented with the same form containing
two poems, two blogs, and two news articles. Each type included one human-written and one
LLM-generated piece addressing the same problem statement. Participants were asked to select
their preferred creation for each set, allowing for a direct comparison of preferences across
diferent content types.</p>
      </sec>
    </sec>
    <sec id="sec-4">
      <title>4. Experiment Setup</title>
      <p>For our experiments with open-source LLMs, we use the Together AI service, while interactions
with GPT-4 and GPT-3.5 are conducted via the OpenAI Playground. Claude is accessed through
the Anthropic Playground, and Gemini-Pro and Gemini-1.5-Pro are utilized through Google
AI Studio. For implementing agent frameworks, we develop an agent team using CrewAI [28],
utilizing the API services provided by the aforementioned platforms. Additionally, for news
(a) Poems
(b) Blogs
(c) Ad-Copies
searches, we utilize the DuckDuckGo[29] service to fetch articles from the internet. The CrewAI
team was configured to operate sequentially for news search tasks and hierarchically for movie
script generation.</p>
      <p>We consider three to four problem statements for every writing task, employing three types
of prompting methods, and execute each problem statement five times per prompting type.
This approach ensure consistency and diversity in understanding instructions. Consequently,
we generated 660 poems, 495 blogs, and 495 ads across 11 LLMs. However, due to resource
limitations and infrastructure costs, only one-fifth of these outputs (132 poems, 99 blogs, and 99
ads) were evaluated. Each piece of content was assessed by GPT-4, Gemini 1.5 Pro, and Llama
3-70B, with the evaluators set at temperature values of 0 and 1, resulting in six evaluations per
content piece. For movie script generation, the six LLMs used were GPT-4, GPT-3.5, Claude 2,
Gemini-Pro, Qwen 1.5-72B, and Llama 3-70B, producing 18 scripts evaluated by GPT-4, Gemini
1.5 Pro and Llama 3-70B. The multi-agent setup for movie scripts and news articles utilized
the CrewAI framework, where the agents were ReAct-based agents . In the news generation
task, four LLMs—GPT-4, GPT-3.5, Claude 2, and Gemini-Pro—produced 12 articles, which were
evaluated exclusively by GPT-4 due to its web searching capabilities. We calculate BERT scores
[30] within the five iterations of running each prompt in each setting to assess the diversity of
the outputs, determining whether the LLMs were generating varied content or if there were
consistent core ideas across the iterations.</p>
    </sec>
    <sec id="sec-5">
      <title>5. Results and Discussion</title>
      <p>Our analysis reveals some good insights into the performance of various LLMs across multiple
creative writing tasks.</p>
      <sec id="sec-5-1">
        <title>5.1. LLMs as content writers</title>
        <p>Across various writing tasks, LLMs show significant variability in content quality, topic
adherence, clarity, and emotional impact. GPT-4 and Qwen 1.5-72B excel in thematic consistency,
emotional depth, sound, and rhythm in poems. Claude 2 produces well-structured and clear
content but sometimes refuses to generate advertisements or handle sensitive topics. Llama
3-70B maintains clarity, persuasion, and flow in blogs and ads, and also performs well in
poems. Gemma-7B struggles significantly across all tasks, failing in stanza structures, language
appropriateness, and clarity, resulting in free-form text and incoherent outputs. Mixtral-8x7B,
Vicuna-13b, and Llama-2-7b generally adhere to problem statements but sometimes struggle
with maintaining clarity in intricate themes or longer formats. Qwen 1.5-7B-Chat performs
moderately well but occasionally produces content in Chinese, afecting clarity. Gemini Pro excels
in blogs and ads, maintaining structural integrity and clarity, but falls short in sound, rhythm,
and emotional impact in poems. GPT-3.5 shows moderate adherence to problem statements and
quality in content generation for poems, ads, and blogs but struggles with maintaining
consistent clarity and coherence. For blog writing, most LLMs fulfilled the word limit requirements
for shorter texts (less than 500 words), but all struggled with higher word limits like 2000 words.
Additionally, almost all LLMs failed to count words accurately, indicating a limitation in word
count accuracy. However, Claude 2, Llama 3-70B, and Qwen 1.5-72B generated longer contexts
more efectively than others.</p>
      </sec>
      <sec id="sec-5-2">
        <title>5.2. Efect of Prompting Strategies</title>
        <p>In poem writing, the Zero Shot Role Induced prompting consistently outperforms other
strategies, significantly enhancing thematic consistency, emotional depth, and structural elements
such as sound and rhythm. This strategy benefits models like GPT-4, Llama 3-70B, and Qwen
1.5-72B the most, as illustrated in 3a , where these models show marked improvements in
performance scores. For ad copy generation, Zero Shot Role Induced prompting is the leading
strategy, improving clarity, engagement, and visual appeal, with GPT-4, Llama 3-70B, and Claude
2 showing the most significant gains, as depicted in 3c. In blog writing, both Zero Shot and Zero
Shot Role Induced prompting perform well, with GPT-4 and Llama 3-70B excelling in clarity and
structural coherence. However, Chain of Thought (CoT) prompting in blog writing performs
poorly as it consumes many tokens for planning, resulting in shorter and less comprehensive
outputs, which can be observed in the comparative efectiveness of prompting strategies shown
in 3b. Smaller models like Gemma-7B and Llama-2-7b often fail to plan content properly, leading
to inconsistent outputs, while models like Vicuna-13b, Mixtral-8x7B, and Qwen 1.5-7B-Chat
sometimes struggle with executing their plans efectively.</p>
      </sec>
      <sec id="sec-5-3">
        <title>5.3. Factual Consistency in News</title>
        <p>For news article generation, our analysis by manual observation indicates that GPT-3.5
occasionally introduced extraneous facts when the internet search by the news searcher agent was
inadequate. In contrast, Claude 2 exhibited a diferent behavior: if the news searcher agent did
not gather suficient information, the writer agent would refuse to perform the writing task due
to the lack of necessary data. On the other hand, both Gemini Pro and GPT-4 demonstrated
overall better performance, integrating accurate and relevant information into the news articles.</p>
      </sec>
      <sec id="sec-5-4">
        <title>5.4. Multi-Agent Collaboration</title>
        <p>Regarding movie script generation, GPT-4, Llama 3-70B, and Qwen 1.5-72B slightly outperformed
other models in both single and multi-agent settings, as shown in Figure 4. However, Claude2
agents, despite seeking extensive information about plots, characters, and scenes, did not show
a significant impact on output quality. GPT-3.5, on the other hand, showed a noticeable decline
in performance when operating as a single agent compared to its multi-agent setup, indicating
a potential reliance on collaborative workflows to optimize output.</p>
        <p>A notable shortfall across all models was their lack of creativity and out-of-the-box thinking,
often reflecting stereotypical mindsets. For example, in generating SnoreAway ad scripts, all
models predominantly depicted men as the snorers, overlooking women. The generated plots,
scenes, and dialogues were generally generic and lacked expert-level imagination. Interestingly,
despite the general superiority of multi-agent setups as shown in the figure, experiments revealed
that in some cases, such as with GPT-4 and Llama 3-70B, the single agent’s performance was
relatively competitive, showing only a slight drop of about 5-15% in scores compared to their
multi-agent counterparts. This suggests that under certain conditions, single zero-shot agents
can nearly match the performance of multi-agent setups, ofering a resource-eficient alternative
with lower token consumption. This observed eficiency warrants further investigation into
whether optimizing single agents for multi-task roles could reduce resource consumption
without compromising the quality of the output.</p>
        <p>The heatmap analysis 5 highlights that GPT-4 and Llama3-70B are the overall best-performing
LLMs, while Gemma-7B consistently underperforms across tasks. The evaluators, LLMs
themselves, rated high-quality content positively and low-quality content negatively, demonstrating
their potential for reliable content evaluations. Notably, using multiple evaluator LLMs enhances
the reliability of the results. As depicted in the figure 5, innovation is the lowest-rated criterion,
indicating that the generated content lacked originality and out-of-the-box thinking, tending to
be basic and easily reproducible. For measuring diversity, we have calculated BERT scores across
the five generations made for each problem statement to understand the dissimilarity of outputs
for the same prompt in the same setting. Higher dissimilarity values, as seen with Llama 3-70B
(19.23%) and Mistral-7B (17.94%), indicate that these LLMs are capable of generating diverse
and novel content pieces for the same user prompt. Other models show dissimilarity in the
range of approximately 11% to 17.5%. The overall performance of open-source models ranged
from average to good, suggesting that they are viable options for creative tasks. Additionally,
the LLMs showed a consistent ability to adhere to structural and stylistic guidelines,
indicating their proficiency in producing coherent and well-organized content. This suggests that
while they may not yet excel in innovative thinking, they are competent in following detailed
instructions and maintaining clarity and structure in their outputs. In our survey taken for
human preference, as mentioned in 3.6, for poems, respondents tended to select the version
they found easier to understand. For the first poem’s problem statement, 52.9% favored the
AI-generated content, appreciating its clarity, while 53.8% preferred the human-written version
of the second poem’s problem statement for its simplicity. For blogs, preference leaned towards
LLM-generated content, with 62.7% favoring AI for the first blog and 58.8% for the second.
Similarly, 54.9% preferred AI-generated news articles for both problem statements, valuing
their clarity and engagement. Even though the diferences are not significant, AI-generated
content is equally preferred and often chosen alongside human-created content. These findings
suggest that content clarity significantly drives preferences, with respondents favoring clearer
presentations from both humans and LLMs.</p>
      </sec>
    </sec>
    <sec id="sec-6">
      <title>6. Conclusion</title>
      <p>Our study efectively demonstrates the capabilities and limitations of various LLMs across
multiple creative writing tasks. Our comprehensive evaluation highlights the strengths of
models like GPT-4 and Llama 3-70B, while also identifying areas for improvement, particularly
in fostering creativity and originality. Additionally, the LLMs showed a consistent ability to
adhere to structural and stylistic guidelines, indicating their proficiency in producing coherent
and well-organized content. This suggests that while they may not yet excel in innovative
thinking, they are competent in following detailed instructions and maintaining clarity and
structure in their outputs. Interestingly, our results indicate that proprietary models are not
always significantly superior, with open-source models like Qwen and Llama-3 outperforming
GPT-3.5 and Gemini in several tasks, demonstrating that mid-ranged open-source models can
perform competitively. The use of multiple LLMs as evaluators has proven reliable for content
assessment, emphasizing the potential of automated evaluations. However, the study is limited
by the absence of human-based evaluations and reliance on human preferences. Future research
should include more diverse prompting techniques, explore alternative content evaluation
strategies, and assess advanced Retrieval-Augmented Generation (RAG) systems beyond the
classic RAG methodology employed here. Additionally, the potential of single-agent setups
versus multi-agent frameworks warrants further investigation to optimize content quality across
multiple subtasks.</p>
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