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  <front>
    <journal-meta>
      <journal-title-group>
        <journal-title>Lagarrigue C.; Groby J. P.; Tournat V. Sustainable sonic crystal made of resonating
bamboo rods. J. of the Acoustical Society of America</journal-title>
      </journal-title-group>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="doi">10.1016/j.apacoust.2021.108172</article-id>
      <title-group>
        <article-title>Acoustic applications of metamaterials</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Gino Iannace</string-name>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Giovanni Amadasi</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Franz Policardi</string-name>
          <xref ref-type="aff" rid="aff3">3</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Amelia Trematerra</string-name>
          <xref ref-type="aff" rid="aff2">2</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>SCS-ControlSys - Vibro-Acoustic</institution>
          ,
          <addr-line>Padova</addr-line>
          ,
          <country country="IT">Italy</country>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>Università della Campania Luigi Vanvitelli</institution>
          ,
          <addr-line>81031 Aversa</addr-line>
          ,
          <country country="IT">Italy</country>
        </aff>
        <aff id="aff2">
          <label>2</label>
          <institution>Università della Campania Luigi Vanvitelli</institution>
          ,
          <addr-line>81031 Aversa</addr-line>
          ,
          <country country="IT">Italy</country>
        </aff>
        <aff id="aff3">
          <label>3</label>
          <institution>University of Ljubljana, Faculty of Electrotechnical Engineering</institution>
          ,
          <addr-line>Ljubljana</addr-line>
          ,
          <country country="SI">Slovenia</country>
        </aff>
      </contrib-group>
      <pub-date>
        <year>2013</year>
      </pub-date>
      <volume>133</volume>
      <issue>108172</issue>
      <fpage>247</fpage>
      <lpage>254</lpage>
      <abstract>
        <p>Acoustic metamaterials (AM) is a recent topic, as first specific studies were carried out in the fields of optics and electromagnetism and only in recent years have metamaterials (M) been developed in the field of noise control. This paper presents some 1D, 2D and 3D simple geometric structures and discusses their acoustic theory. Furthermore, applications as AM considering 2dimensional structures made by cylindrical elements and 3-dimensional structures made by spheres are investigated. In the analyzed configurations, a sound attenuation in the frequency domain was noted between 1.000 Hz and 10.000 Hz. These first results show that M structures specific arrangements can be applied for acoustic filters noise reduction from air ventilation systems up to noise barriers for road applications. Metamaterials can be used for the acoustic correction of monumental environments, in those places where the conservation of aesthetics takes on fundamental value. For example, metamaterials can be new elements of urban furniture to protect the cultural heritage. Further developments could be the applications with machine learning techniques to optimize the lattice structures to improve the effectiveness of metamaterials.</p>
      </abstract>
      <kwd-group>
        <kwd>Metamaterials</kwd>
        <kwd>acoustics measurements</kwd>
        <kwd>frequency</kwd>
        <kwd>insertion loss</kwd>
        <kwd>spheres</kwd>
        <kwd>attenuation</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>1. Introduction</title>
      <p>As far as we know, the first applications and studies on geometrically repetitive
structures were carried out in the field of optics and subsequently on electromagnetism.
Historically speaking, the creation of a strange material (today called “metamaterial” (M))
dates back to the Roman’s era “Lycurgus cup” around 4th century A.C.
____________________________________
The Lycurgus cup shows different colors depending on the way the light passes through it:
green when illuminated from the front, while the non-illuminated side is red. The particular
effect was obtained by inserting small gold and silver elements into the glass. The colorfully
stained-glass windows of Northern Europe medieval gothic churches are elements made
with optical M structures too. In modern times, a practical application of M can be found
during World War II, when German submarines were covered with rubber elements with
holes at a regular pitch, typical of the Helmholtz resonance systems, in order not to be
detected by English ships sonars. This arrangement was called Alberich, referring to the
name of a warrior who fought wearing an invisible cloak. Today, modern submarines and
stealth airplanes have external surfaces covered with M structures too for the same reason.
In underwater acoustics these high sound attenuation elements are used to cover platforms
surfaces in water in order to limit the harmful effects of industrial processing noises on
maritime fauna. The brilliant theoretical idea of both electric and magnetic negative
materials permittivity ε and μ was developed by V. G. Veselago and published in Russian in
1967 and in English in 1968; the theory hypothesize a material which, when hit by an
electromagnetic wave, did not resist the propagation of the wave, allowing it to pass on the
external surface without generating reflections. The material should have had a negative
refractive index. At that time, the theory did not gain much traction but later this idea was
applied by J. B. Pendry's research in 1995 in order to design optical lenses with low
refraction and improving vision. In 1999, Prof. R. Walser (University of Texas) was the first
to adopt the name “Metamaterials” (M) as new materials composed of periodic cell
structures not existing in nature; today’s research on M applications extends from buildings
defense against the action of earthquakes to heat transmission phenomena and to applied
acoustics. It is well known that noise control and mitigation improve quality of life and in
recent decades many governments adopted laws requiring noise reduction solutions, so
only in recent years have some Acoustic Metamaterials (AM) been introduced to control
noise propagation, representing a new applied acoustics sector. The present work reports
the acoustic applications of some geometric structures creating M; after a brief theoretical
explanation and some applied examples, 2-dimensional (2D) structures made with
cylindrical elements and 3D structures made with specifically arranged spheres are
considered. In the analyzed configurations, a sound attenuation in the frequency domain
between 1.000 Hz and 10.000 Hz was noted. These results allow us to conclude that
structures made with M can be applied to develop acoustic filters for the reduction of noise
from air ventilation systems up to noise barriers for road applications. Metamaterials can
be used for the acoustic correction of monumental environments, in those places where the
conservation of aesthetics takes on fundamental value. For example, metamaterials can be
new elements of urban furniture to protect the cultural heritage.</p>
    </sec>
    <sec id="sec-2">
      <title>2. Theory</title>
      <p>Wave propagation control depends on the interaction between incident waves and
the elements they pass through. When these elements are arranged according to a regular
geometry, they create a periodic structure allowing incident waves attenuation through
destructive interference. M structures can be classified into three regular geometries.</p>
      <p>Destructive interference attenuation occurs at the frequency at which the
wavelength is comparable to elements size and reciprocal distance. This concept is
expressed by Bragg's law, which evaluates the wave attenuation passing through a grating
at a specific frequency. Solid elements disposed in a periodic structure attenuate energy by
the destructive interference sound waves generate when passing through the structure. The
band gap frequency (fBG) depends on the incident angle of the wave, the lattice constant (α)
and the sound speed in the specific medium (c) respectively, as summarized in the following
equation:</p>
      <p>
        f_BG = c/2a
On this basis, when a plane wave affects elements arranged within a regular geometry
structure, the distance between the wave fronts can be described as a sin(ϕ), where (ϕ) is
the plane wave incidence angle, a is the distance between two solid elements consecutive
rows and λ is the incident wave wavelength. The destructive interference condition is that
λ / 2 = a sin (ϕ). Figure 2 shows the theoretical plane sound wave scattering when hitting a
2 solid elements rows barrier [
        <xref ref-type="bibr" rid="ref1 ref2 ref3 ref4 ref5 ref6 ref7 ref8">1-8</xref>
        ].
      </p>
    </sec>
    <sec id="sec-3">
      <title>3. Metamaterials for acoustic applications</title>
      <p>One of the first AM applications was the so called “Órgano” sculpture created by the
Spanish artist E. J. Sempere: the moving sculpture is exhibited in Madrid since 1977 and is
based on a minimalist design simple geometry consisting of 30 mm diameter steel bars
arranged according to a 2D square lattice, with a pitch of 100 mm. Later (1995) acoustic
measurements highlighted sound attenuation at frequencies between 1.000 Hz and 5.000
Hz. The Órgano sculpture is considered the first artistical experimental example of a 2D M
periodic structure, as shown in Figure 3.</p>
      <p>Some authors tried to apply M for noise control inside dwellings: the aim was to
create a so called “Helmholtz resonant meta-house” with transparent cylinders arranged in
a constant-pitch circular grid. The six cylinder lines were hollow and had vertical slots to
increase resonance effects, as showed in Figure 4. The authors made a 1:10 scale model and
verified a sound attenuation of about 10 dB in the range 1.000 Hz - 10.000 Hz. If this
experiment will show comparable acoustic behavior in real 1:1 scale, its realization may
expand noise propagation control within dwellings, when acoustic comfort special
conditions are required.</p>
      <p>
        Other authors proposed M systems as acoustic barriers. Acoustic barriers are used
to reduce the noise propagation effects emitted by means of transport and can be used to
limit noise emitted by construction works. Traditional acoustic barriers are realized using
a sound-absorbing material layers inside sheet metal panels. The sheet metal major surface
facing the noise source is perforated so that the incident energetic noise waves can be
absorbed by the sound dumping material and not sent back or transmitted. Noise
attenuation is mainly determined by the barrier height, as noise is transmitted beyond the
barrier due to the diffraction effect [
        <xref ref-type="bibr" rid="ref10 ref11 ref12 ref9">9-13</xref>
        ]. Traditional acoustic barriers are solid long
elements and have a negative visual impact from an aesthetic point of view. The
metamaterials can be new elements of urban furniture to protect the cultural heritage. Many
authors have reported acoustic measurements on M acoustic barriers application effects.
Several studies investigated cylindrical bars arranged in a 2D M regular manner and Figure
5 shows a wooden M (1: 10) scale model barrier composed by 5 of 15 mm diameter
elements at a 40 mm distance.
Wooden M noise barrier acoustic 1/3 octave mid-high bandwidth noise attenuation
measurements between 1.000 Hz and 10.000 Hz show that the insertion loss value reaches
a sound attenuation of at least 6 dB between 3.150 Hz and 10.000 Hz with a peak of around
10 dB in the 4.000 Hz - 8.000 Hz frequency range, as shown in Figure 6 [14-19].
      </p>
    </sec>
    <sec id="sec-4">
      <title>4. 3D M structures sound attenuation</title>
      <p>This paragraph presents three different 3D M structures made with spheres sound
attenuation measurements. The polymer 1.200 kg/m3 density 30 mm diameter spheres are
used to create a 3D meta surface in order to control noise attenuation. The horizontal and
vertical spheres 3D structure constant space pitch distribution and dimensional layout are
shown in figure 7 (a) and (b).</p>
      <p>a
b</p>
      <p>Acoustic measurements were carried out placing a sound source (RCF TW50) in a
box, while the upper side was open. The box containing the sound source had rigid and fixed
walls in order to limit unwanted vibrations and was covered with sound-absorbing material
so that the preferential sound emission direction was upwards. The measurement
microphone was placed at a 0.5 m distance from the opening connected to an acquisition
A/D card (CLIO) generating a sine sweep signal, as shown in Figure 8 [20-22].</p>
      <p>Measurements were performed first with free mouth box and subsequently covered
with three different 3D structured M made of 30 mm diameter spheres structures. The
measured data have been analyzed in 1/3 octave frequency bands between 800 Hz and
10.000 Hz and are reported in terms of IL (insertion loss) or as the difference between the
sound level measured without M and the sound level measured with the M under test; the
sound attenuation is obtained as the difference between the level measured without
samples (LR without) and with the provision of samples (LR with), summarized in equation:</p>
      <p>IL = LR without – LR with (dB).</p>
      <p>The analyzed and compared configurations were the following:
A) single 30 mm diameter spheres row,
B) double 30 mm diameter spheres row placed at 20 mm distance,
C) double 30 mm diameter spheres row placed at 40 mm distance.</p>
      <p>In configuration A, i. e. single 30 mm diameter spheres row, the M configuration has
an even effect on sound attenuation: 2 dB in almost all 1/3 octave bandwidths, increase of
another 1 dB between 2.000 Hz and 6.300 Hz, with a single clear attenuation peak of 5 dB
around 3.150 Hz, as shown in Figure 9.</p>
      <p>In configuration B, i. e. double 30 mm diameter spheres row, placed at a 20 mm
distance, the M configuration has a sound attenuation: all 1/3 octave bands between 800 Hz
and 10.000 Hz at least 1 dB. Between 800 Hz and 6.300 Hz with an attenuation of 6.5 dB at
800 Hz, and an attenuation of 7 dB at 3.150 Hz; an attenuation of almost 10 dB around 6.300
Hz [23-24]. The two higher frequency bands between 8.000 Hz and 10.000 Hz are lower
their attenuation coefficient at just 1 dB, as shown in Figure 10.
In configuration C, i. e. double 30 mm diameter spheres row placed at a 40 mm
distance, the M configuration has another completely different effect on sound attenuation:
almost all 1/3 octave bands between 800 Hz and 12.500 Hz show different attenuation
indexes ranging from 0 dB between 5.000 Hz and 6.300 Hz up to 1 dB between 1.250 Hz and
1.600 Hz, 1,5 dB at 3.150 Hz, around 2 dB at 1.000Hz and 8.000 Hz, 3 dB at 800 Hz and
12.500 Hz, 5 dB at 2.500 Hz, 6 dB at 4.000 Hz, 7 dB at 10.000 Hz and 12 dB around 2.000 Hz,
as shown in Figure 11.</p>
    </sec>
    <sec id="sec-5">
      <title>5. Discussion</title>
      <p>Present work presents, after a brief historical and a theoretical discussion, some
existing 2D and 3D M arrangements scale experiments and their results. We then propose,
realize and measure sound behavior of 3 specific M structures composed by little polymer
spheres arranged according to a 3D lattice. Acoustic measurements were caried out with a
sine sweep technique and 1/3 octave band graphic results representation clearly shows
that our proposed M structures present the sound attenuation in different frequency ranges.
Single row AM disposition shows an even energy attenuation from 800 Hz up to 12.500 Hz
between 0 dB and 5 dB. Double row first AM disposition show a pronounced U behavior
between 800 Hz and 6.300 Hz from the 6.5 dB at 800 Hz to 1.5 dB at 1.600 Hz rising up to –
7 dB at 3.150 Hz and 10 dB at 6.300 Hz. Double row second AM disposition show a more
chaotic sound absorption behavior with 0 dB attenuation at 5.000 Hz and 6.300 Hz up to an
astonishing 12 dB energy attenuation at 2.000 Hz, without a clear tendency characteristic.
So different energy reduction behaviors in sound attenuation open many practical
possibilities, as they can be specifically adapted for different purposes and “tuned” as noise
filters from air ventilation systems up to noise barriers for road applications [25-29].</p>
    </sec>
    <sec id="sec-6">
      <title>6. Conclusions and Future work</title>
      <p>Due to the demonstrated different AM attenuation capability of our arrangements,
we aim to extend our work repeating the experiments with a broader frequency sine sweep,
in order to investigate infrasound, sound and ultrasound acoustic behavior of these specific
arrangements. It would be probably interesting to investigate the acoustic behavior of this
specific arrangement and model from very low frequencies to at least 10.000 Hz. Further
development of this acoustic application will measure hollow spheres in order to obtain
resonant systems. Metamaterials can be used for the acoustic correction of monumental
places, where the conservation of aesthetics takes on fundamental value. For example,
metamaterials can be new elements of urban furniture to protect the cultural heritage; it is
no coincidence that a sculpture is one of the first examples of the applications of
metamaterials. Further developments could be the applications with machine learning
techniques to optimize the lattice structures to improve the effectiveness of metamaterials.</p>
    </sec>
  </body>
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