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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>Clues of Personal Events in Online Photo Sharing</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Pierre Andrews</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Javier Paniagua</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Fausto Giunchiglia</string-name>
          <email>faustog@disi.unitn.it</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Dipartimento di Ingegneria e Scienza dell'Informazione University of Trento</institution>
          ,
          <country country="IT">Italy</country>
        </aff>
      </contrib-group>
      <abstract>
        <p>There is currently a trend in media management and the semantic web to develop new media processing methods and knowledge representation techniques to organise and structure media around events. While this increased interest for events as the central aggregator when organising media is supported by strong research in the elds of knowledge representation and computer vision; it is not yet clear how the digital era users use events when sharing their personal media collection. In this paper, we explore how users share photos online and discuss the results of a preliminary automatic processing of the data collected. We show that while media sharing services do not support events as yet, users still share their media around personal events, either by providing explicit spatio-temporal metadata, or by using an event-centric vocabulary.</p>
      </abstract>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>Introduction</title>
      <p>With the increased availability of digital capturing devices, people now build
large personal media collections; what is then done with these media has
drastically changed in the last years with the emergence of popular photo sharing
services like Flickr1 or Picasa2 and social networks sites such as Facebook3.
Understanding how people organise and share their digital collections is key to
building better tools that accommodate for the users' needs instead of forcing
them to change their mental model to t a xed software work ow. This
workow has changed with the introduction of new technologies and ways to interact
and share media online; the user's goal is now, not only to archive media for a
personal use but also to share them with relevant contacts online. Therefore the
issue is not only of organising the user personal media collection for better future
search and retrieval, but also the one of organising shared media for visibility to
the relevant people and future search and retrieval of these media not just for
the author that built the collection but also by these relevant people.</p>
      <p>Until recently, the \album" concept was one of the main metaphor for helping
users to organise their personal collection, thus staying close to how photo prints
1 http://www.flickr.com
2 http://picasaweb.google.com
3 http://www.facebook.com
where organised previously. However, new metaphors of organisation are now
emerging to leverage more complex indexing and search. Flickr for instance has
introduced a very loose organisation system, focusing on tags to group photos,
and with the availability of GPS technology, media management services have
introduced the possibility to \geotag" media and to browse and search them
with location based services. Some have also introduced search and navigation
services based on who is in the photo and when it was taken, using the metadata
provided by the camera.</p>
      <p>This use of media metadata is moving away from the physical photo album
metaphor. However, there is still a semantic gap between the low level metadata,
the high level information of who is in the photo or where it was taken and
how people group their media for personal archiving and sharing. In fact, most
popular media management services still provide the \album" metaphor4 as
people still have a need to group media together in ways that are more meaningful
to them than just a location or time grouping. Researchers are thus focusing
around the event metaphor to combine metadata seems to represent part of the
higher level intent of the users when they group their media.</p>
      <p>While this metaphor is backed by some early user studies, these were led
before the large adoption of social media sharing services and there has been little
recent research on how users actually use events digitally to organise and share
their media. Discovering if this is the case is not an easy task, and in this paper
we discuss an initial study of the sharing behaviour of users on Flickr and Picasa
to see if they are currently using events when sharing their photos online. We rst
introduce the current work on event representation for media management and
the current model of events (Section 2). In the following sections we discuss how
we have collected data on Flickr and Picasa (Section 3), how people use event
metadata when organising in the album metaphor of these sites (Section 4) and
how, even when they do not explicitly use such metadata, they often share media
by using an event-centric vocabulary (Section 5).
2</p>
    </sec>
    <sec id="sec-2">
      <title>Events for Media Organisation</title>
      <p>
        It seems that people take photos to archive important events and share within
their close community. [
        <xref ref-type="bibr" rid="ref16">16</xref>
        ] and [
        <xref ref-type="bibr" rid="ref11">11</xref>
        ], found clues that people intentionally classify
photos according to events in their lives. This fact has been observed even before
the advent of digital photography in [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ]; however, Chalfen argues that people do
not share pictures per-se but use them to tell a story. More recently, Miller et al's
user study [
        <xref ref-type="bibr" rid="ref12">12</xref>
        ] similarly concluded that users took photos primarily to archive
important events and share within their community; however, at the time of
their study, they found that layman users did not share photos actively online
and preferred to use prints or email.
      </p>
      <p>
        This organisation of photos \chronologically by event" eases the search and
retrieval of speci c photos in personal collections as it aligns with the way
memory is structured. According to [
        <xref ref-type="bibr" rid="ref21">21</xref>
        ], humans identify activity boundaries at
4 Flickr calls it a \Set".
points that correspond to a maxima in the number of changing physical features,
thus aggregating memories around events. [
        <xref ref-type="bibr" rid="ref10">10</xref>
        ] states that the brain operates in
this way to cope with the increased di culty brought by indexing new
information when it is dissimilar from the \current moment" beyond a certain threshold.
Some are thus proposing a event-centric models to characterise media in terms
of the events they are associated with [
        <xref ref-type="bibr" rid="ref4 ref6 ref8">6,8,4</xref>
        ].
      </p>
      <p>
        Last.fm and Upcoming.org are services that already try to link media and
event. They do so for public events such as concerts or conferences, but still
do not allow users to share their personal events (e.g. weddings, birthdays). [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ]
presents a user study to elicit requirements for such services and interaction
paradigms that help discover and enrich public events. While this approach is
interesting for public events, it does not clarify if users naturally use personal
events to organise and share their personal media collections.
      </p>
      <p>
        [
        <xref ref-type="bibr" rid="ref21">21</xref>
        ] recognises subject, actors and causal properties as components of the
human perception of and event, stressing the importance of the temporal and
spatial aspects to build the event structure. [
        <xref ref-type="bibr" rid="ref1">1</xref>
        ] de nes events as having a close
link to their spatio-temporal collocation and to the things that constitute their
subject (e.g., a sparrow in the event \a sparrow falls"). Inter-event relations are
studied in [
        <xref ref-type="bibr" rid="ref17">17</xref>
        ] that states that events may be composed of sub-events that are
temporally, spatially and causally connected. [
        <xref ref-type="bibr" rid="ref7">7</xref>
        ] explores use case scenarios to
show possible ways in which untrained users may organise media in terms of
events with complex spatio-temporal structure.
      </p>
      <p>
        Practical models for events can be found in the IPTC G2 family of news
exchange standards are provided. EventML5 is one of these standards oriented
at describing public events in a journalistic fashion, although support for media
is limited, and this model is close to Chalfen's idea that media are only used to
support a story. A set of requirements for a base model of events is presented
in [
        <xref ref-type="bibr" rid="ref20">20</xref>
        ] that categorises all the properties and relations of an event into six
aspects: temporal, spatial, informational, experiential, structural and causal. The
F event model [
        <xref ref-type="bibr" rid="ref18">18</xref>
        ] speci cally addresses most of these requirements, [
        <xref ref-type="bibr" rid="ref19">19</xref>
        ] also
addresses the temporal, spatial and informational aspects by integrating di
erent ontological models. The Simple Event Model is proposed in [
        <xref ref-type="bibr" rid="ref5">5</xref>
        ] to represent
not only who did what, when and where, but also to model the roles of each
actor involved, when and for how long this is valid and according to whom.
MediAssist [
        <xref ref-type="bibr" rid="ref14">14</xref>
        ] organises digital photo collections using time and location
information combining it with content-based analysis (face-detection and other
feature detectors). The work in [
        <xref ref-type="bibr" rid="ref15">15</xref>
        ] uses time and latitude/longitude data to
analyse tags and unstructured text from photos on Flickr to extract place and
event semantics. VisR6 is a smartphone application that detects events from
photos and metadata available on the device. All these studies have in common
the predominance of the spatio-temporal aspect of events as it is the one that
helps users determine inter-event boundaries, recollect their memories and nd
5 http://www.iptc.org/site/News_Exchange_Formats/EventsML-G2/
6 http://www.visrapp.com/
their media. Thus, events refers to \something that occurs in a certain place
during a particular interval of time" [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ].
3
      </p>
    </sec>
    <sec id="sec-3">
      <title>Photo Sharing Websites: Data Collection</title>
      <p>
        Event-centric services such as Upcoming.org or Last.fm are focused on public
events such as concerts or conferences. While datasets [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ] based on these websites
already provide samples of media organised around event metadata, they do not
represent personal events. That is, media of more personal events, such as a
birthday or a holiday, are not shared on these websites. However, this kind of
media can be found on photo sharing websites such as Flickr and Picasa where
users share photos of personal happenings with their family and friends.
      </p>
      <p>These websites do not provide a way to organise photos around events but
provide a way to group photos in albums.These albums can only have a very
small amount of metadata and are not presented as events to the user. On
Picasa, albums can have a title and a description, and optionally a date and a
location; on Flickr, sets can only have a title and a description.</p>
      <p>We are interested in seeing how the users describe albums they share on
Picasa and Flickr by using the title and description elds. Our hypothesis is
that if they share media related to events, they will provide the event metadata
in the elds that are available to them and we will nd event references in the
titles and descriptions of the albums. We are focusing on these two social sharing
sites as they are some of the more popular available at the time of writing; while
Facebook is also very popular, it provides very similar features (album based
organisation of photos) and does not allow data collection.</p>
      <p>We have thus collected a dataset of digital albums shared on Flickr and
Picasa. To select users, we use the \explore" pages of each website that feature
randomly selected photos; from these photos, we nd a set of random users and
collect all public albums that are shared by these users. For each album shared
on Flickr we retrieve: (a) the title of the set, (b) the user identi cation, (c) the
URL of the set and (d) the number of photos and videos within the set. For
each album from Picasa we collect: (a) its URL, (b) the date speci ed for this
album, (c) the number of photos, (d) the title, (e) the description and (f) the
user identi cation.</p>
      <p>
        Because both websites are international, many entries are not written in
English. In this paper, we are only able to process metadata provided in English and
thus want to lter out the other languages. The perl Lingua::Identify7 module
was used to identify the language of the title and description (when available)
in each album entry. The algorithm provided by this module was trained on the
EuroParl corpus [
        <xref ref-type="bibr" rid="ref9">9</xref>
        ]; we have performed a manual annotation of a subset of the
automatically processed entries from the Picasa dataset and have found that the
algorithm labels English albums with a 89% precision.
      </p>
      <p>We are interested to see if users refer to locations when they describe albums
and have thus automatically processed the dataset to nd references to
geo7 http://search.cpan.org/~ambs/Lingua-Identify/
graphic locations. The Yahoo! Placemaker8 service is used to perform this task.
This freely available geoparsing service can identify place references in
unstructured text. While Yahoo! does not provide information on the accuracy of their
algorithm, from our manually annotated sample, we found that Placemaker is
able to detect if there is at least one location reference in an English title with
81.2% accuracy.</p>
      <p>References to dates are also of interest to us as time is a main attribute of
an event. To detect such references, we analysed each title with a custom date
parsing algorithm that detects full dates but also partial dates (e.g. \Paris'08")
and periods (e.g. \40.5 miler in Sespe Wilderness April 2nd - 5th 2010"). On our
manually annotated sample, this algorithm performed with 88.1% accuracy.</p>
      <p>We have collected 32 168 sets from Flickr and 88 593 albums from Picasa
over the month of July 20119. We have kept only English albums, resulting in
5 339 (16.6%) sets from Flickr, and 11 355 (12.8%) albums from Picasa.
4</p>
    </sec>
    <sec id="sec-4">
      <title>A Given Place and Time</title>
      <p>According to the de nition that we introduced in Section 2, the two main
attributes de ning an event are its location and when it happened. Thus, if users
are to describe events using albums when sharing their photo, they will probably
specify some of these attributes within the available attributes. We found that in
the Picasa dataset, only 31% of the albums have a description and thus, in this
paper, we focus on the title attribute of the albums as we do not have enough
data to draw conclusions from the descriptions.
8 http://developer.yahoo.com/geo/placemaker/
9 the random crawling collected albums posted between 2006 and 2011.
on Picasa is lled automatically with the album creation date if the user does
not specify any value explicitly. When there is a date in the title on Picasa, it is
often not consistent with the album date eld. It seems that while the users are
ready and interested to share their photos around dates, they are not motivated
to ll in an extra metadata eld. The reason behind this might be a limitation
in Picasa's interface or it can simply be because the users do not see the gain in
lling this extra eld.</p>
      <p>While the date is an important attribute of events, albums with only a date
reference are not always events according to our previous de nition. In fact, from
a preliminary manual annotation of the Picasa dataset, we can see that 27.3% of
the albums with a date reference but no location reference are not really events.
This is because there are catch-all albums for entire years or months, where users
put photos of many di erent events in the album (e.g. \Misc. Apr. 2009"). The
album is thus only a way to aggregate photos in a time range and not used to
represent a speci c event. This happens also when people share photos of their
newborn child for milestone periods (e.g. \Jake - 9 months: March").</p>
      <p>There are less albums with an explicit location reference, but it still makes
for a fourth of the dataset. From the manual annotation, we can see that 78.7%
of the albums with only a location reference are actually events. In the same
way as with the dates, users use locations for catch-all albums where they put
photos of a location they visited multiple times but not for any speci c event
(for instance for photos of their home-town).</p>
      <p>In these two cases, we can see that the dates and locations are sometimes
used only as aggregators for media that could be replaced by automatic metadata
based services. However, it seems that the users are not aware of, or willing to
use, these services on the studied websites.</p>
      <p>96.8% of the albums with a date and a location together were annotated
as being events by the manual validators. While these albums represent a small
amount of the dataset, we can already see that when space and time are speci ed
in the title, the users wanted to share an important event.
5</p>
    </sec>
    <sec id="sec-5">
      <title>An Event Vocabulary</title>
      <p>In the previous section, we have looked at how users might use album attributes
to describe explicitly an event location or date. However, there are many events
represented on Picasa and Flickr that do not include explicit dates or locations.
For instance \Janet and Ian's wedding", \father's day", \Michelle's shower" or
\Christmas Eve" are all titles of albums from our dataset that do represent
important personal events with no explicit dates or locations. Thus, there might
be more albums in this dataset that represent events than the previous section's
analysis hinted.</p>
      <p>In fact, if we look at the most popular words used in the titles (see Table 2),
many of them are references to events (e.g. \party, \wedding", \trip") or time
periods, without having explicit dates. Note that, while not shown in Table 2,
the most popular words in the vocabulary are years, in fact on Flickr, 11.0%
of the vocabulary are numerals while on Picasa 17.5% of the words used are
numbers. Table 2 reports gures in per-thousand, while the distribution of the
vocabulary follows a very steep long-tail curve, the most popular words still do
not cover a large part of the album vocabulary.</p>
      <p>
        While it is easy to see that in the most used words in the dataset there
are concepts representing events, it is not an exhaustive view of the dataset
and it would be interesting to see how many albums refer to events by using
such vocabulary. However, it is not easy to exhaustively list manually the whole
vocabulary that could be used to refer to events. We take a semi-automatic
approach, using WordNet [
        <xref ref-type="bibr" rid="ref13">13</xref>
        ] as a thesaurus, to nd all terms that might refer to
a concept representing an event. To do so, we have listed all inherited hyponyms
of the synset event#n#1 { which include the words \wedding", \birthday", etc.
{ and of the synset calendar day#n#1 { which include the words \Christmas",
\Thanksgiving", etc. This provides us with a list of 11 092 words and 14 304
concepts combined in 15 389 word-concept pairs10 that we then searched in the
titles of the albums in the dataset.
      </p>
      <p>
        We found that around half of the albums (Flickr: 49.4%; Picasa: 50.9%) have
a title with at least one word that represents an event according to WordNet. Of
these albums, only 29.6% have a date or a location (or both) in the title. There
are indeed many albums that describe events without providing either an
explicit date or a location reference (e.g. \Katie's Swiss trip", \Field trip - Farm",
10 Note that because of homography, the same word can appear under di erent
concepts.
\Lily fathers Day"). From a preliminary analysis at these albums, it seems that
many of them either refer to the third important attribute of an event: the
participants; or to relative dates (e.g. \Father's Day", \My Birthday") or locations
(e.g. \Trip Home"). In fact, we can see in Tables 3 and 4 that the day#n#3
and calendar day#n#1 are among the most used concepts. This is in line with
Jain's [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ] de nition of an event: \a signi cant occurrence or happening, or a
social gathering or activity". However, relative location or participant references
are hard to detect automatically and further work is required to check how these
are used in the album vocabulary.
      </p>
      <p>WordNet is a very detailed vocabulary and many terms that it declares as
relating to the event concepts might not be used by the users to refer to events.
Indeed, there is ambiguity in the vocabulary and we have taken a naive approach
where we count the occurrence of all possible words without applying
disambiguation. For instance, Michigan#n#3 appears as one of the most popular leaf
concepts for Flickr; however, this concept represents a card game called
\Michigan" but might have been used by users in their album title as the location. The
other top concepts however represent less ambiguously event references.</p>
      <p>
        This con rms Chalfen's conclusions that people like to take photos around
personal events that they then share with a community made of close relations
([
        <xref ref-type="bibr" rid="ref2">2</xref>
        ]). However, as we have discussed earlier, these photos are usually shared
without description, and thus Chalfen's hypothesis that people use photo to tell
a story might not be exact on photo sharing websites.
6
      </p>
    </sec>
    <sec id="sec-6">
      <title>Discussion</title>
      <p>
        The results we found, while preliminary, show that there is a tendency for users
to share photos around places and location. While this is not a guarantee that
they are sharing albums about speci c personal events, it seems to align with
the previous observations of Zacks et al and Kurby et al [
        <xref ref-type="bibr" rid="ref10 ref21">10,21</xref>
        ] who found that
users like to segment their memories around time and space.
      </p>
      <p>
        While most event models discussed in the state of the art (for instance [
        <xref ref-type="bibr" rid="ref19">19</xref>
        ])
represent events around dates and locations too, they do not seem to t perfectly
the behaviour of the users that we observed on the sharing sites. In particular,
some users seem to aggregate media around date or location without describing
events (e.g. the newborn album cases pointed out earlier). While this could be
done automatically from the metadata of the photos, there might be a higher
semantic to this grouping when sharing. As Chalfen [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ] discusses, even if it was
for printed photo, people group photos together to support a story and not
always just for the content of the photos per-se. That is, the grouping of photos
of the \second month" of a baby is not a speci c event according to most of the
existing metadata models but is still an event of importance for the users that
share them online.
      </p>
      <p>
        In addition, in accordance to Chalfen's [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ] and Miller et al. [
        <xref ref-type="bibr" rid="ref12">12</xref>
        ], people share
photos around important personal events. These events (e.g. Christmas, trips,
visits) are not always global events and their scope is limited to the close circle of
personal relationships. This kind of sharing has probably a di erent purpose from
the one of exploring concert or conference photos (for instance) as is discussed
in [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ], or from the news outlet use-cases for which the IPTC standards have been
developed11. Therefore, we need custom model and services for layman users.
      </p>
      <p>
        As was pointed out in [
        <xref ref-type="bibr" rid="ref12">12</xref>
        ], there is also a stronger issue of privacy and access
control when dealing with the sharing of personal events. On Picasa and Flickr,
we were able to crawl public albums { featured on the website main pages { that
were of highly personal nature but are accessible to anyone online. While this
is not the scope of this paper, we believe that there is a need for better privacy
services directly integrated with the event models to deal with the personal
media sharing use-cases.
7
      </p>
    </sec>
    <sec id="sec-7">
      <title>Conclusion</title>
      <p>In this paper we present a preliminary study of a dataset of albums shared on
Flickr and Picasa. As we show, while these two services have di erent interfaces
and features, users tend to have the same behavior on both sites and we believe
that this demonstrates some general intent of the users more than site-speci c
behaviors. While this is a raw analysis of the data and a more extensive manual
annotation is required, we have found that a signi cant amount of users share
media online illustrating personal events, and use time-location metadata to
describe them. In fact, we have found that more than a third of the albums
shared reference a date in their title and more than a fourth refer explicitly to
a location. Users also seem to group their photos around important personal
events (e.g. birthdays, wedding, festivities) without always specifying explicitly
a location or date.</p>
      <p>We are planning future work, in particular in analysing the user needs and
habits directly with the users, it shows that they already try to use events when
sharing media, even when the applicative work ow does not allow it explicitly.
We are also planning to extend this work to study the current use of geo-tagging
when sharing media. Therefore providing users with new interfaces and services
using the event metaphor should improve their experience and the searchability
of the media they share online.
11 http://www.iptc.org
The research leading to these results has received funding from the European
Community's Seventh Framework Programme (FP7/2007-2013) under grant
agreement no248984 GLOCAL and no247758 EternalS.</p>
    </sec>
  </body>
  <back>
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