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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>ICT and Art Heritage: a Project of the University of Udine for the Dissemination of Knowledge</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Donata Levi</string-name>
          <email>donata.levi@uniud.it</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Dipartimento di Storia e Tutela dei Beni Culturali, Università di Udine</institution>
        </aff>
      </contrib-group>
      <abstract>
        <p>The article illustrates some activities of LIDA, the Information Laboratory for Art History of the University of Udine. It focuses on a regional pilot project on ICT and cultural heritage, InfoBC. The project is based on the integration of existing electronic databases on the cultural heritage of the Region and the diffusion of data through both Web and mobile phones. The project‟s aim is to develop a multifaceted tool which can be used by local Governments and Institutions to preserve and promote the cultural heritage of the territory.</p>
      </abstract>
      <kwd-group>
        <kwd>ICT</kwd>
        <kwd>Cultural Heritage</kwd>
        <kwd>Cultural Tourism</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>1 Introduction: LIDA</title>
      <p>
        LIDA - Information Laboratory for Art History [
        <xref ref-type="bibr" rid="ref1">1</xref>
        ] - founded in 2004, is part of the
Department of History and Preservation of Cultural Heritage of the university of
Udine. LIDA experiments the ICT in relation with art heritage, not only, as usual, in
the cataloguing of works of art, but in relation with the history of art heritage as a
whole. Its work focuses on those documents - both texts and images – which allow to
reconstruct those events and vicissitudes which affected the works of art, historical
sites and urban contexts in the past. LIDA‟s projects are therefore mainly centered on
the use of ICT tools in art historical fields, such as art collecting, conservation and
restoration, preferences of taste and fashion, that is ,those processes (material and
cultural) by which art heritage has been preserved until now. Moreover, one of the
LIDA‟s main concerns is the necessity to make people aware of the importance of
these processes in their own perception of the art heritage; in this sense ICT can
provide innovative solutions also in the dissemination of information among various
kinds of people: tourists, citizens, students, etc., be they expert or not.
The Laboratory belongs to a humanistic Department; as far as contents are concerned,
the research is carried out by art historians and archaeologists who, however, work in
close connection with computer scientists and engineers of the Science Faculty. This
collaboration between two highly (and separate) specialized disciplines is the core of
all our projects and favors a fruitful dialogue. The two disciplines maintain their
specificity, without overlapping, while mutually enriching. The art historians can
benefit from the use of the ICT because it allows a rational and efficient retrieval of
information and a more effective dissemination of knowledge, and because ICT may
suggest new and fruitful approaches to the research, with potentially important results.
The scientists, on their part, can test their tools in a highly complex and challenging
field, such as the production of works of art and their subsequent vicissitudes.
      </p>
    </sec>
    <sec id="sec-2">
      <title>2 Recent projects</title>
      <p>In the last years, in collaboration with the Soprintendenza PSAE-BAP of Pisa and
under the aegis of the Ministry of Cultural Heritage, LIDA has participated as
coordinator in the experimentation, on a national scale, of two software systems:
ARISTOS and SICAR.</p>
      <p>
        ARISTOS [
        <xref ref-type="bibr" rid="ref2 ref7 ref8 ref9">2, 7, 8, 9</xref>
        ] – Web application for the History of the Protection of Historical
and Art Objects – regards specifically the history of protection of works of art. The
relational database is used to organize and manage data from historical documents
existing in the archives of the Soprintendenze (the local offices of the Ministry of
Cultural Heritage). It scans thoroughly a single document, it extracts the relevant data
and it organizes them according to categories, such as „people‟, „institutions‟, „works
of art‟, „buildings‟, „events‟. The latter category includes everything which affected a
work of art in the past, such as an ancient restoration, a move for an exhibition, its
being included in an inventory, its graphic or photographic reproductions, as well as
damages or, in the worst case, parLtaianlatourra tdoeltleailnfdoermstarziuocnitions.
      </p>
      <p>ARISTOS</p>
      <p>Building
ARISTOS</p>
      <p>SOURCE</p>
      <p>Istitution</p>
      <p>Art work</p>
      <p>
        Event
Person
SICAR [
        <xref ref-type="bibr" rid="ref3 ref5 ref6">3, 5, 6</xref>
        ] – Web-based GIS for the documentation of ongoing restoration
works – collects data related to conservation activities. It is a kind of restoration
journal and, as it works on line, allows to store day by day and to easily retrieve all
sorts of documents: diagnosis, relations on technique and materials, chemical
analyses, maps, etc. The peculiarity of this system is that it allows to link each piece
of information to a specific point in the digitalized image (orto-photogrammetry) or
the map oSfItChaer owb/bj:eucnt uSnisdteemrareInsftoorrmataitoivno. per la documentazione dei Cantieri di restauro
Besides these databases, LIDA has experimented E-DVARA (E-Contents Platform for
Heritage and Science), developed by the university of Udine. This platform allows to
store, organize and manage large amounts of different kinds of data. The most
important feature of the platform is that has been conceived and developed as an
easyto-use, friendly and flexible tool, which art historians and humanists can model
according to their specific needs. Thus, several projects have been developed – some
of them still ongoing – as “personalized” research projects by researchers or small
teams: each of them, without any special knowledge in computer science, have been
able to build their own database, by specifying the fields and the relations among
them, and creating their own search forms.
      </p>
      <p>Venetian collections in the age of Pietro Edwards: processes data from inventories and
estimates of Venetian art collections at the end of the 18th century, and retrieves information
about artists, collectors, art schools, subjects, iconography, etc.;
History of Preservation of Cultural Heritage in Friuli Venezia Giulia (1866-1923): virtual
collection of 19th century documents, now dispersed in various Italian archives and libraries, in
order to re-construct, as far as possible, the original archive which was destroyed during WW1;
Digital Library of Friuli: 18th and 19th century books and pamphlets on local antiquities and
local history.
3</p>
    </sec>
    <sec id="sec-3">
      <title>A project for cultural tourism</title>
      <p>Relying on these experiences and the skill so acquired, we built in 2007 a pilot project
entitled Computer Science and Web Technologies for the Cultural Heritage:
Innovative Portable and 3D Services for Cultural Tourism, which was financed by the
Region Friuli-Venezia Giulia for the years 2008-2011.</p>
      <p>
        InfoBC [
        <xref ref-type="bibr" rid="ref4">4</xref>
        ] includes a 3D-experimentation and the interaction with Web 2.0, aiming
at integrating the databases of the Cultural Heritage of the Region – i.e., ARISTOS,
SICAR, and SIRPAC which catalogue the historical buildings and works of art of the
Region. Integration is a very important issue, because the recent years have featured
a proliferation of initiatives in the field of electronic resources and today we face a
fragmentary situation of systems and criteria. We built a Web service which allows to
query simultaneously different art-related databases, and retrieve data in an ordered
and easily consultable manner, both at home and while travelling via mobile phones.
The customer either creates his/her own route according to individual interests, or
chooses among sets of information organized by experts, who use the scientific
database contents and materials from other sources - such as historical and literary
texts; images (engravings, historical photos, maps, architectural plans...); audio and
video documents. These itineraries aim at enhancing the knowledge of sites and
monuments, and the appreciation of their historical and artistic meaning on the part of
the public at large. They cover a wide range of historical, literary and art issues and
topics. Among the latter, two itineraries have been devoted to Aquileia, one of which
focussed on the social life in the roman Aquileia, and the other one on the Christian
period.
      </p>
      <p>As one walks receives information about the route to follow. When one reaches the
“point of interest”, he/she receives specific information about the site, privileging the
use of visual material such as plans, maps, old photos, engravings and so on, in order
to avoid long descriptions.</p>
      <p>On the following figures, we show how the “points of interest” are visualized on a
map on a mobile phone.</p>
      <p>InfoBC is supervised by P.Coppola, Dept. of Mathematics and Computer Science and myself,
coordinated by M. Mozzo and M.Visentin (LIDA). The project has been developed by
A. Dal Bianco, P.Omero, M.Valotto of InfoFactory, a spinoff of the university of Udine.
The section of the mobile guides has been developed by the Context-Aware and Mobile
Systems Lab of the univ. of Udine: L.Castenetto, M.Menazzi, D.Mischis, P.Zuliani.
Scholars and PhD students of the same university have been entrusted of this task, thus
completing their academic curriculum: E.Bertaglia, E.Braidotti, I.Collavizza, M.de Sabbata,
D.Flaim, D.Gnesi, G.Rubino. E.Bertaglia and M.Mozzo have been entrusted of the supervision.
The itineraries have been prepared by E.Braidotti and supervised by E.Siotto.
Our aim in preparing these guides is helping visitors to “read” the today‟s aspect of an
area and consider it as the result of a long and complex historical process, thus
offering them not mere pieces of information, but enhancing in them the sense of their
cultural value.</p>
    </sec>
    <sec id="sec-4">
      <title>Conclusions</title>
      <p>The final results of the project InfoBC will be illustrated in a conclusive seminar to be
held at the end of September 2011. Our aim has been to develop a multifaceted tool
which we hope will be used by local Government and Institutions to preserve and
promote the cultural heritage of the territory.</p>
    </sec>
  </body>
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</article>