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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>The Indiana MAS Project: Goals and Preliminary Results</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>V. Mascardi, D. Briola, A. Locoro,</string-name>
          <email>maurizio.martelli, massimo.anconag@unige.it</email>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>V. Deufemia, L. Paolino, G. Tortora, R. Francese, G. Polese</string-name>
          <email>fdeufemia, lpaolino, tortora, francese, gpoleseg@unisa.it</email>
          <email>gpoleseg@unisa.it</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Facolta` di Scienze MM. FF. NN., Universita` degli Studi di Salerno</institution>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>M. Martelli, M. Ancona, Dipartimento di Informatica, Bioingegneria, Robotica e Ingegneria dei Sistemi, Universita` degli Studi di Genova</institution>
          ,
          <addr-line>Email: fviviana.mascardi, daniela.briola, angela.locoro</addr-line>
        </aff>
      </contrib-group>
      <abstract>
        <p>-The Indiana MAS project, funded by the Italian Ministry of Education, University and Research “Futuro in Ricerca 2010” program, aims at providing a framework for the digital protection and conservation of rock art natural and cultural heritage sites, by storing, organizing and presenting information about them in such a way to encourage scientific research and to raise the interest and sensibility towards them from the common people. The project involves two research units, namely Genova (Dipartimento di Informatica, Bioingegneria, Robotica e Ingegneria dei Sistemi) and Salerno (Dipartimento di Matematica e Informatica), for a period of 36 months, starting from march 8th, 2012. The technologies adopted in the project range from agents to ontologies, as requested by the complex nature of the platform, where each module is devoted to a specific task: sketch and symbol recognition, semantic interpretation of complex visual scenes, multi-language text understanding, storing, classification and indexing of multimedia and heterogeneous digital objects. All of them should cooperate and coordinate in order to enable higher level components to reason on them and to detect relationships among different digital objects, hence providing new hypothesis based on such relationships.</p>
      </abstract>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>I. INTRODUCTION</title>
    </sec>
    <sec id="sec-2">
      <title>According to the UNESCO World Heritage Convention</title>
      <p>Concerning the Protection of the World Cultural and Natural
Heritage, signed in 1972 (http://whc.unesco.org/?cid=175),
“cultural heritage” includes: works of man or the combined
works of nature and man, and areas including
archaeological sites which are of outstanding universal value from the
historical, aesthetic, ethnological or anthropological point of
view; natural sites or precisely delineated natural areas of
outstanding universal value from the point of view of science,
conservation or natural beauty that are defined as “natural
heritage”.</p>
      <p>To cite the UNESCO World Heritage Convention
To ensure that effective and active measures are
taken for the protection, conservation and
presentation of the cultural and natural heritage situated on
its territory, each State Party to this Convention shall
endeavour, in so far as possible, and as appropriate
for each country:
...</p>
      <sec id="sec-2-1">
        <title>1) to develop scientific and technical studies and</title>
        <p>research and to work out such operating
methods as will make the State capable of
counteracting the dangers threaten its cultural or
natural heritage;
...</p>
        <p>By adhering to some of the most significant objectives
of the UNESCO World Heritage Convention, the European
Community has recently founded several projects aiming at
fostering the quality and effectiveness of ICT in the
cultural heritage field: the Epoch network of excellence (http:
//www.epoch-net.org/); the STREP project MultiMatch (http:
//www.multimatch.eu/) focusing on facilitating the interaction
between users and multi-modal and multilingual online
cultural contents; the CIDOC CRM (http://www.cidoc-crm.org/)
and Europeana Data Model (http://pro.europeana.eu/) standard
efforts, for knowledge representation in cultural heritage;
the FP6-IST BRICKS project (http://www.brickscommunity.
org/) and the DELOS network of excellence (http://www.
delos.info/), both aiming at designing, organizing, integrating
and preserving digital objects in cultural heritage digital
libraries; the FP6-IST AGAMEMNON project (http://services.
txt.it/agamemnon/), where Prof. Massimo Ancona was actively
involved, with the goal of offering to the visitor of an
archaeological site a personalised and enriched experience through
the use of mobile phones; and many other projects.</p>
        <p>Although all such projects represent a source of inspiration
for Indiana MAS and share many objectives with it, the
peculiarity of the artifacts handled by Indiana MAS makes
it necessary the adoption of specific tools and technologies
that are not applicable in the above projects, due to their more
general scopes.</p>
        <p>The aim of Indiana MAS, funded by the Italian Ministry of
Education, University and Research “Futuro in Ricerca 2010”
program, is the development of a framework for the digital
preservation of rock art, able to complement the techniques
adopted for the cultural heritage field with the adoption of
context specific techniques.</p>
        <p>Rock carving art is an example of cultural and natural
heritage, since it is often located in wonderful natural sites of such data into an existing collaborative tool set, and it
and represents an invaluable resource for understanding our should supply domain experts with collaborative facilities for
history. It is not a case that the well known rock carving processing the data and making assumptions about the way
sites of Tanum in Sweden, Altamira is Spain, Alta in Norway, of life of the ancient people based on these data. The digital
Lascaux in France, Valcamonica in Italy are all listed in the preservation, classification, and interpretation of rock carvings
UNESCO World Heritage Sites. raises many research challenges, such as the integration of</p>
        <p>Many other rock carving sites are spread all over Europe data coming from multiple sources of information and the
and from Northern to Southern Italy (Ciappo delle conche, interpretation of drawings whose meaning may vary based on
Ciappo dei ceci, Ciappo del sale, Pietra delle coppelle, Monte several information such as the objects depicted in the whole
Beigua in Ligury; Val Camonica and Valtellina in Lombardy; carving.
val Chisone, val di Susa, Val Sangone, Val Maira in Piedmont; The solution we propose to suitably face these challenges
Monte Sagro in Tuscany; Lillianes in Aosta Valley; Grotta del is based on the integrated use of intelligent software agents,
Genovese and Grotte dell’Addaura in Sicily). ontologies, natural language processing and sketch recognition</p>
        <p>The Indiana MAS project aims at the digital protection and techniques. Multi-agent systems (MASs) represent an optimal
conservation of rock art natural and cultural heritage sites, by solution to manage and organize data from multiple sources
storing, organizing and presenting information about them in and to orchestrate the interaction among the components
such a way to encourage scientific research and to raise the devoted to the interpretation of the carvings.
interest and sensibility towards them from the common people. Ontologies allow to define a common vocabulary that can
The platform that will be designed and implemented during be profitably exploited to organize data associated with rock
the project should support domain experts in the creation carvings, included their semantic annotations, and create
seof the repository, which may become a reference at Italian mantic relationships between them. Natural Language
Processand, maybe, European level as a thorough database of rock ing techniques can be used to extract relevant concepts from
carvings, and in the interpretation of rock carvings. It should text and for mining semantic relationships among them, hence
also promote the awareness and the preservation of the cultural supporting the definition and evolution of ontologies devoted
treasure by making cultural information accessible to all on the to describe the domain.</p>
        <p>Internet and preserve it for future generations. Sketch recognition techniques can be applied to classify</p>
        <p>In this paper we illustrate the objectives and the application the elementary shapes of the carving drawings and associate
domain of the project (Section II) as well as the expected their possible interpretations with them, and can also be
results (Section III), and describe the preliminary results used to obtain an automatic interpretation of a symbol that
obtained in the first months of the project activities (Section users draw on their tablet device. In the end, bidimensional
IV). Section V concludes the paper with some reflections and image recognition techniques can be successfully used to
future work. compare different rock carvings reliefs, or reliefs of the same
carving done by different archaeologists, in order to detect</p>
        <p>II. OBJECTIVES AND APPLICATION DOMAIN similarities between geographically distant carvings and to
Indiana MAS has five main objectives: assess differences and analogies between techniques used by
O1. integrating heterogeneous unstructured data (multi- different archaeologists in different ages.
lingual textual documents, pictures, and drawings) related The multi-agent framework (“Indiana Multi-Agent System”
to rock carvings into a single repository; or simply “Indiana MAS”) will be general enough to be used
O2. normalizing data by recognizing those referring to in any cultural heritage domain where rock carving is a central
the same object, correctly associating them with its digital feature. However, in order to demonstrate the feasibility of our
representation, and removing duplicate data; proposal and to measure its results in a quantifiable way, we
O3. classifying normalized data according to the “Indiana will apply it to the preservation of the rock art of Mount Bego.
ontology” that will be extracted in a semi-automatic way The choice of Mount Bego testbed was made because,
from the unstructured data, and that will evolve as data thanks to a consolidated collaboration between the University
will; of Genova and the Laboratoire De´partemental de Pre´histoire
O4. organizing classified data into a Digital Library and du Lazaret, Nice, France, the University of Genova has partial
making the library accessible thanks to a web-based, access to the ADEVREPAM database containing
informamultilingual, user-friendly interface; tion about all the rock carving reliefs of that site (45.000
O5. interpreting data stored in the Digital Library, finding records). Also, the University of Genova owns an inedited
relations among them, and enriching them with the se- and invaluable collection of up to 16.000 drawings and reliefs
mantic information extracted thanks to this interpretation made by Clarence Bicknell between 1898 and 1910, in his
and relation retrieval stage. campaigns on Mount Bego. Bicknell’s legacy also includes
To this end, such a platform should enable the preser- nine notebooks, filled with notes in Victorian English, mostly
vation of all kinds of available data about rock carvings, unpublished. The integration of Bicknell’s legacy with the
such as images, geographical objects, textual descriptions of ADEVREPAM database represents the best possible way
the represented subjects, and the organization and structuring for safeguarding Bicknell’s precious work. This is another
important objective of the project.</p>
        <p>Besides these “organizational” reasons, there are also
scientific ones motivating the choice of Mount Bego as a testbed
for making the project’s objectives and results more concrete.</p>
        <p>Archaeologists and historians look at the area around Mount
Bego as an incredibly valuable source of knowledge, due to the
up to 40,000 figurative petroglyphs and 60,000 non-figurative
petroglyphs scattered over a large area at an altitude of 2,000
to 2,700 meters. The historical relevance of the Mount Bego
petroglyphs is unquestionable, as they date back to the early
Bronze Age, when humans left no written evidences and the
only witnesses of their existence are their tools and, indeed,
their “drawings”. Mount Bego rocks are not protected in a safe
place such as a museum and thus they are constantly exposed
to rough weather as well as vandalism of careless or malicious
visitors. If the latter may not be the main source of damage
(the Mount Bego area is hardly accessible in wintertime), the
first is definitely a constant threat; 8 months a year many of the
petroglyphs are drown into a thick curtain of snow and rains
are also frequent in summertime. It comes with no surprise
that many petroglyphs have been (and are still being) eroded
and some have been totally destroyed.</p>
        <p>Finally, there are historical and geological reasons making
Mount Bego rock art understanding relevant for Italian rock art
understanding too. In fact, until 1947 Mount Bego belonged
to Italy, and it shows close relationships with carvings that
we can find in Italian sites. A section of the engraved area
of Mount Bego still lies on the Italian side and is included
in the Argentera Park. Also, Mount Bego, Monte Beigua,
and Monte Sagro share the same role of relevant sanctuaries
for the ancient Ligures. Finally, strong relationships exist
between Mount Bego and Val Camonica rock art sites too:
Val Camonica rock is named “permian sandstone”. It is a
siliceous fine granulated sandstone, heavily polished by the
glacier during the last glacial era: it looks like and it acts
as a real natural blackboard. Only one other valley in the
Alps shows similar condition, although the rock there is called
“pelite”: it is, not by chance, the Mount Bego.</p>
      </sec>
    </sec>
    <sec id="sec-3">
      <title>III. EXPECTED RESULTS</title>
    </sec>
    <sec id="sec-4">
      <title>According to the objectives introduced in the previous Section, the results expected from the Indiana MAS project are the following:</title>
    </sec>
    <sec id="sec-5">
      <title>Integration of Bicknell legacy, written documents (in</title>
      <p>English, Italian and French) and pictures with the
Adevrepam database. As a measurable indicator, we assert
that we will add to the Adevrepam database data (already
storing about 55,000 documents relevant for Mount Bego
rock art) 10,000 new data by the end of the project.
Bicknell legacy contains drawings and annotations of
petroglyphs which are already stored in the Adevrepam
database. The Indiana MAS needs to recognize duplicates
in order to avoid the creation of multiple separate entries
for the same object. We expect that the Indiana MAS
will be able to automatically recognize duplicate or very
similar documents (text and images) in 35% cases on
average.</p>
      <p>
        We already developed an ontology [
        <xref ref-type="bibr" rid="ref1">1</xref>
        ], based on the
taxonomy by de Lumley and Echassoux [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ], for tagging
drawings with concepts taken from that ontology (namely,
for classifying drawings according to the ontology); that
ontology will be extended in a semi-automatic way in
order to correctly classify multilingual documents and
pictures, and not only drawings, and will be used to
classify newly inserted documents according to it. As far
as textual documents are concerned, we expect that at
least 80% documents (in English, Italian and French) will
be correctly classified according to the ontology. As far
as drawings are concerned, the correct classification will
be at least 25%.
      </p>
      <p>A Digital Library will be developed according to the
current standard formats and accessibility protocols in
order to make a part of the knowledge on Mount Bego
rock art available to everyone. The Digital Library,
named “Indiana GioNS” - Genoa, Nice, Salerno - will
be hosted by Genova and will be available, via a web
and agent-based interface, starting from the beginning of
the project’s second year.</p>
      <p>
        The Knowledge represented in this project will be also
analysable and visualisable from a spatio-temporal
perspective, and tools and services will be provided in order
to deal with these aspects. Reference works that will
inspire us in this direction are [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ], [
        <xref ref-type="bibr" rid="ref4">4</xref>
        ], [
        <xref ref-type="bibr" rid="ref5">5</xref>
        ].
      </p>
      <p>The Indiana MAS will integrate agents able to analyze
and interpret drawings, agents able to reason on pictures,
and agents able to understand natural language (in at least
Italian, English, French). From the interaction among
agents of these three different kinds, more sophisticated
interpretations of documents and correlations among
them will emerge. These results will be integrated into
Indiana GioNS as well, thus implementing a dynamically
growing repository of knowledge. This outcome is much
more difficult to measure in a quantifiable way than
the previous ones; independent domain experts will be
required to assess the quality of the interpretations and
relationships resulting from this activity.</p>
    </sec>
    <sec id="sec-6">
      <title>IV. PRELIMINARY RESULTS OBTAINED</title>
      <p>In the next sections we are going to illustrate the results
obtained in the very first months of the project activities, in
particular since the proponents received the notification of
funding (September 2011), by following the work package
structure reported in the Gantt shown in Figure 1. The work
package relative to the integration of the components in the
initial and final Indiana MAS prototypes did not start yet.</p>
      <sec id="sec-6-1">
        <title>A. Project Management</title>
      </sec>
    </sec>
    <sec id="sec-7">
      <title>The communication among all the parties takes place easily and efficiently via the indianaMAS@unige.it mailing list and via Skype.</title>
    </sec>
    <sec id="sec-8">
      <title>The work plan is fully respected (many tasks have already</title>
      <p>started even if their official start date is month 5), as shown
by the results achieved in the following sections.</p>
      <p>As a software application for the project management we
are currently using both DropBox and Google Drive, since we
are not yet developing software in a joint way and a shared
repository is enough. We will install SVN or other software
management applications if needed.</p>
      <p>
        The Kick-off meeting has successfully taken place on May
25th, 2012, in Capri, associated with the “Advanced Visual
Interfaces” conference where the first Indiana MAS paper [
        <xref ref-type="bibr" rid="ref1">1</xref>
        ]
was presented.
      </p>
      <sec id="sec-8-1">
        <title>B. Indiana MAS Design</title>
        <p>Figure 2 depicts the Indiana MAS architecture as it has
been conceived in the project proposal, together with its
main components (all the agents interact with each other;
communication arrows have been omitted for sake of clarity).</p>
        <p>To refine this architecture and to clarify the functionalities
that will be offered by our system, we have conducted a
requirements analysis starting from what kind of information
we will store and manage, how these are related and how they
will be available to the end users. Instead of listing all the
functionalities using a text representation or a Use Case form,
we developed a prototype of the Web Interface for the system.
Such interface is available online (http://www.disi.unige.it/
person/MascardiV/Download/IndianaMAS/ReqAnalysis/) and
its mere goal is to present the requirements, that is, to define
the main Indiana MAS functionalities that we plan to offer to
the users.</p>
        <p>The system will represent different types of users: at this
stage of requirements analysis we consider having “registered
users” and “simple users”. The former will insert new data
into the Indiana GioNS library, while the latter will only
query it. The system interface will handle different languages,
namely Italian, English and French. In Figure 3 the homepage
is shown.</p>
        <p>The “new digital object insertion functionality” will be
provided to the “registered users” only. Every digital object
inserted into the library will be characterised by a set of
common metadata, for example Title, Object, Description, and
a list of optional common metadata, for example Author, Age,
GPS coordinate; the “insertion functionality” will be different
for each specific digital object, either text or image.</p>
      </sec>
    </sec>
    <sec id="sec-9">
      <title>For example, text related metadata are relative to the Type</title>
      <p>of text (Article, book, Master thesis etc.), the Language, the
Abstract, and so on. These metadata will be a superset of a
standard language for the description of digital objects such
as Dublin Core1.</p>
      <p>The image related metadata are relative to the Type of image
(for example, whether it is a colored image or a black and
white image, whether it depicts something real or it is a manual
drawing, a panorama, and so on), the Symbol(s) appearing in
the image, their Interpretation.</p>
      <p>
        All the values allowed for the metadata will be chosen from
the Indiana ontology. Furthermore, the system will allow the
users to specify related digital objects already inserted into the
repository. The AgentSketch [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ] functionality will be provided
to manually draw a picture (that will be then treated as an
image): this can be useful to insert a new relief or to trace a
relief using a real picture as background.
      </p>
      <p>The system will accept from the user as many metadata
as s/he knows, then an automatic procedure will be called
to fill and check all such metadata, with the aim to deduce
more information from the digital object than the user knows,
helping him to link this new object to those already existing
in the library, hence to infer new information about the object
itself. For example, Indiana MAS will analyse the image and
will recognise the atomic symbols it contains, and will suggest
a possible interpretation of them, while reporting the list of
similar digital objects.</p>
      <p>After this process terminates, the user can either accept the
metadata automatically extracted by Indiana MAS or modify
them, before confirming the insertion of the new digital object.</p>
      <p>The query phase follows the above mentioned data structure:
1http://dublincore.org/.
the user is able to specify many kinds of queries, based on all
the metadata described before. Queries will be performed:
by entering common metadata,
by entering image specific metadata,
by entering text specific metadata,
by inserting an image to be compared with the already
exiting ones,
by inserting a text to be compared with the already
existing ones,
by using AgentSketch to draw a sketch to be compared
with the other images.</p>
      <p>In addition, all these queries can be combined. Queries can be
executed only over the Indiana GioNS library or over a set of
related libraries, selected by the user from the ones exposed
by the metadata harvester (see the next Section for details).</p>
      <p>The “simple users” will be able to follow a procedure called
“analysis”, that is the same procedure of the insertion, but
without inserting a new object into the digital library. This
procedure will help the user to evaluate an image or a text
against what already exists in the system, by taking advantage
of the Indiana MAS support in extracting features, without any
desire/permission to insert this object into the library.</p>
      <sec id="sec-9-1">
        <title>C. Design and Development of the Indiana GioNS Digital</title>
      </sec>
      <sec id="sec-9-2">
        <title>Library</title>
      </sec>
    </sec>
    <sec id="sec-10">
      <title>During the last months we were actively involved in a</title>
      <p>
        project for the design and development of a Digital Library
Management System called MANENT [
        <xref ref-type="bibr" rid="ref7">7</xref>
        ]. The system is
evolving towards an innovative architecture that is based
on big data management systems that run upon distributed
frameworks such as Hadoop2 and HBase3. These technologies
are exploited by social networks such as Facebook,
Twitter, and LinkedIn and everywhere a support for the
effective analysis and computation of TeraBytes of information
is needed. Following Google BigTable database4, the open
source community developed the Hadoop high-scalable
distributed filesystem that is de facto a clone of BigTable, and is
based on the MapReduce algorithm for the creation of parallel
tasks that work in each datanode of a cluster, without the
need for a developer to implement the mechanism of task
distribution, delivery, and execution. The master node, that is
the namenode, checks and handles automatically the different
processes that run on each datanode of the system.
      </p>
      <p>MANENT is the core of a digital library that should contain
a metadata harvester for collecting information on the digital
repositories that all over the world expose their data and
metadata in a standard format, such as those provided through
the OAI-PMH protocol5, as well as proper information coming
from its local digital library. By following the Digital Library
Reference Model provided by the DELOS project6, the system
2http://hadoop.apache.org/.
3http://hbase.apache.org
4http://en.wikipedia.org/wiki/BigTable.
5http://www.openarchives.org/OAI/openarchivesprotocol.html.</p>
      <p>6http://www.delos.info/index.php?option=com content&amp;task=view&amp;id=
345.
should provide functionalities for the collection, organisation,
search, and browsing of digital resources, such as documents,
images, people, and external sources of knowledge.</p>
      <p>The Indiana GioNS Digital Library should be hence
equipped with semantic services for the multi-language text
analysis, automatic classification, similarity matching,
semantic annotation, and indexing of all the sources of information
collected inside the library and all over the world.</p>
      <p>Figure 4 depicts the high-level architecture of the MANENT
system that should be the core of the digital library
management system developed inside Indiana MAS. The core
component for the local digital library is organised according to
different standard languages for the description of repositories
and digital objects (such as Dublin Core, EAD7 and Marc8). In
addition, it provides functionalities to the user for the insertion
of new objects and the search and browsing of them according
to such descriptions. Different adapters are finally conceived
to interface the system with the below cluster infrastructure
and the above web interface.</p>
      <sec id="sec-10-1">
        <title>D. Design and Development of Image Analysis, Classification and Interpretation Agents</title>
      </sec>
    </sec>
    <sec id="sec-11">
      <title>In order to analyse and properly classify the relief drawings</title>
      <p>
        several similarity measures have been evaluated so far. In
particular, we analysed three descriptors which have been
widely used for shape recognition: Shape Context [
        <xref ref-type="bibr" rid="ref8">8</xref>
        ],
InnerDistance Shape Context [
        <xref ref-type="bibr" rid="ref9">9</xref>
        ], and Radon transform [
        <xref ref-type="bibr" rid="ref10">10</xref>
        ]. To
allow a fast and effective drawing classification, the use of
such descriptors has been combined with Self-Organizing Map
(SOM) [
        <xref ref-type="bibr" rid="ref11">11</xref>
        ], a clustering and data visualization technique
based on neural networks. In general, the process used for
relief classification can be organized in three steps:
1) Extracting the features from the drawing dataset based
on the considered descriptor;
7http://www.loc.gov/ead/.
8http://www.loc.gov/marc/.
      </p>
    </sec>
    <sec id="sec-12">
      <title>2) Training the SOM by using the extracted features; 3) Classifying the query drawing Q by looking for the map cluster in the SOM most similar to the features extracted from Q.</title>
      <p>
        In order to verify the effectiveness of such descriptors, we
evaluated the constructed SOM on three datasets: MPEG7,
Relief75 and Relief1400. MPEG7 shape database is one of the
most popular dataset used for comparing the performances of
image similarity algorithms [
        <xref ref-type="bibr" rid="ref12">12</xref>
        ], and it contains about 1400
images divided into 70 classes. Relief75 and Relief1400 are
two datasets built by ourselves to understand the effectiveness
of our approach on the project test-bed, namely the Mont Bego
reliefs. The former contains 75 images divided into 10 classes
while the latter contains 1400 images derived by the previous
75 by means of a distortion algorithm.
      </p>
      <p>The results we collected at the end of the experiments are
shown in Figures 5, 6, and 7:
Fig. 5. Percentage of MPEG7 correct classifications considering: the top
scored class, the top-2 scored classes, and so on.</p>
    </sec>
    <sec id="sec-13">
      <title>It is worth to note that no algorithm generally provides optimal classification in the first hit, but a good classification</title>
      <p>can be obtained in a semi-automatic way considering the
topscored results of the search. More precisely, by considering the
three descriptors and the three datasets, the Radon provides the
correct class into the first 4 hits in almost the 100% of cases
while, a less precise solution can be achieved by considering
only 3 hits. In this case, the correct class appears into the first
three hits in the 80% of cases.</p>
      <sec id="sec-13-1">
        <title>E. Design and Development of the Agents devoted to the</title>
      </sec>
      <sec id="sec-13-2">
        <title>Analysis, Classification and Interpretation of Multilingual</title>
      </sec>
      <sec id="sec-13-3">
        <title>Documents</title>
        <p>
          Some work in the direction of multilingual services was
accomplished during the design and development of the MUSE
project [
          <xref ref-type="bibr" rid="ref13">13</xref>
          ] that addresses the problem of the provision of
multilingual services in the domain of Public
Administrations, supporting business and interpersonal communication
and enabling people to make sense of content and services
already available in this domain. MUSE exploits state of the art
machine translators, a formalized domain description ontology,
a flexible and distributed architecture based on intelligent
agents, a set of stepwise procedures codified in form of
plans in an existing declarative agent oriented programming
language. Also, it can be run as a service in the cloud. MUSE,
whose design is completed and whose implementation is under
way, will be soon experimented in the Registry Office of
Genoa Municipality. A sketch of the different components of
the system is reported in Figure 8
        </p>
        <p>Some modules of the MUSE system have been integrated
as black box items (e.g. Google Translate). Once a translation
is made from the user query formulated in his native language
to the Italian language, a query expansion procedure is run to
help disambiguate the request and find a match with one of the
“well-known problems” encoded in the MUSE ontology. The
aim of the ontology is that of driving the system to retrieve the
correct procedural rule against the user query, once the query
has been properly expanded and interpreted. To this aim, the
ontology contains all the different paths elicited by the domain
experts. If users do mistakes when formulating their queries
MUSE records such mistakes and the relative correction, and
ranks the pairs obtained as they are repeated during real-time
interactions. In this way the system increases the strength of
its hypothesis on the occurrence of such patterns more often
than chance, and may provide an automatic correction when
the same situation happens again, as well as top ranking the
more probable translations associated with the more probable
requests.</p>
      </sec>
      <sec id="sec-13-4">
        <title>F. Dissemination of Results</title>
      </sec>
    </sec>
    <sec id="sec-14">
      <title>The dissemination activity has been conducted by creating</title>
      <p>the project web site http://indianamas.disi.unige.it, and by
publishing the papers cited in the above paragraphs.</p>
      <p>The Indiana MAS project has been mentioned in the seminar
with title “Le incisioni rupestri al Monte Bego nei rilievi di
Clarence Bicknell 1906-1917” held on April 26th, 2012 in
Genova by Antonella Traverso (“Soprintendenza per i Beni
Archeologici della Liguria”) and Cristina Bonci (Universita`
degli Studi di Genova) at the “Accademia Ligure di Scienze e
Lettere”.</p>
      <p>A PhD course on “Computational Archaeology” is foreseen
in 2013, based on the expertise acquired during the project.</p>
    </sec>
    <sec id="sec-15">
      <title>V. CONCLUSIONS AND FUTURE WORK</title>
    </sec>
    <sec id="sec-16">
      <title>The project has just started (the official date is march 8th,</title>
      <p>2012), but the results already obtained are meaningful and
encouraging.</p>
      <p>The project goals are very ambitious, due to the combination
of multi-modality, multi-linguality, and heterogeneity of the
data, and the necessity to give a semantic interpretation of
them based on sophisticated reasoning. It was hence decided
to face some work before the official starting date, in order
to have time to widely experiment all the single elements of
the system, and to design and develop all the rules necessary
to infer new knowledge starting from the objects stored and
analysed inside the system. Such rules are so complex that
a strict and long-term collaboration with domain expert is
unavoidable.</p>
      <p>
        Future works are those envisioned for each work package
during the proposal step. At the moment no deviation from the
work plan seems necessary. The only limitation has emerged
during the experiments conducted by Alessandro Ricciarelli in
his Bachelor’s Thesis, and described in [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ]. Such experiments
were further conducted by the Salerno Unit, and are focusing
on the possibility of recognising and classifying pictures of
engravings. The rock veins, the presence of stains and moss,
and the light effect on the irregular surface of the rocks make
quite impossible to distinguish the engraving trace from noise.
This challenge has been also highlighted in [
        <xref ref-type="bibr" rid="ref14">14</xref>
        ] where the
authors state that the extraction of petroglyph contours within
pictures is a very challenge task, even in the case of images
with a high and clear contrast. As a consequence, automatic
recognition and classification of petroglyph pictures where
contours are difficult to delineate even by people is almost
impossible to perform. For this reason we will concentrate on
black and white relief images and will postpone the treatment
of pictures to a future activity.
      </p>
    </sec>
    <sec id="sec-17">
      <title>ACKNOWLEDGEMENTS</title>
    </sec>
    <sec id="sec-18">
      <title>The FIRB project “Indiana MAS and the Digital Preser</title>
      <p>vation of Rock Carvings: A multi-agent system for drawing
and natural language understanding aimed at preserving rock
carvings” is funded by the Italian Ministry of Education,
University and Research under fund identifier RBFR10PEIT.</p>
      <p>The authors would like to thank Daniele Grignani for the
support in the design and development of the MANENT
system, Prof. Henry de Lumley for sharing digital material useful
for the project and Nicoletta Bianchi and Antonella Traverso
for their precious availability in providing information and
feedback on the real needs of the archaeologists.</p>
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