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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>Predicting Media Memorability Using Ensemble Models</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>David Azcona</string-name>
          <email>david.azcona@dcu.ie</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Enric Moreu</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Feiyan Hu</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Tomás E. Ward</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Alan F. Smeaton</string-name>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Insight Centre for Data Analytics, Dublin City University</institution>
          ,
          <addr-line>Glasnevin, Dublin 9</addr-line>
          ,
          <country country="IE">Ireland</country>
        </aff>
      </contrib-group>
      <pub-date>
        <year>2019</year>
      </pub-date>
      <fpage>27</fpage>
      <lpage>29</lpage>
      <abstract>
        <p>Memorability, defined as the quality of being worth remembering, is a pressing issue in media as we struggle to organize and retrieve digital content and make it more useful in our daily lives. The Predicting Media Memorability task in MediaEval 2019 tackles this problem by creating a challenge to automatically predict memorability scores building on the work developed in 2018. Our team ensembled transfer learning approaches with video captions using embeddings and our own pre-computed features which outperformed Medieval 2018's state-of-the-art architectures.</p>
      </abstract>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>INTRODUCTION AND RELATED WORK</title>
      <p>
        The MediaEval Predicting Media Memorability Task [
        <xref ref-type="bibr" rid="ref8">8</xref>
        ] focuses
on predicting how memorable a video is to viewers. It builds on
the work developed in 2018 [
        <xref ref-type="bibr" rid="ref6">6</xref>
        ] and requires participants to
automatically predict memorability scores for videos reflecting the
probability that videos will be remembered. The dataset is composed
of soundless short videos each with two scores for memorability
that refer to the probability of being remembered after two diferent
durations of memory retention: short-term and long-term (after
24-72 hours). Our team participated in 2018 [
        <xref ref-type="bibr" rid="ref22">22</xref>
        ] with a range of
approaches including video saliency, neural EEG techniques and
visual aesthetics but this year we focus on ensemble methods 1.
      </p>
      <p>
        Media Memorability has attracted research interest recently in
the area of Computer Vision [
        <xref ref-type="bibr" rid="ref20 ref23 ref7">7, 20, 23</xref>
        ]. Recently Convolutional
Neural Networks (CNNs) trained on large datasets such as
ImageNet performed better at predicting memorability scores than
using video captions and pre-computed features [
        <xref ref-type="bibr" rid="ref10 ref25">10, 25</xref>
        ]. In
addition, multimodal approaches with textual descriptors or video
captions that use state-of-the-art neural network (such as
embeddings) approaches have the potential to increase the efectiveness
of these models [
        <xref ref-type="bibr" rid="ref15">15</xref>
        ].
      </p>
    </sec>
    <sec id="sec-2">
      <title>OUR APPROACH</title>
      <p>
        The memorability dataset is composed of 10,000 videos, an oficial
test set of 2,000 videos and a development set of 8,000 videos. Teams
were provided with the development set’s labels only. We divided
the development set into our own training (7,000 videos) and
validation (1,000 videos) sets. We leveraged our held-out validation set
to choose hyper-parameters and evaluated the performance of our
models. Our team’s approach is to develop individual models per
1Code developed for this work has been made publicly available as a repository on
Github at https://github.com/dazcona/memorability where further details such as how
to deploy, models, hyper-parameters and visualizations can be found.
set of features extracted and to then combine them using
ensemble models. First, we developed traditional Machine Learning and
highly regularised linear models (following last year’s [
        <xref ref-type="bibr" rid="ref10">10</xref>
        ]):
i) Support Vector Regression [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ]
ii) Bayesian Ridge Regression (probabilistic model) [
        <xref ref-type="bibr" rid="ref2">2</xref>
        ].
Second, highly regularized Deep Learning techniques such as:
i) Embeddings as high level representations for words [
        <xref ref-type="bibr" rid="ref16">16</xref>
        ]
ii) Transfer Learning by using neural network activations as
feature extractors and fine-tuning our own networks.
      </p>
      <p>We decided to manually extract 8 frames from each source video,
the first frame and one frame after each of the seven seconds of the
video. The following are the categories and models we built:</p>
      <sec id="sec-2-1">
        <title>a) Of the shelf pre-computed features: extracted by the chal</title>
        <p>
          lenge’s organisers [
          <xref ref-type="bibr" rid="ref8">8</xref>
          ]. First, video specialised features: C3D
(101 features per video) and HMP (6,075 features per video) as
a histogram of motion patterns. Then, image features extracted
for three key frames in each video, concatenated into a long
vector. Frame features we used are: LBP, local texture information;
InceptionV3, output of the FC7 layer; Color Histogram; and
aesthetic visual features.
b) Our own pre-computed features: We incorporated visual
aesthetic features by fine-tuning all layers in Resnet50 [
          <xref ref-type="bibr" rid="ref13">13</xref>
          ]
for each of 8 frames. We adapted the code in [
          <xref ref-type="bibr" rid="ref1">1</xref>
          ] to extract 7
emotions (anger, disgust, fear, happiness, sadness, surprise,
neutral), gender scores and spatial information for frames.
c) Textual information: We processed annotated video
captions with a bag-of-words [
          <xref ref-type="bibr" rid="ref11">11</xref>
          ] approach using TF-IDF [
          <xref ref-type="bibr" rid="ref18">18</xref>
          ]
and input those into a linear model. A more modern approach
was to utilise Embeddings and Neural Networks. We built the
following network architecture: an Embeddings layer (marked
as non-trainable) by leveraging Glove’s pre-trained embeddings
[
          <xref ref-type="bibr" rid="ref17">17</xref>
          ] with 300 dimensions followed by a Gated Recurrent Unit
(GRU) [
          <xref ref-type="bibr" rid="ref4">4</xref>
          ] with very high dropout [
          <xref ref-type="bibr" rid="ref24">24</xref>
          ] and, optionally some
fully connected layers with ReLU activation [
          <xref ref-type="bibr" rid="ref9">9</xref>
          ] and dropout.
        </p>
      </sec>
      <sec id="sec-2-2">
        <title>d) Pre-trained CNN as a feature extractor: using transfer learn</title>
        <p>
          ing and a pre-trained model (on ImageNet), we applied global
average pooling to the output of the last convolutional block
before the fully-connected layers at the top of the network.
The pre-trained models used were: VGG16 (4,096 features) [
          <xref ref-type="bibr" rid="ref21">21</xref>
          ],
DenseNet121 (8,192) [
          <xref ref-type="bibr" rid="ref14">14</xref>
          ], ResNet50 (16,384) and ResNet152
(16,384) [
          <xref ref-type="bibr" rid="ref12">12</xref>
          ].
e) Fine-tuning our own CNN: another type transfer learning
where we took a ResNet architecture, removed the old
fullyconnected layers at the top, added some new ones with a
sigmoid at the end and trained the network by unfreezing layers
iteratively to predict memorability scores.
f) Ensemble models: leveraging the predictions for the
individual models, we ran all possible combinations of the weights
with replacement using 20 bins of 5% each.
3
        </p>
      </sec>
    </sec>
    <sec id="sec-3">
      <title>RESULTS</title>
      <p>The first table shows the performance of individual models, the
second shows the weights for the 5 runs submitted and the third
shows the final scores on our validation and on the oficial test data.
Validation (1,000 videos)</p>
      <p>Spearman
Short-term Long-term</p>
    </sec>
    <sec id="sec-4">
      <title>DISCUSSION AND OUTLOOK</title>
      <p>Our findings and contributions to this area are the following:
i) Deep Learning CNN models will typically outperform models
trained with captions and other visual features for short-term
memorability; however, techniques such as embeddings and
recurrent networks can achieve very high results for captions.
(a) Video 798: 0.989 (short-term) (b) Video 1981: 0.987 (short-term)
ii) We believe fine-tuned CNN models will outperform pre-trained
models as feature extractors given enough training samples
and iterations although we could not prove that in this paper.
iii) Ensembling models by using predictions instead of training
models with very long vectors of features is an alternative we
used to counteract memory limitations.
iv) Ensembling models with diferent modalities such as
emotions with captions, high-level representations from CNNs
and visual pre-computed features achieve the best results as
they represent diferent high-level abstractions.</p>
      <p>
        In addition, we used a visualiation called class activation map, useful
for understanding which parts of an image led a CNN to its final
classification decision [
        <xref ref-type="bibr" rid="ref19 ref5">5, 19</xref>
        ]. Figure 2 shows ResNet152 (trained
with ImageNet) was leveraged for most memorable videos.
      </p>
    </sec>
    <sec id="sec-5">
      <title>ACKNOWLEDGMENTS</title>
      <p>The work in this paper is supported by grant number SFI/12/RC/2289.
We thank Aishwarya Gupta, Cristiano Moretti, Kevin Callan, Kevin
McGuinness and M.SC. students in “CA684: Machine Learning” in
2018/9 at DCU.</p>
    </sec>
  </body>
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