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  <front>
    <journal-meta />
    <article-meta>
      <title-group>
        <article-title>The 2019 Multimedia for Recommender System Task: MovieREC and NewsREEL at MediaEval</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="author">
          <string-name>Yashar Deldjoo</string-name>
          <email>deldjooy@acm.org</email>
          <xref ref-type="aff" rid="aff1">1</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Benny Kille</string-name>
          <email>benjamin.kille@dai-labor.de</email>
          <xref ref-type="aff" rid="aff3">3</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Markus Schedl</string-name>
          <email>markus.schedl@jku.at</email>
          <xref ref-type="aff" rid="aff0">0</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Andreas Lommatzsch</string-name>
          <email>andreas.lommatzsch@dai-labor.de</email>
          <xref ref-type="aff" rid="aff3">3</xref>
        </contrib>
        <contrib contrib-type="author">
          <string-name>Jialie Shen</string-name>
          <email>j.Shen@qub.ac.uk</email>
          <xref ref-type="aff" rid="aff2">2</xref>
        </contrib>
        <aff id="aff0">
          <label>0</label>
          <institution>Johannes Kepler University Linz</institution>
          ,
          <country country="AT">Austria</country>
        </aff>
        <aff id="aff1">
          <label>1</label>
          <institution>Polytechnic University of Bari</institution>
          ,
          <country country="IT">Italy</country>
        </aff>
        <aff id="aff2">
          <label>2</label>
          <institution>Queen's University Belfast</institution>
          ,
          <country country="UK">UK</country>
        </aff>
        <aff id="aff3">
          <label>3</label>
          <institution>Technical University of Berlin</institution>
          ,
          <country country="DE">Germany</country>
        </aff>
      </contrib-group>
      <pub-date>
        <year>2019</year>
      </pub-date>
      <fpage>27</fpage>
      <lpage>29</lpage>
      <abstract>
        <p>The MediaEval 2019 Task “Multimedia for Recommender Systems” investigates the potential of leveraging multimedia content to enhance recommender systems. In this task, participants use a wealth of information from text, images, and audio to predict the success of items. Thereby, we advance the state-of-the-art of content-based recommender systems by leveraging multimedia content.</p>
      </abstract>
      <kwd-group>
        <kwd>movies</kwd>
        <kwd>news</kwd>
        <kwd>recommender systems</kwd>
        <kwd>multimedia</kwd>
        <kwd>content-based ifltering</kwd>
        <kwd>feature engineering</kwd>
        <kwd>text</kwd>
        <kwd>video</kwd>
        <kwd>audio</kwd>
        <kwd>images</kwd>
      </kwd-group>
    </article-meta>
  </front>
  <body>
    <sec id="sec-1">
      <title>INTRODUCTION</title>
      <p>
        Recommender systems support users in their decision making by
focusing them on a small selection of items out of a large
catalogue [
        <xref ref-type="bibr" rid="ref11">11</xref>
        ]. To date, most recommendation models use collaborative
ifltering (CF), content-based filtering on metadata (CBF-metadata),
or a combination thereof at their core. CF-based models exploit the
collaborative power of interactions encoded in users’ implicit or
explicit feedbacks to compute recommendations, thereby entirely
disregarding the role of content. CBF-metadata models, on the
other hand, solely resort to metadata (editorial or user-generated)
to generate recommendations, disregarding the perception of media
content [
        <xref ref-type="bibr" rid="ref5">5</xref>
        ]. We argue that human interpretation of media items is
by nature content-oriented in which multimedia content including
the audio and visual content play a key role on driving users’
preferences [
        <xref ref-type="bibr" rid="ref7 ref8">7, 8</xref>
        ]. Thus, recommendation systems should ofer users
the chance to learn more about their multimedia taste (e.g., their
visual or musical taste) and their semantic interests [
        <xref ref-type="bibr" rid="ref12 ref4 ref5 ref6">4–6, 12</xref>
        ].
      </p>
      <p>
        The MovieREC and NewsREEL tasks aim to facilitate using
multimedia content in recommender systems [
        <xref ref-type="bibr" rid="ref7">7</xref>
        ]. Participants can engage
with two subtasks covering diferent domains. The movie
recommendation task asks participants to predict the average rating for
movies, their rating variance, together with popularity scores. The
news recommendation task challenges participants to predict the
number of reads of news articles. In this overview paper, we present
the goal of each task, discuss the features provided by the
organizers, and provide a description of the ground truth and evaluation
methods as well as the required runs.
      </p>
    </sec>
    <sec id="sec-2">
      <title>MOVIE RECOMMENDATION</title>
      <p>
        The entertainment industry is a several-hundred-billion-dollar
industry. Producing a new movie means that the company is betting
on the movie’s success. With the goal to make this endeavor
successful, producers and investors must utilize various professional
promotional methodologies including movie trailers, to publicize
the film already a long time before its release. Machine learning
techniques can be used to predict the success of a movie, allowing
producers and investors to decide whether or not to support similar
movies [
        <xref ref-type="bibr" rid="ref1">1</xref>
        ]. While previous works have mostly focused on
exploiting pre-release factors such as metadata including actors’ names,
writers, producers, genre, production company, etc. to predict the
success of a movie, the goal of the current task is to use
contentbased features extracted from diferent modalities (audio, visual,
and textual) of the movie trailers to predict how a movie will be
received by its viewers. Using movie trailers instead of the entire
movies to extract features makes the system more versatile and
efective as trailers are more easily available than the full movies.
2.1
The input to the system is a set of audio, visual, and text features
derived from selected movie trailers. Task participants must create
an automatic system that can predict the average ratings that users
will assign to movies (representing the overall appreciation of the
movie by the audience), the rating variance (representing the
agreement of user ratings)1 as well as the popularity score (characterized
by number of ratings given to each movie by all users).
2.2
      </p>
    </sec>
    <sec id="sec-3">
      <title>Data</title>
      <p>
        Participants are supplied with audio and visual features extracted
from movie trailer as well as associated metadata (genre and tag
labels). The development set (devset) and test set provide features
for 10 898 and 2725 trailers. It should be noted that content
descriptor types in the current task are similar to MediaEval 2018 Movie
Recommendation task [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ] with the diference that in MediaEval
2018, video clips were used to extract features from audio and
visual modalities while in MediaEval 2019 we use movie trailers. A
movie can have several associated video clips, but (we assume) it
has only one corresponding movie trailer. The content descriptors
are organized in three categories.
      </p>
      <p>
        Metadata descriptors (found in folder Metadata) are provided
as two CSV files containing genre and user-generated tags associated
with each movie. The metadata features come in pre-computed
numerical format instead of the original textual format [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ].
1Note that in fact it is required to predict standard deviation of ratings, cf. Section 2.3
but due to intelligibility we use the term “variance” instead of standard deviation.
      </p>
      <p>
        Audio features (found in folder Audio) include block level
features (BLF) and i-vector features [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ]. The BLF data includes the
raw features of the 6 sub-components (sub-features) that describe
various audio aspects: spectral aspects, harmonic aspects, rhythmic
aspects, and tonal aspects. The i-vector features, describing timbre
are computed based on numbers of Gaussian mixtures (GMMs)
and the total variability dimension (tvDim). BLF feature vectors
are provided in 6 separate CSV files, containing the raw feature
vectors of the sub-components. The i-vector features are provided
for GMMs = (256, 512) and tvDim = (100, 200).
      </p>
      <p>
        Visual features (found in folder Visual) are contained in two
sub-folders: Aesthetic visual features (AVF) and Deep AlexNet Fc7
features [
        <xref ref-type="bibr" rid="ref3">3</xref>
        ]. AVF captures three fundamental properties in image
composition, color, texture and objects. This is while, the Deep
features uncover syntactic and semantic information about visual
content. We provide the AVF and Deep AlexNet features using 4
temporal feature aggregation techniques, based on average value across
all frames (denoted Avg) and median (denoted Med).
      </p>
      <p>Although diferent hyper parameters are provided, for simplicity,
participants can rely on one choice of hyperparameters to build
their system. Then, if interested, diferent hyperparameters could
be tested to improve the accuracy of the developed system.
2.3</p>
    </sec>
    <sec id="sec-4">
      <title>Run Description and Evaluation Metrics</title>
      <p>Every team will be asked to provide 1 submission file, containing 3
predicted scores for the items given in the test set. The scores should
be in comma-separated format in the form i.e., (id, s1, s2, s3), where
id is the item id, s1 is the predicted score for rating average, s2 is the
predicted score for rating standard deviation and s3 is the predicted
score for the popularity score. The evaluation of participants’ runs
is realized by using the standard error metric
root-mean-squareerror (RMSE) between the predicted scores and the actual scores
according to the ground truth , RMSE = q N1 ÍiN=1(si − sˆi )2 where
N is the number of scores in the test set on which the system is
validated, si is the actual score of users given to item i and sˆi is
the predicted score. Note, that during test data release, participants
are provided only with the identifiers of test movie trailers and the
corresponding features and they are expected to predict three types
of the scores.
3</p>
    </sec>
    <sec id="sec-5">
      <title>NEWS RECOMMENDATION</title>
      <p>
        The continuing expansion of the world-wide web has lead
publishers to distribute news more rapidly and to a larger readership.
Readers, on the other hand, struggle to find exactly those stories
they want to read. Consequently, publishers have introduced news
recommender systems to assist their readers [
        <xref ref-type="bibr" rid="ref2 ref9">2, 9</xref>
        ].
3.1
      </p>
    </sec>
    <sec id="sec-6">
      <title>Task Description</title>
      <p>Participants take on the role of a news recommender system. They
must predict which articles will attract most readers for a selection
of weeks. This follows the intuition that publishers suggesting
these items will maximize their readers’ engagement. Conversely,
publishers suggesting articles with few reads will experience less
engagement. Participants obtain a data set to conduct experiments.
3.2</p>
    </sec>
    <sec id="sec-7">
      <title>Data</title>
      <p>The data describe the activity on a large German news publisher
in the time between 1 January and 31 March, 2019. The data set
contains 14 049 articles and 14 638 images published during the
thirteen week period. For each article, the data set provides the link
to the image, the first 256 characters of text, a stemmed version
thereof, the URL to the article, and the URL to the image. In addition,
the data show how frequently users read articles for some of the
thirteen weeks. More specifically, the data provides the reading
statistics for the weeks 1 to 3 and 7 to 9. The data set excludes
statistics for the remaining weeks for testing. Furthermore, the
data set includes automatically generated labels for the images. We
have processed each image with automatic image annotators. We
used both Tensorflow and Keras with pre-trained models VGG16,
VGG19, and Inception. In total, the data set contains 762 137 labels.
Labels carry confidence scores reflecting the degree of certainty
with which the model has assigned the label. Finally, the data set
includes an activation layer of ImageNet for each image. The data
set lacks the images. Participants can collect them using the URLs.
3.3</p>
    </sec>
    <sec id="sec-8">
      <title>Run Description and Evaluation Metrics</title>
      <p>
        The task considers four target weeks: 5, 11, 12, and 13. Participants
must predict the number of reads for each article in each of these
weeks. Let a ∈ A refer to the articles and w ∈ W represents the
weeks. Then, we challenge you to predict the number of reads for
article a in week w, ν (a, w) ∈ R+. Still, accurately predicting the
number of reads is only part of a successful contribution. A
publisher needs information about which articles to push to readers
thus maximizing their engagement. Consequently, we evaluate
submission in terms of precision. Precision measures to what degree a
ranked list includes known positive entries. We derive the positive
entries from the hold-out evaluation set. Having obtained the
predictions, we sort the articles accordingly. Then, we check the top of
the list for two settings. We compute the precision, which refers to
the fraction of hits in the top of the list [
        <xref ref-type="bibr" rid="ref10">10</xref>
        ]. Formally, p = |L∪G |/|L |,
where p refers to the precision, L to the top of the list, and G to the
ground truth of target articles. We consider two settings. First, we
the |L| to ten. This reflects how well the algorithm detects the top
articles. Second, we set |L| to ten percent of the set of articles. This
covers a larger portion of the article collection ans signals whether
the algorithm finds interesting articles further down the list. Finally,
we determine the best submission in terms of these two figures:
p@10 and p@10%. Each participant can submit at most five lists of
predictions.
4
      </p>
    </sec>
    <sec id="sec-9">
      <title>CONCLUSIONS</title>
      <p>The 2019 Multimedia Recommendation Task provides an unified
framework for evaluating participants’ recommendation approaches
for news and movies. Both task provide multi-media content and
meta-data features.Details regarding the methods and results of
each individual run can be found in the working note papers of the
MediaEval 2019 workshop proceedings.</p>
      <p>The 2019 Multimedia for Recommender System Task</p>
    </sec>
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